1,720,974 research outputs found
Rumichaca: creación escénica a partir de la ficción desde la autoreferencialidad
No full textEl desarrollo de este trabajo investiga posibles rasgos metodológicos y autoetnográficos de
la relación entre cuerpo, palabra y creación escénica desde conceptos como territorialidad,
autoficción y teatralidades.
La presente investigación se basa en un procedimiento de creación de un producto
espectable intitulado RUMICHACA y las reflexiones de este escrito, las ficcionalidades,
potencias y teatralidades que emergieron desde esta construcción autoficcional, donde el
performer desarrolla materialidades desde elementos como sus subjetividades,
territorialidades, contexto social, histórico, cultural, político y económico. En la referida
performance, el autor de este trabajo desarrolló el papel de director y conductor de las
prácticas de cuerpo y voz.
Acá se busca reconstruir acciones y pasos necesarios para la realización de una construcción
escénica, creyendo que donde está la riqueza de la investigación es en el procedimiento, ya
que es ahí donde se produce una auto-observación profunda tanto del performer como
del director.
Planificación del proyecto de investigación, ejecución del laboratorio de creación,
levantamiento de materialidades, organización de elementos, puesta en escena / montaje,
funciones, reflexiones como retroalimentaciones finales, son sistematizadas en este trabajo.
Asimismo los resultados que se producen en el participante público tras observar cómo se
presentan, organizan y desarrollan estas materialidades en un plano de representación, de
ficción, son aportes que enriquecen el espectro de estilos de dirección, narrativas y
dramaturgias. Esta pesquisa se mueve por una intensa voluntad de propiciar a través de la
autoficción, relaciones entre: lo propio y lo común, entre el sujeto y el colectivo, entre lo
privado y lo público, entre lo personal y general, o entre lo autoetnográfico y lo etnográfico.
Además se nutre de la experiencia personal tanto del performer como del director y en
gran medida se sostiene y organiza desde enfoques, perspectivas, ideas, cuestionamientos
e hipótesis de artistas-investigadores, filósofos, docentes y artistas escénicos que se
desenvuelven de manera activa en el quehacer y oficio artístico. Metodologías, enfoques y
conceptos como teatralidad de Oscar Cornago, territorialidad de Jorge Dubatti, autoficción de
Heloisa da Silva o las propuestas metodológicas de Barbara Biscaro y Madeleine Loayza
han sido parte fundamentales para que el autor pueda organizar esta investigación desde
su deseo propio, sostenido de aportes e ideas externas.The development of this work investigates possible methodological and autoethnographic
traits in the relationship between the body, words, and scenic creation through concepts
such as territoriality, autofiction, and theatricalities.
This research is based on the creation process of a presentable product titled El Barranco
and the reflections in this text explore the fictionalities, potentials, and theatricalities that
emerged from this autofictional construction. In this process, the performer developed
materialities rooted in elements such as subjectivity, territorialities, and social, historical,
cultural, political, and economic contexts. In the referenced performance, the author of this
work took on the role of director and facilitator of body and voice practices.
The aim here is to reconstruct the actions and steps necessary for the realization of scenic
construction, believing that the richness of the research lies in the process itself. This is
where deep self-observation occurs, both for the performer and the director.
The research systematizes elements such as project planning, execution of the creative
laboratory, material generation, organization of components, staging/mounting,
performances, reflections, and final feedback. Additionally, the impact on the public
participant, who observes how these materialities are presented, organized, and developed
within a framework of representation and fiction, contributes to expanding the spectrum of
directorial styles, narratives, and dramaturgies.
This research is driven by an intense desire to foster, through autofiction, connections
between the personal and the collective, the private and the public, the individual and the
group, or the autoethnographic and the ethnographic. This study is nourished by the
personal experience of both the performer and the director. To a large extent, it is
supported and organized around the approaches, perspectives, ideas, questions, and
hypotheses of artist-researchers, philosophers, educators, and performing artists actively
engaged in the artistic craft. Methodologies, approaches, and concepts such as Oscar
Cornago’s theatricality, Jorge Dubatti’s territoriality, Heloisa da Silva’s autofiction, and the
methodological proposals of Barbara Biscaro and Madeleine Loayza have been
fundamental in enabling the author to organize this research according to their personal
vision, supported by external contributions and ideas.Maestrí
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Diários de viagem: A Menina Boba
No full textThis text aims to share with readers a process report of the performance The Silly Girl (2010), intertwining art, life and intellectual production in the trajectory of the artist of the scene. Based on the materials produced over a decade of research and circulation of the work, the author traces the main themes of vocal, sound and scenic research, discussing the voice from the point of view of aesthetic and poetic experience in the music-theater. Authors such as Margareth Rago, Rosi Braidotti and Paul Zumthor appears to help the comprehension about this art and life path.O presente texto tem como objetivo compartilhar com as leitoras um relato de processo do espetáculo A Menina Boba (2010), entrecruzando arte, vida e produção intelectual na trajetória da artista da cena. Baseando-se nos materiais produzidos ao longo de uma década de pesquisa e circulação do trabalho, a autora traça os principais temas da pesquisa vocal, sonora e cênica, discutindo a voz do ponto de vista da experiência estética e poética em um espetáculo de música-teatro. Autoras como Margareth Rago, Rosi Braidotti e Paul Zumthor são evocadas para, a luz de seus conceitos, auxiliar na compreensão deste percurso de arte e vida
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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