1,721,107 research outputs found
Bootz Philippe (18/09/2013), présentation de l’exposition « les littératures numériques d’hier à demain » pour l’émission de France 3 un livre, un jour, https://player.vimeo.com/video/75373539? (consulté le 09/09/2016)
Bootz Philippe (18/09/2013), présentation de l’exposition « les littératures numériquesd’hier à demain » pour l’émission de France 3 un livre, un jour,https://player.vimeo.com/video/75373539? (consulté le 09/09/2016
Nuevas narrativas en la época de las tecnologías digitales de la información: el proceso de creación de un web-documental
Trabajo de investigación sobre las posibilidades narrativas del documental a partir de su potenciación con las herramientas digitales, analizando la producción de tres web-documentales franceses y la producción de un web-documental sobre la literatura digital en Europa, poniendo el acento en su potencialidad educativa y en las nuevas posibilidades de difusión que se ofrecen hoy en día.Travail de recherche sur les possibilités narratives du documentaire basé sur sa responsabilisation avec les outils numériques, analysant la production de trois web-documentaires français et la production d'un web-documentaire sur la littérature numérique en Europe, mettant l'accent sur son potentiel pédagogique et dans les nouvelles possibilités de diffusion qui sont offerts aujourd'hui
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Formalisation d’un modèle fonctionnel de communication à l’aide des technologies numériques appliqué à la création poétique
This work elaborates a theoretical model of the communication that can be established between an author and a reader through a two-computer technical device that developed in the eighties. This communication involves computerized literary works produced and read on computers, and distributed for the most part on CD-ROMs. The thesis develops the “procedural model”, compares it with existing theoretical models and applies it to the analysis of digital literary works, notably those published in the magazines alire and KAOS.Ce travail élabore un modèle théorique de la communication qui peut s’établir entre un auteur et un lecteur à travers un dispositif technique à deux ordinateurs qui s’est développé dans les années quatre-vingt. Cette communication met en jeu des œuvres littéraires informatiques réalisées et lues sur ordinateur et diffusées pour la plupart sur CDROM. La thèse développe le "modèle procédural", le compare aux modèles théoriques existants et l'applique à l'analyse d’œuvres littéraires numériques, notamment celles publiées dans les revues alire et KAO
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Poetic Machinations
The article first recalls the historical evolution of computer poetry which, from Théo Lutz (1959) to alire (1989), evolves from experimentation to cultural entity. The emphasis is placed on the French evolution through its main expressions, which are the A.L.A.M.O., the first telematic review Art-Access the Les Immatériaux exhibition and the birth of L.A.I.R.E., a difference of viewpoints, of approaches and of the space given by the authors to computer poetry concerning the arts, the machine and the text. This progressive differentiation of focus questions approaches which were thought to be unchanging, regarding the notions of text, reader and author. This questioning started with the A.L.A.M.O. and progressed with L.A.I.R.E. Its description and the expression of the answers it proposes requires a new critical approach to the notion of text, more anchored in a communication pattern which has been developing since 1993 and whose present state is summed up in the third part. The article ends by demonstrating that the smooth running of alire is the full expression of what these new answers imply
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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