1,720,958 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Cecilia Böhl de Faber antes de Fernán Caballero. La emergencia de una identidad y una voz autoriales
No full textRESUMEN: Cecilia Böhl de Faber (1796-1877) tuvo afición a la escritura desde muy joven: sus primeros pasos literarios ya se observan en las décadas iniciales del siglo XIX. En el artículo se examina cómo emerge su identidad autorial, cómo se expresa mediante su voz autorial y cómo representa al sujeto femenino, en una selección de las primeras creaciones de la autora publicadas por Camille Pitollet a inicios del siglo XX. Por consiguiente, se argumenta que la carrera literaria de la escritora comienza antes de su elección del seudónimo Fernán Caballero y su decisión de publicar sus obras como La gaviota en 1849.
Cecilia Böhl de Faber (1796-1877) developed a great enthusiasm for writing since a young age: her first literary steps already take place in the initial decades of the 19th century. In this article I examine how her authorial identity emerges, how she expresses herself through her authorial voice, and how she represents the female subject, in a selection of the first creations of the author published by Camille Pitollet at the beginning of the 20th century. As a result, I argue that this writer’s literary career begins before her choosing to write under the pseudonym Fernán Caballero and to publish her works such as La gaviota in 1849.
Cecilia Böhl de Faber before Fernán Caballero. The emergence of an authorial identity and voice
Get PDFCecilia Böhl de Faber (1796-1877) tuvo afición a la escritura desde muy joven: sus primeros pasos literarios ya se observan en las décadas iniciales del siglo XIX. En el artículo se examina cómo emerge su identidad autorial, cómo se expresa mediante su voz autorial y cómo representa al sujeto femenino, en una selección de las primeras creaciones de la autora publicadas por Camille Pitollet a inicios del siglo XX. Por consiguiente, se argumenta que la carrera literaria de la escritora comienza antes de su elección del seudónimo Fernán Caballero y su decisión de publicar sus obras como La gaviota en 1849.Cecilia Böhl de Faber (1796-1877) developed a great enthusiasm for writing since a young age: her first literary steps already take place in the initial decades of the 19th century. In this article I examine how her authorial identity emerges, how she expresses herself through her authorial voice, and how she represents the female subject, in a selection of the first creations of the author published by Camille Pitollet at the beginning of the 20th century. As a result, I argue that this writer’s literary career begins before her choosing to write under the pseudonym Fernán Caballero and to publish her works such as La gaviota in 1849
Fernán Caballero y la defensa de la causa animal como proyecto nacional en «Los pobres perros abandonados» (1865)
Get PDFFernán Caballero desarrolla en su artículo «Los pobres perros abandonados» (1865) una crítica de la crueldad hacia los perros en España. La autora juega con la perspectiva femenina y maternal que ofrece una revista como El Angel del Hogar para hablar de la construcción identitaria de España como nación civilizada a través del caso del maltrato animal. Mediante un juego literario que incluye a Antoine de Latour, Miguel de Cervantes y Dulcinea, una descendiente de los perros de El coloquio, aspira a desplegar varios propósitos educativos, en particular acerca del problema moral y consiguiente peligro que constituyen las novelas modernas.
In her article «Los pobres perros abandonados» (1865), Fernán Caballero develops a critique of the cruelty towards dogs in Spain. The author plays with the feminine and maternal perspective offered by a magazine such as El Angel del Hogar to talk about the identity construction of Spain as a civilised nation through the case of animal abuse. By means of a literary game which includes Antoine de Latour, Miguel de Cervantes and Dulcinea, a descendant of the dogs of El coloquio, she aims to display various educative purposes, and in particular the moral problem and consequent danger constituted by modern novels.
CECILIA BÖHL DE FABER ANTES DE FERNÁN CABALLERO. La emergencia de una identidad y una voz autoriales
No full textCecilia Böhl de Faber (1796-1877) developed a great enthusiasm for writing since a young age: her first literary steps already take place in the initial decades of the 19th century. In this article I examine how her authorial identity emerges, how she expresses herself through her authorial voice, and how she represents the female subject, in a selection of the first creations of the author published by Camille Pitollet at the beginning of the 20th century. As a result, I argue that this writer’s literary career begins before her choosing to write under the pseudonym Fernán Caballero and to publish her works such as La gaviota in 1849.Cecilia Böhl de Faber (1796-1877) tuvo afición a la escritura desde muy joven: sus primeros pasos literarios ya se observan en las décadas iniciales del siglo XIX. En el artículo se examina cómo emerge su identidad autorial, cómo se expresa mediante su voz autorial y cómo representa al sujeto femenino, en una selección de las primeras creaciones de la autora publicadas por Camille Pitollet a inicios del siglo XX. Por consiguiente, se argumenta que la carrera literaria de la escritora comienza antes de su elección del seudónimo Fernán Caballero y su decisión de publicar sus obras como La gaviota en 1849
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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