1,720,999 research outputs found
L’effigie dei committenti: il papa Gregorio XIII Boncompagni e la cerchia dei suoi familiari nella ritrattistica bolognese del tardo Cinquecento
No full textIl saggio prende in esame le effigi del papa Gregorio XIII Boncompagni e dei suoi familiari, che furono tra i più assidui committenti dell'architetto Ottaviano Mascarino. Si esaminano ritratti pittorici e grafici che rappresentano Gregorio XIII, suo fratello Boncompagno Boncompagni e la consorte Cecilia Bargellini, i cardinali nipoti Filippo Boncompagni e Filippo Guastavillani, il figlio naturale del papa Giacomo Boncompagni e la consorte Costanza Sforza di Santafiora. Personaggi importanti nella società tardo-cinquecentesca che furono ritratti da rinomati artisti come Bartolomeo Passerotti, Lavinia Fontana e Ludovico Carracci
The First Nucleus of Pietro Bembo’s Epistolario? New Research on the Manuscript of the Biblioteca Apostolica Vaticana, Boncompagni E 1
Get PDFEl manuscrito Boncompagni E 1 de la Biblioteca Apostólica Vaticana se suele considerar el primer núcleo de la correspondencia de Pietro Bembo. Sin embargo, las pesquisas en curso sobre los complejos acontecimientos relacionados con las redacciones de esta obra bembiana, mediante el uso de las más modernas técnicas de investigación de la filología de autor y la epistolografía, demuestran que el manuscrito Boncompagni E 1 fue en su origen una colección antológica creada para uso privado por un discípulo de Bembo (quizás Vittore Soranzo). El autor veneciano tomó posesión del códice solo en un momento posterior y lo utilizó para aumentar el número de cartas que tenía in-tención de publicar en forma impresa.This paper aims to inform the reader about the researches currently underway on the tradition of Pietro Bembo’s epistolary by examining the specific case of the manuscript Boncompagni E 1 of the Vatican Library. The codex is commonly considered by scholars to be the earliest nucleus of the Bembo epistolary. But through the use of the most up-to-date techniques of investigation in epistolography and authorial philology, the essay demonstrates that the manuscript Boncompagni E 1 was originally an anthology collection prepared for private use by a Bembo’s disciple (possibly Vittore Soranzo). Our author got hold of the manuscript only later and he used it to increase his collection of letters that he wanted to publish in print
¿El primer núcleo de la correspondencia de Pietro Bembo? Nuevas investigaciones sobre el manuscrito de la Biblioteca Apostólica Vaticana, Boncompagni E 1
No full textThis paper aims to inform the reader about the researches currently underway on the tradition of Pietro Bembo’s epistolary by examining the specific case of the manuscript Boncompagni E 1 of the Vatican Library. The codex is commonly considered by scholars to be the earliest nucleus of the Bembo epistolary. But through the use of the most up-to-date techniques of investigation in epistolography and authorial philology, the essay demonstrates that the manuscript Boncompagni E 1 was originally an anthology collection prepared for private use by a Bembo’s disciple (possibly Vittore Soranzo). Our author got hold of the manuscript only later and he used it to increase his collection of letters that he wanted to publish in print.El manuscrito Boncompagni E1 de la Biblioteca Apostólica Vaticana se suele considerar el primer núcleo de la correspondencia de Pietro Bembo. Sin embargo, las pesquisas en curso sobre los complejos acontecimientos relacionados con las redacciones de esta obra bembiana, mediante el uso de las más modernas técnicas de investigación de la filología de autor y la epistolografía, demuestran que el manuscrito Boncompagni E1 fue en su origen una colección antológica creada para uso privado por un discípulo de Bembo (quizás Vittore Soranzo). El autor veneciano tomó posesión del códice solo en un momento posterior y lo utilizó para aumentar el número de cartas que tenía intención de publicar en forma impresa
La committenza Boncompagni e Guastavillani nella chiesa dei Cappuccini a Frascati: un’aggiunta per Niccolò Trometta e un’ipotesi per il ‘Pittore di Filippo Guastavillani’
No full textNell'articolo si esamina la committenza dei cardinali Boncompagni e Guastavillani nella chiesa dei Cappuccini a Frascati al tempo di Gregorio XIII. Si presenta inoltre una nuova attribuzione a Niccolò Trometta per uno dei due dipinti anonimi sugli altari laterali e si propone una ipotesi attributiva all'anonimo "Pittore di Filippo Guastavillani" per l'altra tela
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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