3,381 research outputs found
Jon Bishop
No full textJon Bishop, Jon Bishop and Marita (Cammack) Bishop are George Fox College graduates from the class of 1967. While students both participated in a wide variety of activities including intermural sports, choir, various clubs, and on the homecoming court. After graduation Jon became a doctor and worked for Snohomish Family Medical Center for 35 years. After retiring the couple moved to Kabul, Afghanistan where Jon served as interim director of the family practice residency training program at Afshar Hospital. They followed this by time in Nepal doing similar work. The Bishops have also been generous donors to the university.https://digitalcommons.georgefox.edu/gfu_photos_1965_1969/1006/thumbnail.jp
Keynote: Jon Gertner
No full textThe symposium will start on the evening of April 16 with a keynote address by Jon Gertner. Jon is a journalist, historian, and feature writer for The New York Times Magazine
as well as the author of the NYTimes bestseller, The Idea Factory. His address will focus on the issue of intellectual property and the ethical questions around the huge amount of human-generated content that large language models use as they are developed
Jon Mirande eta ironia
No full textLa ironía es un elemento que ha ido siempre unido a la poesía, y especialmente a la poesía moderna.Tras un pequeño repaso a esta en diferentes épocas, se pasa a describir las tres diferentes ironías de Jon Mirande: la intelectual, la social y la filosófica. Todo ello acompañado de ejemplosIrony is an element that has always been united to poetry, and especially to modern poetry. After a small revision of irony in different eras, the author then describes the three different ironies of Jon Mirande: intellectual, social and philosophical irony. All this illustrated with example
Jon Pineda, 32nd Annual ODU Literary Festival
No full textJon Pineda is the author of The Translator\u27s Diary, winner of the Green Rose Prize for Poetry, and BIrthmark, winner of the Crab Orchard Award Series in Poetry Open Competition. His memoir, Sleep in Me, is forthcoming in 2010 from the University of Nebraska Press. He teaches in the low-residency MFA program at Queens University of Charlotte
John and Marita Bishop
No full textJon Bishop and Marita (Cammack) Bishop are George Fox College graduates from the class of 1967. While students both participated in a wide variety of activities including intramural sports, choir, various clubs, and on the homecoming court. After graduation Jon became a doctor and worked for Snohomish Family Medical Center for 35 years. After retiring the couple moved to Kabul, Afghanistan where Jon served as interim director of the family practice residency training program at Afshar Hospital. They followed this by time in Nepal doing similar work. The Bishops have also been generous donors to the university.https://digitalcommons.georgefox.edu/noteable_individuals/1104/thumbnail.jp
3b. Bishop Sans Full Type Specimen
No full textSans serif Bishop Marks from 1673
Type Specimen text abstract:
Date Stamps on posted letters were first introduced in April of 1661 by Britain’s first 'Postmaster-General' Henry Bishop to counteract accusations of corruption, unwarranted delays and profiteering by unscrupulous employees of the postal service belonging to The Crown. All letters in England and Wales were locally town-stamped and were sent, sometimes ‘post-haste’, via London, or Edinburgh in Scotland and Dublin in Ireland; ready for distribution via the ‘post roads’ throughout the provinces. In 1673 the fourth postmaster general Henry Bennet the 1st Earl of Arlington, introduced a new London date stamp of serif-less letterforms which proliferated for the next one hundred or so years.
Jon Melton of emfoundry.com gathers historical research and ephemeral examples of sans serif bishop marks to inform the design of the regular weight of his ETRVSCA Sans family. This typeface, destined for commercial release, represents the primal serif-less letterforms of the late seventeenth and early eighteenth century — and is therefore the original sans serif font.
This research was published in part as ETRVSCA—Bishop Sans in the book: Ways of Thinking. pp.31—34, from the Ruskin Arts Publications, Cambridge.
ISBN:978-1-912319-02-2
This book is available through:
https://ruskin-arts.co.uk/2020/02/25/ways-of-thinking-book-launch-on-5-march/
ARRO: https://arro.anglia.ac.uk/view/creators/Melton=3AJon=3A=3A.html
ResearchGate: https://www.researchgate.net/publication/346787661_ETRVSCA_-_Bishop_Sans
Researcher's Website: http://emfoundry.com
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Interview with Jon Baskin--May 15, 2015
No full textJon Baskin is co-founder and editor of The Point magazine in Chicago. He is also a graduate student at the University of Chicago's Committee on Social Thought and the author of many essays and works of criticism for venues such as The Los Angeles Review of Books, The Nation, n+1, The New York Observer, BookForum, Salon, and The Point. Earlier in his career he was a fact checker for various magazines, including Popular Science, Inc Magazine, The Atlantic Monthly, and n+1. The interview was conducted at the office of The Point in Chicago on May 15, 2015.1_izzia9z
Jon Sands, 41st Annual ODU Literary Festival
No full textJon Sands is the author of The New Clean (2011), as well as the co-host of The Poetry Gods podcast. His work has been published widely, and anthologized in The Best American Poetry. He’s a youth mentor with Urban Word-NYC, and teaches creative writing for adults at Bailey House in East Harlem (an HIV/AIDS service center). He’s a recent MFA graduate in fiction from Brooklyn College, where his work won the Himan Brown Award for short stories, and he has represented New York City multiple times at the National Poetry Slam. He lives in Brookly
Essay piece by Jon Hawkins on an altercation that broke out in Portland\u27s Old
No full textEssay piece by Jon Hawkins on an altercation that broke out in Portland\u27s Old Port on Dec. 31 that was characterized by police as a riot. The author, who was the disc jockey at an Old Port pub that night and witnessed the incident, claims the 12 people arrested were reacting to excessive force being used by the police department
A poet(h)ics of intercultural dissonance: dynamics of perception in Elizabeth Bishop's braz/silian texts
Get PDFTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente.Análise da poética intercultural de Elizabeth Bishop, elaborando uma percepção expansiva de dissonância ou choque cultural, que problematiza os próprios termos através dos quais o pensamento antitético reduz a realidade experiencial. Demonstra inter-relações entre os textos teórico-críticos de Bishop, que engajam sua crise com a concepção linear do tempo narrativo, e a concepção de 'dissonância emancipatória' ou atonal elaborada por Arnold Schöenberg. Demonstra que os mapeamentos de dissonância cultural feitos por Bishop no Brasil desafiam seus próprios modelos esteticistas e solucionistas (lineares, teleológicas) de representação (especificamente, os modelos de transculturalismo e autenticismo), ao se recusarem a resolver a alteridade (do outro e do eu) na uniformidade (consonância), ou mesmo a dissolver seus conflitos, fixando a alteridade num 'passado atemporal' (sic), primitivizado. Examina a crise (a crítica) textual de consciência social e de gênero no corpus brasileiro de Bishop, argumentando que ele se torna valioso justamente porque a autora fracassa, e de modo perturbador, em realizar seu projeto de produzir resolução sobre suas percepções dissonantes da realidade. Engaja uma política irredutível ou ética de leitura que recusa reduzir o texto intercultural de Bishop a seus discursos solipsistas, pelos quais até mesmo atos aparentemente democráticos convergem dissimuladamente com dinâmicas totalitárias
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