1,721,007 research outputs found
Situación del humanismo
Get PDFFil: Botana, Natalio. Universidad Católica de Lovaina. Facultad de Derecho. Lovaina, Bélgic
La política en las calles: entre el voto y la movilización. Buenos Aires, 1862-1880. Buenos Aires : Sudamericana,1998. 294 p.
Get PDFFil: Botana, Natalio. Instituto Di Tella; ArgentinaFil: Graham, Richard. Universidad de Texas; Estados UnidosFil: Malamud, Carlos. Fundación Ortega y Gasset; ArgentinaFil: Palti, Elías José. Universidad Nacional de Quimes; ArgentinaFil: Palti, Elías José. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaSábato, Hilda reseñada por Botana, Natalio; Graham, Richard; Malamud, Carlos, Palti; Elías Jos
La science, la technique et l'avenir de l'Amérique latine : analyse et stratégie
No full textSabato Jorge A., Botana Natalio. La science, la technique et l'avenir de l'Amérique latine : analyse et stratégie. In: Tiers-Monde, tome 12, n°47, 1971. Le tiers monde en l'an 2000. pp. 579-594
Domingo Faustino Sarmiento. Una aventura republicana. Fondo de Cultura Económica, 1996.
No full textBotana, Natalio reseñado por Javier a. TrímboliFil: Trímboli, Javier A. Universidad de Buenos Aires. Facultad de Filosofía y Letras; Argentin
Presentación del libro Variaciones de la república. La política en la Argentina del siglo XIX
No full textDisertación llevada a cabo en la Presentación del libro Variaciones de la república. La política en la Argentina del siglo XIX (Prohistoria, 2020). Conversación entre Natalio Botana, Alejandro Eujanian, Hilda Sabato y Marcela Ternavasio, coordinada por Fernando Rocchi en el marco de las V Jornadas de Historia Política 2021 y XII Jornadas de Historia Política “Formas del Federalismo Argentino y Latinoamericano siglo XIX-XXI” del Programa Interuniversitario de Historia Política el 18 de mayo de 2021
Les transformations du credo libéral et constitutionnel en Amérique latine au cours du xixe siècle
No full textLe credo libéral et constitutionnel a dû faire face à une double exigence lors du développement d’une tradition politique indépendante en Argentine et en Amérique latine. Étant donné que, sauf au Brésil, la légitimité monarchique s’était effondrée pendant les guerres d’Indépendance, le besoin de contenir les factions en lutte pour les subordonner à la fragile souveraineté de l’Etat était devenu évident dans les territoires libérés de l’empire espagnol. Originellement destiné à manifester la s..
La légitimité, problème politique
No full text(Docteur en Sciences Politiques et Sociales) -- Université catholique de Louvain, 196
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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