1,720,953 research outputs found
Technology Analysis of Cipari Masque in Indo-European Architecture Styles
Full text linkAbstrak. Salah satu teknologi arsitektur yang berkembang di Nusantara dikenal dengan arsitektur Indische Empire. Gaya ini merupakan perpaduan antara bentuk bangunan Eropa yang diadaptasikan dengan bangunan gaya setempat sehingga melahirkan bentuk arsitektur campuran. Teknologi arsitektur Indo-Eropa awal mulanya digunakan untuk bangunan pemerintahan, tetapi lambat laun gaya seni ini merambah ke bangunan lainya seperti rumah tinggal, fasilitas umum, dan lain-lain. Gaya Arsitektur Indo-Eropa digolongkan sebagai salah satu usaha untuk mencari bentuk identitas arsitektur Hindia-Belanda waktu itu. Masjid Cipari merupakan salah satu bangunan yang menggunakan ciri Indo-Eropa dari segi teknologinya. Hal tersebut jelas terlihat dari bentuk bangunan, bahan pembuatan, dan komponen lainya yang berbeda dengan masjid Jawa umumnya. Apakah teknologi dalam Masjid Cipari telah menghilangkan bentuk umum masjid di Jawa sehingga memiliki bentuk yang berbeda? Dasarnya teknologi hanya mencoba membantu atau membuat sesuatu yang lama menjadi lebih maju, baru, terlihat baik (dari segi fisik maupun estetik), efisien, dan sebagainya. Namun, untuk bentuk itu sendiri tergantung dari arsitek yang merancangnya karena tidak setiap arsitek memiliki pemikiran yang sama dalam membentuk sebuah bangunan. Proses pengumpulan data pada tulisan ini menggunakan data primer dan data sekunder. Data primer diperoleh dengan melakukan pengamatan lapangan. Data lapangan yang digunakan antara lain berupa foto bangunan masjid, pengukuran, serta wawancara terhadap pengelola masjid. Data sekunder diperoleh melalui studi Pustaka, antara lain buku referensi, artikel-artikel jurnal, dan internet. Kedua sumber data tersebut digabungkan untuk mendapatkan gambaran data secara utuh.Abstract. One of the architectural technologies that developed in the Indonesian Archipelago is known as the "Indische Empire" architecture. This style is a combination of European building forms adapted to the local style buildings, thus giving birth to a mixed architectural form. IndoEuropean architectural technology was initially used for government buildings, but gradually, this art style penetrated other buildings such as residential houses, public facilities, and so on. The Indo-European architectural style is classified as an attempt to find a form of identity for the Dutch East Indies architecture at that time. Cipari Mosque is one of the buildings that use IndoEuropean characteristics in terms of technology. Those are clearly seen from the shape of the building, the material of manufacture and other components that are different from the Javanese mosque in general. Has the technology in the Cipari Mosque removed the general shape of the mosque in Java, so that it has a different shape? Basically, technology only tries to help or make something old become more advanced, new, looks good (physically and aesthetically), efficient and so on, but the form itself depends on the architect who designed it. Not every architect has the same thought in forming a building. The data collection process in this paper uses primary data and secondary data. Primary data was obtained by conducting field observations. Field data used include photos of mosque buildings, measurements, and interviews with mosque managers. Secondary data obtained through literature study, among others, reference books, journal articles, and the internet. The two data sources will be combined to get a complete picture of the data
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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