1,721,334 research outputs found
Archeologisch bureauonderzoek Ermerweg, Emmen
No full textIn opdracht van de gemeente Emmen heeft Sweco Nederland B.V. een archeologisch bureauonderzoek uitgevoerd ter plaatse van de Ermerweg tussen de Nieuw Amsterdamsestraat en de Noordbargerstraat. Aanleiding voor het onderzoek is de geplande herinrichting van dit deel van de Ermerweg. Voor het gebied gelden dubbelbestemmingen Waarde – Archeologie 2 en Waarde - Archeologie 4. Aangezien de bodemingrepen een diepte hebben van minimaal 0,5 m -mv is archeologisch onderzoek verplicht. Het plangebied ligt in een gebied dat volgens de archeologische verwachtingenkaart van de gemeente Emmen een hoge archeologische verwachting heeft. Uit een groot aantal opgravingen ter plaatse van de Noordbarger es blijkt dat nabij het plangebied bewoning heeft plaatsgevonden vanaf het Laat-Neolithicum tot aan de Middeleeuwen. Uit het bureauonderzoek blijkt dat deze verwachting voor het plangebied echter zelf niet gehandhaafd kan worden. De kans op het aantreffen van een intact archeologisch niveau in de top van het dekzand is namelijk gering vanwege de verstoringen die ter plaatse van de Ermerweg al hebben plaatsgevonden. De herinrichtingsplannen gaan gepaard met zeer beperkte bodemverstorende ingrepen en vinden plaats in al verstoorde grond. Op basis van de resultaten van het bureauonderzoek adviseert Sweco Nederland geen archeologisch vervolgonderzoek uit te voeren in het plangebied
Boon (H. N.), Rêve et réalité dans l'œuvre économique et sociale de Napoléon III, 1936
No full textÉmerit Marcel. Boon (H. N.), Rêve et réalité dans l'œuvre économique et sociale de Napoléon III, 1936. In: Revue d'histoire moderne, tome 12 N°26,1937. pp. 77-81
Boon (H. N.), Rêve et réalité dans l'œuvre économique et sociale de Napoléon III, 1936
No full textÉmerit Marcel. Boon (H. N.), Rêve et réalité dans l'œuvre économique et sociale de Napoléon III, 1936. In: Revue d'histoire moderne, tome 12 N°26,1937. pp. 77-81
Archeologisch onderzoek bosperceel Rendierjagersweg Gasselterveld, Inventariserend veldonderzoek d.m.v. boringen
No full textUit het veldonderzoek is gebleken dat de bodem in het plangebied bestaat uit veelal verstoorde dekzandbodems, met een enkele keer een intacte podzolbodem. Ook zijn fluvioglaciale afzettingen behorende tot de Formatie van Peelo aangetroffen. In het zuidwesten zijn beekbodems aangetroffen. Er zijn tijdens het veldonderzoek geen archeologische indicatoren waargenomen
Deliberate Practice and Unintended Consequences in Music Production as Practice and Pedagogy
No full textBy their nature, pitch quantisers snap incoming notes to the closest reference pitch. With modular synthesizers they can make pitch order from random outputs, such as sample and hold generators or shift registers (Boon 2021a). In a DAW they can have various uses such as conforming incoming midi note data to a pre-determined key or scale. This latter application is usually promoted as useful for those who have little confidence or experience in knowing which notes are ‘correct’. Yet, correctness is also an odd notion in creative [teaching] contexts (Boon 2022b), especially where the goal is new music or new sound.
For this presentation, I consider quantisers from a tangential, less familiar and under explored perspective. I present novel applications of quantisers as a creative process capable of materialising a sonic elsewhere from incoming streams of [raw] data. The argument from my practice, and theoretical perspective, is that quantisers offer the user an opportunity to self-organise musical material in the design and development of new work (Boon 2021b; Boon 2022a).
The approach outlined in my presentation contributes to areas of research which have drawn attention to various intentional, unintentional and subverting activities as necessary for the development of many musical approaches and practices. Thėberge identifies these as “specific uses, abuses, or the explicit rejection of various technologies are thus instrumental in defining a particular ‘sound’” (Thėberge, 2001, p. 4). Therefore, my presentation demonstrates the rejection of the utilitarian application of quantisers as a corrective tool and, instead, highlights their use as part of a discovery process (Cascone, 2000, p. 13). Robin James suggests that these sorts of subverting approaches can be thought of as a form of deregulation where “potential irregularities can be fed back into the system without unduly disturbing it” (James 2014, p. 143). My presentation will show that there is not necessarily a grammar nor a distinct set of rules in respect of what should/could be done or what sorts of tools are better/or less suited to processes of subversion. It need not be a destructive process, despite the language implications used by Thėberge, nor mean that music is somehow not musical. Ultimately, ‘you’re not supposed to do that’ becomes a re-articulation of making practices as an essential component for DAW production teaching, where the subversion of conventional tool use is a critical necessity in the development of new music and new production processes.
References
Boon, H. (2021a). Improvising Songwriting and Composition Within A Hybrid Modular Synthesis System. in: Hepworth-Sawyer, R., Paterson, J. and Toulson, R. (ed.) Innovation in Music Future Opportunities Focal Press.
Boon, H. (2021b). Using DAWs as modelling tools for learning design sound-based applications in education. Journal of Music, Technology & Education. 13 (2-3), pp. 305-322.
Boon, H. (2022a). Learning and Designing Sound Based Music: Enhancing Music Production Pedagogy in HE. Equalise. The Institute of Contemporary Music Performance, London 08 Sep 2022.
Boon, H. (2022b). Student and Tutor Life Worlds and Impossible Standards in Higher Popular Music Education, in Powell, B. and Smith, G. D. eds. The Places and Purposes of Popular Music Education, Bristol: Intellect Publishing.
Cascone, K. (2000). The Aesthetics of Failure: “Post-Digital” Tendencies in Contemporary Computer Music. Computer Music Journal, 24:4, 12–18. http://www.jstor.org/stable/3681551
James, R. (2014). Neoliberal noise: Attali, Foucault, and the biopolitics of uncool. Cultural Theory and Critique, 55(2), 138–158.
Théberge, P. (2001). “'Plugged In': Technology and Popular Music”. In The Cambridge Companion to Pop and Rock, edited by S. Frith, W. Straw, and J. Street, pp. 1–25. Cambridge: Cambridge University Press
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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