59,744 research outputs found
Jorge Luis Borges e a reinvenção poética da entrevista
No full textTese (doutorado) - Universidade Federal Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Literatura.O escritor argentino Jorge Luis Borges concedeu um extenso número de entrevistas nas suas últimas três décadas de vida, que aqui se propõem sejam consideradas como parte significativa de sua obra. Para tanto, verifica-se a sua tomada de posição diante da entrevista e da conversa, os jogos que realiza durante o evento do diálogo, as suas aventuras com a palavra e as incursões que promove pela narrativa e pelo ensaísmo. O que se descobre é que Borges singulariza a entrevista como uma experiência estética. Na medida em que faz dela um meio de reflexão colaborativa e criativa, coloca em xeque as tentativas de definição e de categorização de campos como a entrevista, a conversa e o ensaísmo. Ao final, vislumbra-se como Borges não apenas realiza o potencial poético da entrevista como ainda, através dela, renova o ensaísmo, fazendo do diálogo um de seus projetos literários finais
Daniel Balderston. How Borges Wrote. U of Virginia P, 2018.
No full textReview of Daniel Balderston. How Borges Wrote. U of Virginia P, 2018
Jorge Luis Borges (la division subjective)
No full textCette thèse doctorale analyse l incidence du bilinguisme de Borges et de sa double filiation ( hispano-argentine et anglo-saxonne ) sur son écriture. En prenant appui sur la théorie lacanienne de l inconscient, l analyse structurale décèle les formes dont la division subjective de l auteur imprègne son imaginaire. Ces formes ont un dénominateur commun, elles expriment une articulation binaire ou un principe de division et, en même temps, une quête d unicité qui trouve un aboutissement idéal dans la voie métaphysique. Les auteurs Anglo-Saxons dont l influence sur l œuvre de Borges fut marquante prennent une place importante dans ce travail. Il en est question de Stevenson, Chesterton et Henry James notamment, mais d autres auteurs sont aussi évoqués.The present doctoral thesis carries out an analysis of the effect of Borges bilingualism and double filiation ( hispano argentinian and anglo-saxon) on his writings. Supported on Lacan s theory of the unconscious, the structural analysis reveals the forms through which the author s subjective division impregnates his imaginary. These forms have a common denominator, they express a binary articulation or a division principle and, at the same time, a search of unicity, ideally achieved by the metaphysics way. A major place is given in this work to Anglo-Saxon authors whose influence marked Borges writings. It concerns Stevenson, Chesterton and Henry James mainly, but other authors are also evoked.NANTERRE-BU PARIS10 (920502102) / SudocSudocFranceF
Jorge Luis Borges y la prosa fantástica croata
No full textU hrvatskoj književnoj povijesti postoji definiran korpus tekstova tzv. hrvatskih
fantastičara ili borgesovaca. Potonji je termin uveo Branimir Donat u eseju „Astrolab za
hrvatske borgesovce“, međutim i drugi su kritičari (primjerice Ljerka Mifka, Bože V. Žigo i
Boris Lukšić) isticali Borgesa kao ključnog autora u formiranju ove skupine autora koja se
javlja krajem šezdesetih i početkom sedamdesetih godina prošlog stoljeća. Ipak, kasnije je
kritika nastojala istaknuti kako Borgesov utjecaj i nije bio presudan za nastanak tekstova naših
fantastičara. Što se pak tiče samih autora, većina njih ograđivala se ili se još uvijek ograđuje od
etikete borhesovci. Stoga se ovaj interdisciplinarni rad bavi u svome prvome dijelu Borgesovim
stvaralaštvom, njegovim glavnim tematskim preokupacijama i manifestacijom istih u
fantastičnoj prozi, dok se u drugom dijelu bavimo dvama hrvatskim fantastičarima, Pavličićem
i Tribusonom i njihovim prvim fantastičnim zbirkama u usporedbi s Izmišljajima i Alephom.En la historia de la literatura croata existe un corpus de textos de escritores de lo
fantástico croatas o los borgeanos croatas. Este último término lo introdujo Branimir Donat en
su ensayo “Astrolab za hrvatske borgesovce”. Sin embargo, también los demás críticos (como,
por ejemplo, Ljerka Mifka, Bože V. Žigo i Boris Lukšić) destacaban a Borges como la figura
clave en la formación de este grupo de autores que empieza a escribir sus primeros cuentos a
finales de los sesenta y a principios de los setenta del siglo pasado. No obstante, después la
crítica señalaba que la influencia de Borges no era tan decisiva para la aparición de textos de
los autores croatas. En cuanto a los escritores mismos, ellos trataban de desvincularse del
término. Por lo tanto, este trabajo interdisciplinario se ocupa, en su primera parte, de la obra de
Borges, de sus principales preocupaciones temáticas y de su manifestación en su prosa
fantástica, mientras que la segunda parte está dedicada a dos escritores croatas, a Pavličić y
Tribuson y sus primeras colecciones de cuentos fantásticos en comparación con Ficciones y El
Aleph
The labyrinth of representation in the literature of Jorge Luis Borges
No full textilustraciones, diagramasEl laberinto de la representación en la literatura de Jorge Luis Borges Éste trabajo explora, a partir de cinco relatos del escritor argentino Jorge Luis Borges, la manera como la representación se desempeña en la creación de imágenes literarias. Éstas imágenes implican la ejecución de la metáfora como herramienta narrativa, con la que resulta posible la descripción de objetos y fenómenos de otra manera imposibles. Es el caso de la imagen del azar/infinito, que toma forma con las múltiples imágenes de laberintos que propone el autor. Se verá que ésta exploración contempla las relaciones con las tradiciones judía, cristiana y griega, por ello se trazan lazos mitológicos. Finalmente, se propone un esfuerzo por describir geométrica y espacialmente algunos esos laberintos al interior de los cuentos. (Texto tomado de la fuente)The Labyrinth of Representation in the Literature of Jorge Luis Borges This work explores, based on five stories by the argentine writer Jorge Luis Borges, the way in which representation plays a role in the creation of literary images. These images imply the execution of the metaphor as a narrative tool, with which it is possible to describe otherwise impossible objects and phenomena. This is the case of the image of random, which takes shape with the multiple images of labyrinths proposed by the author. It will be seen that this exploration contemplates the relations with the Jewish, Christian and Greek traditions, for this reason mythological ties are drawn. Finally, an effort is proposed to describe geometrically and spatially some of these labyrinths within the stories.MaestríaMagíster en EstéticaÁrea Curricular de Ciencias Humanas y Sociale
Zašto je Jorge Luis Borges pisao o Janu Panoniju?
No full textRazlozi zašto je Jorge Luis Borges za svoju novelu Teolozi mogao odabrati upravo povijesnu osobu Jana Pannonija su –
kao što sam kroz ovaj rad nastojao pokazati – mnogostruki. No ono što ime je svima zajedničko jest činjenica da se radi isključivo o praktičnim razlozima; bilo da je riječ o specifičnom povijesnom trenutku ili specifičnom zemljopisnome kutku, ili da se radi tek o sretnoj podudarnosti pjesnikova imena s imenom prikladna rimskoga božanstva, Borges je odabrao Janusa Pannoniusa iz vrlo jednostavnog razloga – jer mu je bilo lakše izabrati njega nego bilo koga drugoga.
Ono što je isto važno pripomenuti jest da se Janus Pannonius ni po čemu ne izdvaja iz opće
galerije Borgesovih likova. Kao što sam pokazao u tekstu, on se savršeno uklapa u nekoliko tipova Borgesovih narativa, bilo da se tiču pojedinčeva identiteta i vječne teme o podvojenosti ličnosti ili prijepora između pravovjerja i krivovjerja kao sukoba koji izvire iz suprotstavljenih ideja o transcendenciji, a koji se nažalost nerijetko prenosi i na ovozemaljske odnose. Budući da ove dvije teme obuhvaćaju većinu Borgesova opusa (a u Teolozimasu tako balansirane da nijedna ne preteže), čitava nam novela kojom sam se ovdje bavio po mnogim svojim značajkama može poslužiti kao ogledni primjer Borgesove novelistike, unatoč tome što ne pripada onoj nekolicini najpopularnijih njegovih radova.
Ono što je također važno – a na što se nisam izravno osvrtao u ovome radu – jest činjenica da bismo trebali biti barem djelomično zadovoljni utjecajem pojedinih pripadnika hrvatske kulture
na onu europsku, ako je Borges za povijesno verificirani temelj izgradnje jednog od likova svoje novele uopće mogao – među svim odličnicima europskog humanizma – odabrati pjesnika rođenog u Hrvatskoj. Kao netko tko je barem posredno gradio, među ostalima, i hrvatsku kulturu, on je time potvrdio njezinu pripadnost stanovitome podskupu kulture Zapada, ali i njezino ravnopravno sudjelovanje u općemu korpusu svjetske umjetničke baštine
The labyrinth of representation in the literature of Jorge Luis Borges
No full textilustraciones, diagramasEl laberinto de la representación en la literatura de Jorge Luis Borges Éste trabajo explora, a partir de cinco relatos del escritor argentino Jorge Luis Borges, la manera como la representación se desempeña en la creación de imágenes literarias. Éstas imágenes implican la ejecución de la metáfora como herramienta narrativa, con la que resulta posible la descripción de objetos y fenómenos de otra manera imposibles. Es el caso de la imagen del azar/infinito, que toma forma con las múltiples imágenes de laberintos que propone el autor. Se verá que ésta exploración contempla las relaciones con las tradiciones judía, cristiana y griega, por ello se trazan lazos mitológicos. Finalmente, se propone un esfuerzo por describir geométrica y espacialmente algunos esos laberintos al interior de los cuentos. (Texto tomado de la fuente)The Labyrinth of Representation in the Literature of Jorge Luis Borges This work explores, based on five stories by the argentine writer Jorge Luis Borges, the way in which representation plays a role in the creation of literary images. These images imply the execution of the metaphor as a narrative tool, with which it is possible to describe otherwise impossible objects and phenomena. This is the case of the image of random, which takes shape with the multiple images of labyrinths proposed by the author. It will be seen that this exploration contemplates the relations with the Jewish, Christian and Greek traditions, for this reason mythological ties are drawn. Finally, an effort is proposed to describe geometrically and spatially some of these labyrinths within the stories.MaestríaMagíster en EstéticaÁrea Curricular de Ciencias Humanas y Sociale
A Dynamic Subfilter-scale Stress Model for Large Eddy Simulations Based on Physical Flow Scales
No full textWe propose a new definition of the length scale in an eddy-viscosity model for large-eddy simulations (LES). This formulation extends and generalizes a previous proposal [Piomelli, Rouhi and Geurts, Proc. ETMM10, 2014], in which the LES length scale was expressed in terms of the integral length-scale of turbulence determined by the flow characteristics and explicitly decoupled from the simulation grid; this approach was named Integral Length-Scale Approximation (ILSA). As in the original ILSA, the model coefficient was determined by the user, and required to maintain a desired contribution of the unresolved, subfilter scales (SFS) to the global transport. We propose a local formulation (local ILSA) in which the model coefficient is local in space, allowing a precise control over SFS activity as a function of location. This new formulation preserves the properties of the global model; application to channel flow and backward-facing step verifies its features and accuracy
Correction: Alterations in Cytosolic and Mitochondrial [U-13C]Glucose Metabolism in a Chronic Epilepsy Mouse Model (vol 4, e0341-16.2017, 2017)
No full textIn the article “Alterations in Cytosolic and Mitochondrial [U-13C]Glucose Metabolism in a Chronic Epilepsy Mouse Model,” by Tanya S. McDonald, Catalina Carrasco-Pozo, Mark P. Hodson, and Karin Borges, which appeared on e0341-16.2017 of the January/February 2017 issue, the authors regret the oversight of adding statistical significance for the differences in OGDH activities Figure 3C. The corrected figure is shown below.Full Tex
Large-eddy simulation of a separated flow with a sub-filter scale model based on the integral length-scale
No full textA new sub-filter scale model for large-eddy simulations, which uses a length-scale proportional to the integral scale of the turbulence instead of the grid resolution to parametrize the modelled stresses, will be assessed in the prediction of the flow of a boundary-layer over a rough surface, which includes separation and reattachment
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