1,721,022 research outputs found
FIGURE 1 in Description of a new Tityus species (Scorpiones: Buthidae) from Sierra de Portuguesa, western Venezuela, based on morphological and mitochondrial DNA evidence
No full textFIGURE 1. Tityus imei sp. nov. dorsal view. a. Male (Holotype, CELT690); b. Female (Paratype, CELT688). Scale bar = 1 cm.Published as part of Borges, Adolfo, Sousa, Leonardo De & Manzanilla, Jesús, 2006, Description of a new Tityus species (Scorpiones: Buthidae) from Sierra de Portuguesa, western Venezuela, based on morphological and mitochondrial DNA evidence, pp. 49-68 in Zootaxa 1107 on page 53, DOI: 10.5281/zenodo.17146
FIGURE 1 in Discovery and description of the male of Tityus uquirensis (Scorpiones: Buthidae) from the Paria Peninsula, northeastern Venezuela
No full textFIGURE 1. Tityus uquirensis (male specimen, CELT-508). Dorsal view. Scale = 1cm.Published as part of Sousa, Leonardo De, Manzanilla, Jesús, Borges, Adolfo, Cornejo-Escobar, Pablo & Gregoriani, Tonio, 2008, Discovery and description of the male of Tityus uquirensis (Scorpiones: Buthidae) from the Paria Peninsula, northeastern Venezuela, pp. 57-68 in Zootaxa 1828 on page 59, DOI: 10.5281/zenodo.18314
FIGURE 3. Tityus uquirensis, male. a. Metasome, ventral view. b. Metasome, lateral view. c in Discovery and description of the male of Tityus uquirensis (Scorpiones: Buthidae) from the Paria Peninsula, northeastern Venezuela
No full textFIGURE 3. Tityus uquirensis, male. a. Metasome, ventral view. b. Metasome, lateral view. c. Telson, lateral view. Scale: a and b = 5 mm; c = 1 mm.Published as part of Sousa, Leonardo De, Manzanilla, Jesús, Borges, Adolfo, Cornejo-Escobar, Pablo & Gregoriani, Tonio, 2008, Discovery and description of the male of Tityus uquirensis (Scorpiones: Buthidae) from the Paria Peninsula, northeastern Venezuela, pp. 57-68 in Zootaxa 1828 on page 62, DOI: 10.5281/zenodo.18314
La construcción literaria de Invasión (1969): un guion escrito por Jorge Luis Borges, Adolfo Bioy Casares y Hugo Santiago
Get PDFThis article examines the literary construction of the screenplay for Invasión (1969), written by Jorge Luis Borges, Adolfo Bioy Casares, and Hugo Santiago. Drawing from Pier Paolo Pasolini’s theory of the screenplay as an autonomous literary genre, the study analyzes the film’s narrative structure, the literariness of its dialogues, the symbolic construction of space, the archetypal characterization of its characters, and its potential political-historical reading as a premonition of Argentina’s military repression. Additionally, it explores Borges and Bioy Casares’ theoretical and aesthetic conceptions of cinema, their literary association as H. Bustos Domecq, and their collaboration with Santiago, as well as the director’s cinematic vision, influenced by the Nouvelle Vague. The study concludes that Invasión not only enriches Argentine cinema but also expands the understanding of Borges’ literary universe in its relationship with other artistic languages. The screenplay’s construction as a literary work serves as the foundation for a unique cinematic poetics that opens new avenues for critical reflection on the boundaries between cinema and literature.El presente artículo examina la construcción literaria del guion de Invasión (1969), escrito por Jorge Luis Borges, Adolfo Bioy Casares y Hugo Santiago. Con punto de partida en la teoría de Pier Paolo Pasolini sobre el guion como un género literario autónomo, el estudio analiza la estructura narrativa del film, la literariedad de sus diálogos, la construcción simbólica del espacio, la caracterización arquetípica de sus personajes y su posible lectura político-histórica como anticipación de la represión dictatorial en Argentina. Asimismo, se examinan las concepciones teóricas y estéticas de Borges y Bioy Casares sobre el cine, su asociación literaria como H. Bustos Domecq y su colaboración con Santiago, además de la visión cinematográfica del director, influenciada por la Nouvelle Vague. Se concluye que Invasión constituye una obra que no solo enriquece la filmografía argentina, sino que también amplía la comprensión del universo literario borgeano en su relación con otros lenguajes artísticos. La construcción de su guion como obra literaria es el punto de partida de una poética cinematográfica única que abre nuevos caminos para la reflexión crítica sobre los límites del cine y la literatura
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Traducíon y formación de géneros: la antología de la literatura fantástica de Jorge Luis Borges, Adolfo Bioy Casares y Silvina Ocampo.
No full textLa Antología de la literatura fantástica es una antología singular en la historia de las literaturas hispánicas. Compilada por Jorge Luis Borges, Adolfo Bioy Casares y Silvina Ocampo, se ha transformado en un clásico del idioma aunque la mayoría de sus textos provenga de varias literaturas del Ocidente y del Oriente, sobre todo de las literaturas de lengua inglesa. La antología ha servido para firmar un género literario, que ya tenía sus raíces en el Río de la Plata del siglo XIX, en la dirección estética que defendían los tres escritores y que se oponía a la estética realista entonces dominante. Aquí se examina cómo surgió la antología, la parte que ha jugado cada uno de los antólogos y las diferencias de criterio de selección de autores extranjeros y nacionales entre sus dos ediciones: la primera de 1941 y la segunda de 1965
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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