1,357,682 research outputs found
BITAR, Abraham
No full textLetter from Abraham Bitar to Fernando Torreblanca, reiterating his loyalty and affection for him as well as for his brother Rodolfo. Bitar clarifies the possible misunderstandings that may have been caused by his acting as attorney for the Spanish bullfighter Antonio Posadas. Reply indicating that Mr. Torreblanca had not received any news regarding Bitar acting as a bullfighting agent. / Carta de Abraham Bitar a Fernando Torreblanca, reiterando su lealtad y afecto tanto a él como a su hermano Rodolfo y aclarando los posibles malentendidos que su actuación como apoderado del torero español Antonio Posadas haya podido suscitar. Respuesta afirmando no haber tenido noticia alguna de su actuación como apoderado taurino
BITAR, Abraham
No full textLetter from Abraham Bitar to Fernando Torreblanca, reiterating his loyalty and affection for him as well as for his brother Rodolfo. Bitar clarifies the possible misunderstandings that may have been caused by his acting as attorney for the Spanish bullfighter Antonio Posadas. Reply indicating that Mr. Torreblanca had not received any news regarding Bitar acting as a bullfighting agent. / Carta de Abraham Bitar a Fernando Torreblanca, reiterando su lealtad y afecto tanto a él como a su hermano Rodolfo y aclarando los posibles malentendidos que su actuación como apoderado del torero español Antonio Posadas haya podido suscitar. Respuesta afirmando no haber tenido noticia alguna de su actuación como apoderado taurino
Correlación de la rinoplastia con los niveles de autoestima en pacientes del Centro Estético Bitar en el año 2015
No full textPDFEn la sociedad actual ha habido un incremento de procedimientos estéticos relacionados con la búsqueda de un estándar de belleza perfecto ya sea por presión o influencia social, siendo el grupo de población más afectado el de edades comprendidas entre 18 y 50 años. Los pacientes se realizan este tipo de cirugías con la ambición de verse mejor y elevar su autoestima. En relación a la problemática expuesta en el Centro estético Bitar, se realiza aproximadamente 250 rinoplastias anuales, de las cuales 75% son mujeres y 25% varones. El objetivo de esta investigación es correlacionar la rinoplastia primaria y secundaria, y los niveles de autoestima en pacientes sometidos a este procedimiento. En la metodología utilizada en esta investigación se presentó un tipo de estudio correlacional con un diseño observacional, transversal. El universo lo conformaron pacientes sometidos a rinoplastia en edades de 18 años en adelante en del Centro Estético Bitar en el periodo del año 2015, midiendo la variable estudiada a través del test de Autoestima de Rosenberg. En los resultados se demostró una mejora en los niveles de auto estima en los pacientes sometidos a rinoplastia primaria y secundaria en un 69% de los casos. Además se observó que la mayoría pacientes previos a una rinoplastia primaria presentan una autoestima baja a moderada y para rinoplastia secundaria una autoestima moderada. Se concluye que la rinoplastia mejora la autoestima de los pacientes a quienes se la realizan.In the society current has been an increase of procedures aesthetic related with the search of a standard of beauty perfect already is by pressure or influence social, being the Group of population more affected the of ages ranging between 18 and 50 years. Patients perform this type of surgery with the ambition to look better and raise their self-esteem. In relation to the problems exposed in the Bitar Beauty Center, is approximately 250 annual rhinoplasties, of which 75% are women and 25% male. The objective of this study is to correlate the primary and secondary rhinoplasty, and levels of self-esteem in patients undergoing this procedure. In the methodology used in this research is presented a type of study correlation with a design observational, transversal. The universe it formed patients subjected to rhinoplasty in ages of 18 years in forward in of the Center aesthetic Bitar in the period of the year 2015, measuring the variable studied through the test of self-esteem of Rosenberg. In those results is showed an improves in them levels of auto estimated in them patients subject to rhinoplasty primary and secondary in a 69% of the cases. It was also noted that most prior to primary rhinoplasty patients have a low self esteem to moderate and secondary rhinoplasty moderate self-esteem. Is concludes that the rhinoplasty improves the self-esteem of those patients to who is it made.
.....Universidad de Guayaquil. Facultad de Ciencias Médicas. Escuela de Graduado
Xyloryctes guatemalensis Bitar and Delgado, new species
No full textXyloryctes guatemalensis Bitar and Delgado, new species (Figs. 1, 3–4) Type Material. Holotype male labeled: ‘‘ GUATEMALA, Guatemala, San José Pinula, 27-IX-93. F. Jiménez, col.’’. Allotype female labeled: ‘‘ GUATEMALA, Guatemala, Ciudad Capital, Zona 18, Alameda 1, 13-V-1989, alumbrado público 9: 30 p. m. E. Cano col’ ’. Paratypes labeled: Same data as allotype (2 OiOi); ‘‘ GUATEMALA: Guatemala, Ciudad de Guatemala. 17-IX-1985, M. Zepeda col.’’ (1♀); same data except: ‘‘ V-1986, L. Rodriguez col.’’ (1 Oi); same data except: ‘‘ 15-Jun-1983, R. Pérez col.’’ (1♀); ‘‘ GUATEMALA, Sacatepéquez, San Lucas, 12-IX-1985, C. Granados col.’’ (1 Oi, 1♀). The holotype and allotype are deposited in the entomological collection of the Universidad del Valle de Guatemala. Paratypes are deposited in the following collections: University of Nebraska State Museum (Lincoln, Nebraska, U.S.A.), M. A. Morón (Xalapa, Veracruz, Mexico), L. Delgado (Mexico City), and A. Bitar (Mexico City). 213 Description. Holotype male. Total body length: 25.8 mm; maximum elytral width 13.8 mm. Head and pronotum shiny black; elytra, legs and ventral region reddish black. Head: Apex of clypeus bilobed and reflexed, lateral margins slightly concave, frons with a short, vertical, upright horn, horn flattened anteroposteriorly. Pronotum: Pronotal declivity vertical, not excavated, occupying apical third; pronotal process absent (Fig. 1); pronotum completely margined, anterior corners at right angles, lateral margins almost equally curved; pronotal cavity densely punctate, punctures becoming sparser towards posterior half, disc of pronotum with micropunctures. Elytra: Sutural stria impressed for entire length; surface smooth, with only some small, scarcely punctuate furrows. Venter: Prosternal process moderately short and with dense setae, projected backward. Pygidium: Surface regularly convex, basal region and sides finely rugose, remaining surface with small, sparse punctures. Legs: Apex of metatibia with three rounded teeth, without incisions between them. Genitalia: Parameres moderately large, apex slightly widened, with large and dense setae along sides and at apex (Figs. 3–4). Allotype female. Total body length 24.6 mm; maximum elytral width 13.4 mm. Similar to holotype except for the following characters: Head with small tubercule between eyes. Pronotum regularly convex, disc with micropunctures, anterior angles rugopunctate. Elytra with furrows more pronounced. Pygidium wider, convex, with small punctures; last visible sternite not emarginate at apex. Protibial teeth acute. Metatibia with teeth smaller, shorter spur preapically widened. Variation (4 males, 3 females). Male paratypes with lengths of 23.0– 24.3 mm; females with lengths of 22.1–23.1 mm. Males with maximum elytral widths of 13.6–13.7 mm; maximum female elytral widths 12.2–13.9 mm. The variation in male punctation is minimal, and in the smallest female specimen (from the region of Guatemala City) the elytral striae and punctation are more marked. Type Locality. San José Pinula, Guatemala, Guatemala. Etymology. Named for Guatemala, the country where this species was discovered, combined with the suffix ‘‘-ensis’’, indicating ‘‘belonging to’’. Taxonomic Remarks. Xyloryctes guatemalensis can be distinguished from other species of the genus by the following combination of characters: elytra with distinct sutural striae; apex of metatibiae with three rounded teeth, without incisions between them; males with cephalic horn flattened anteroposteriorly; pronotal declivity vertical, not excavated, occupying apical third of pronotum; pronotal process absent (Fig. 1); and shape of the parameres distinctive (Figs. 3– 4). Females have the pygidium almost glabrous and convex, and the shorter spur of the metatibia is preapically widened. Males of X. guatemalensis are similar to those of Xyloryctes howdenorum Delgado and Nájera, but they can be distinguished by the following differences: cephalic horn flattened anteroposteriorly in X. guatemalensis (cylindrical in X. howdenorum); pronotal declivity vertical in X. guatemalensis (oblique in X. howdenorum) (Figs. 1–2); and parameres without a lateral tooth in X. guatemalensis (with a lateral tooth in X. howdenorum) (Figs. 3–6). Females of X. guatemalensis are similar to those of Xyloryctes teuthras Bates, except for the following characters: body length is generally less than 24.0 mm in X. guatemalensis (longer than 24.0 mm in X. teuthras); pygidium convex, base almost glabrous in X. guatemalensis (slightly convex to flattened and with distinct setae at the base in X. teuthras). Distribution. Xyloryctes guatemalensis is known from three localities situated in the southern region of Guatemala. The Guatemala City (1,520 m) and the San José Pinula (1,750 m) localities are located in the Department of Guatemala, and the San Lucas locality (2,090 m) is located in the Department of Sacatepéquez. This new species inhabits regions with premontane and montane wet forests (such as oak and pine-oak forests) (sensu Campbell and Lamar 1989).Published as part of Bitar, Alberto & Delgado, Leonardo, 2009, A New Species of Xyloryctes Hope (Scarabaeidae: Dynastinae) from Guatemala, with a Key to the Species, pp. 213-217 in The Coleopterists Bulletin 63 (2) on pages 213-215, DOI: 10.1649/1144.
Bob Bitar speaking at a dinner event
No full textBob Bitar, known for owning Portland's Bitar mansion, speaks at an unidentified legislative dinner. Victor Atiyeh sits nearby at the head table with his son, Tom
Simplify accessing hardware compression/decompression accelerators
No full textWhat's Changed
Add a Codacy badge to README.md by @codacy-badger in https://github.com/ljishen/bitar/pull/2
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@codacy-badger made their first contribution in https://github.com/ljishen/bitar/pull/2
Full Changelog: https://github.com/ljishen/bitar/compare/v0.0.2...v0.0.3If you use this software, please cite it as below
Atiyeh speaking at an event with Robert Bitar
No full textGovernor Victor Atiyeh speaks at an unidentified dinner event. Robert Bitar, honorary consul to Lebanon and owner of Portland's Bitar Mansion, sits to his left. A note on the back from Bitar and his wife reads: 'Dear Victor the Victorious, We have certainly enjoyed your presence with Dolores. All we wish that the good Lord grant you continuous health and happiness to you and your family. Bob and Mabel
Microscleroderma lamina Perez, Vacelet, Bitar & Zibrowius 2004
No full text<i>Microscleroderma lamina</i> Perez, Vacelet, Bitar & Zibrowius, 2004 <p>MNHN D JV 76-77-78, Levant basin, N-Lebanon, Chak El Hatab, lithistid dark cave, 34°17’63N 35°40’27E, 2 m of depth, 21.ix.2002, G. Bitar and H. Zibrowius leg., SCUBA diving, dry/formalin/alcohol (Perez et al. 2004)</p> <p>Distribution: Only known from the type locality an E-Mediterranean cave.</p>Published as part of <i>Manconi, Renata & Serusi, Annalisa, 2008, Rare sponges from marine caves: discovery of Neophrissospongia nana nov. sp. (Demospongiae, Corallistidae) from Sardinia with an annotated checklist of Mediterranean lithistids, pp. 71-87 in ZooKeys 4 (4)</i> on page 84, DOI: 10.3897/zookeys.4.39, <a href="http://zenodo.org/record/576426">http://zenodo.org/record/576426</a>
A aventura da preparação: Notação, registro e montagem na obra literária de Francisco Bitar.: Notación, registro y montaje en la apuesta literaria de Francisco Bitar
No full textFrancisco Bitar (Santa Fe, 1981) has ventured into poetry, chronicles, novels and essays and it could be said that his literary project has been betting, in a singular way, on a progressive destabilization of generic boundaries and conventions. Bitar constructs anomalous artifacts, slightly shifted from the axis of genres, in which he mobilizes a series of both transmedial and transtextual operations that this paper will seek to problematize. The experimental plot that insinuates the passage through these intermediate territories, in which a central figure is that of the editor who composes and arranges in a new surface diverse materials and registers (friendly voices recorded with the cell phone, tweets and photos published in social networks, captures or drawings that enter the book from the writer's intimate or domestic sphere, or testimonial fragments compiled in an academic book), allows Bitar to reflect on supports, temporalities and modalities of inscription and circulation, to return without naivety to certain avant-garde motifs: the relationship between art and life, between literature and experience, between art and material world, in discussion with inherited forms, debates and devices.Francisco Bitar (Santa Fe, 1981) ha incursionado en la poesía, la crónica, la novela y el ensayo y podría decirse que su proyecto literario viene apostando, de un modo singular, por una progresiva desestabilización de las fronteras y convenciones genéricas. Bitar construye artefactos anómalos, levemente corridos del eje de los géneros, en los que moviliza una serie de operaciones tanto transmediales como transtextuales que el presente trabajo buscará problematizar. La trama experimental que insinúa el pasaje por esos territorios intermedios, en los que una figura central es la del montajista que compone y dispone en un nueva superficie diversos materiales y registros (voces amigas grabadas con el celular, tweets y fotos publicadas en redes sociales, capturas o dibujos que ingresan al libro desde el ámbito íntimo o doméstico del escritor, o fragmentos testimoniales compilados en un libro de corte académico), le permite a Bitar reflexionar sobre soportes, temporalidades y modalidades de inscripción y circulación, para volver sin ingenuidad sobre ciertos motivos vanguardistas: la relación entre arte y vida, entre literatura y experiencia, entre arte y mundo material, en discusión con formas, debates y dispositivos heredados.Francisco Bitar (Santa Fé, 1981) tem se dedicado à poesia, crônicas, romances e ensaios, e pode-se dizer que seu projeto literário tem apostado, de forma singular, em uma progressiva desestabilização dos limites e convenções genéricas. Bitar constrói artefatos anômalos, ligeiramente deslocados do eixo dos gêneros, nos quais ele mobiliza uma série de operações tanto transmediais como transtextuais que a presente obra procurará problematizar. A trama experimental que insinua a passagem por estes territórios intermediários, na qual uma figura central é a do montador que compõe e organiza sobre uma nova superfície diversos materiais e registros (vozes gravadas com o celular, tweets e fotos publicadas em redes sociais, Capturas ou desenhos que entram no livro a partir da esfera íntima ou doméstica do escritor, ou fragmentos testemunhais compilados em um livro acadêmico), permite a Bitar refletir sobre suportes, temporalidades e modalidades de inscrição e circulação, a fim de retornar sem ingenuidade a certos motivos de vanguarda: a relação entre arte e vida, entre literatura e experiência, entre arte e o mundo material, em discussão com formas, debates e dispositivos herdados
Gastrophanella phoeniciensis Perez, Vacelet, Bitar & Zibrowius 2004
No full text<i>Gastrophanella phoeniciensis</i> Perez, Vacelet, Bitar & Zibrowius, 2004 <p>MNHN D JV 73-74-75, Levant basin, N-Lebanon, Chak El Hatab, Lithistid cave, 34°17’63N 35°40’27E, 21.IX.2002, G. Bitar and H. Zibrowius leg., 2 m of depth, SCUBA diving, formalin/alcohol (Perez et al. 2004)</p> <p>Distribution: Only known from the type locality an E-Mediterranean cave.</p>Published as part of <i>Manconi, Renata & Serusi, Annalisa, 2008, Rare sponges from marine caves: discovery of Neophrissospongia nana nov. sp. (Demospongiae, Corallistidae) from Sardinia with an annotated checklist of Mediterranean lithistids, pp. 71-87 in ZooKeys 4 (4)</i> on page 86, DOI: 10.3897/zookeys.4.39, <a href="http://zenodo.org/record/576426">http://zenodo.org/record/576426</a>
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