5,007 research outputs found
Writers Talk featuring authors Troy Hicks and Elaine Wolf
No full textElaine Wolf, author of Camp, talks to OSU students Erin Reilly-Sanders and Allison Fetzer. Author and teacher Troy Hicks talks to OSU employee Kevin Cordi about the impact of technology on the teaching of writing.The media can be accessed here: http://streaming.osu.edu/knowledgebank/WritersTalk-Audio/WT_2013-3-18-Hicks_Wolf.mp3Ohio State University. Center for the Study and Teaching of Writin
"Shaping the visual" of gender based violence
No full textSi tenemos en cuenta todos los esfuerzos realizados para resolver el generalizado fenómeno social de la violencia contra las mujeres, hemos de considerar que la información, el aumento de la concienciación sobre este tema y el rol de los medios de comunicación constituyen los puntos clave de las más importantes convenciones y declaraciones internacionales para erradicar la violencia contra las mujeres. Desde 1970, los movimientos de mujeres en contra de la violencia, han hecho contribuciones esenciales para que se reconozca que la violencia contra las mujeres constituye una violación de los derechos humanos esenciales, y es uno de los puntales básicos en el campo de la prevención de la violencia y de la toma de conciencia sobre estos aspectos. Por tanto, las respectivas iniciativas que se han ido tomando, incluyendo las que se componen de material audiovisual, son de una gran importancia, más si tenemos en cuenta que para la población europea, la televisión es la fuente más importante de información sobre violencia doméstica contra las mujeres. Además, la misma violencia de género es también la forma más frecuente de violencia contra las mujeres en Europa (European Commission, 2010a). Si miramos las representaciones en los medios de comunicación, podemos observar como diferentes programas y formatos muestran una narratividad visual similar que se basa en clichés e imaginarios sociales sobre la violencia doméstica, mientras que la naturaleza sistemática del problema permanece oculta (Bonilla Campos 2008; Boyle 2005; Geiger 2008; Lopez Diez 2005, Taylor 2009). Consecuentemente, existe una falta de claridad en el discurso mediático audiovisual que no permite la comprensión de la complexidad social de la violencia doméstica de los hombres contra las mujeres. Por lo tanto, la representación visual de la violencia de género es una muestra crucial de la creación discursiva de significado social, que surge de las iniciativas que pretenden acabar con este fenómeno social, así como de una práctica discursiva en curso y bastante cliché en los medios de comunicación.
Así, las imágenes difundidas por los movimientos de mujeres en contra de la violencia, constituyen el objeto de estudio principal de esta tesis doctoral. Se analiza el material audiovisual proporcionado por los movimientos anti-violencia con el propósito de conocer las supuestas representaciones alternativas que se forman como una réplica a la mirada ‘malestream’ de los medios de comunicación sobre este tema. Reconociendo la dimensión simbólica, estructural y directa de la violencia de género y partiendo de una perspectiva feminista, se analizarán las contribuciones del discurso del material audiovisual producido por las iniciativas “anti-violencia” en un periodo de cinco años (2007-2011) a nivel Europeo, y específicamente en Austria y España. Como la transposición de la complejidad, las raíces sociales y los contextos de la violencia de género en la pareja constituyen una tarea bastante ambigua, el análisis pretende revelar como las iniciativas anti-violentas dan forma a los aspectos sociales de la violencia de género de los hombres contra las mujeres, permiten identificar casos de buenas prácticas y descubren el significado subyacente de los conceptos ideológicos que se encuentra en sus materiales.Si tenemos en cuenta todos los esfuerzos realizados para resolver el generalizado fenómeno social de la violencia contra las mujeres, hemos de considerar que la información, el aumento de la concienciación sobre este tema y el rol de los medios de comunicación constituyen los puntos clave de las más importantes convenciones y declaraciones internacionales para erradicar la violencia contra las mujeres. Desde 1970, los movimientos de mujeres en contra de la violencia, han hecho contribuciones esenciales para que se reconozca que la violencia contra las mujeres constituye una violación de los derechos humanos esenciales, y es uno de los puntales básicos en el campo de la prevención de la violencia y de la toma de conciencia sobre estos aspectos. Por tanto, las respectivas iniciativas que se han ido tomando, incluyendo las que se componen de material audiovisual, son de una gran importancia, más si tenemos en cuenta que para la población europea, la televisión es la fuente más importante de información sobre violencia doméstica contra las mujeres. Además, la misma violencia de género es también la forma más frecuente de violencia contra las mujeres en Europa (European Commission, 2010a). Si miramos las representaciones en los medios de comunicación, podemos observar como diferentes programas y formatos muestran una narratividad visual similar que se basa en clichés e imaginarios sociales sobre la violencia doméstica, mientras que la naturaleza sistemática del problema permanece oculta (Bonilla Campos 2008; Boyle 2005; Geiger 2008; Lopez Diez 2005, Taylor 2009). Consecuentemente, existe una falta de claridad en el discurso mediático audiovisual que no permite la comprensión de la complexidad social de la violencia doméstica de los hombres contra las mujeres. Por lo tanto, la representación visual de la violencia de género es una muestra crucial de la creación discursiva de significado social, que surge de las iniciativas que pretenden acabar con este fenómeno social, así como de una práctica discursiva en curso y bastante cliché en los medios de comunicación.
Así, las imágenes difundidas por los movimientos de mujeres en contra de la violencia, constituyen el objeto de estudio principal de esta tesis doctoral. Se analiza el material audiovisual proporcionado por los movimientos anti-violencia con el propósito de conocer las supuestas representaciones alternativas que se forman como una réplica a la mirada ‘malestream’ de los medios de comunicación sobre este tema. Reconociendo la dimensión simbólica, estructural y directa de la violencia de género y partiendo de una perspectiva feminista, se analizarán las contribuciones del discurso del material audiovisual producido por las iniciativas “anti-violencia” en un periodo de cinco años (2007-2011) a nivel Europeo, y específicamente en Austria y España. Como la transposición de la complejidad, las raíces sociales y los contextos de la violencia de género en la pareja constituyen una tarea bastante ambigua, el análisis pretende revelar como las iniciativas anti-violentas dan forma a los aspectos sociales de la violencia de género de los hombres contra las mujeres, permiten identificar casos de buenas prácticas y descubren el significado subyacente de los conceptos ideológicos que se encuentra en sus materiales.Considering the efforts to resolve the widespread societal phenomenon violence against women, information, awareness raising and the role of the media comprise one of the key targets by the most important conventions and declarations to overcome violence against women. The women’s anti-violence movement since the 1970s has made essential contributions to the recognition of violence against women as a human rights violation, and is a crucial player in the field of violence prevention and awareness raising issues. Therefore the respective initiatives including the audio-visual material is of major importance, even more so as among the Europeans television counts for the most important source of information about domestic violence against women, the most frequent form violence against women (European Commission, 2010). Looking at the media representations in general, we can observe how different programmes and formats are depicting rather similar (visual) narratives of clichéd imagination on intimate partner violence, whereas the systemic nature of the problem mostly remains hidden (Bonilla Campos 2008; Boyle 2005; Geiger 2008; Lopez Diéz 2005; Taylor 2009). Subsequently, there is a lack of clarity within audio-visual media discourse enabling the comprehension of the social complexity of male-to-female intimate partner violence. Therefore, the visual of gender-based violence constitutes a crucial account of discursively created social meaning, emerging from the initiatives to overcome the societal phenomenon as well as from an ongoing and rather clichéd discursive practice in the media. Accordingly, the imagery disseminated by the players of the women’s anti-violence movement constitutes the core object of this PhD thesis, by analysing visual material provided by the anti-violence movement to obtain insights about the supposed alternative representations appropriate for contrasting the ‘malestream’ gaze of the media on the subject. Recognising the direct, structural and symbolic dimensions of gender-based violence and applying a feminist and dispositive perspective, the contributions to visual discourse through the audio-visual material of anti-violence initiatives will be examined in a five years time period from 2007 to 2011 on the European level, as well as on the country level of Austria and Spain. As the transposition of the complexity, the social roots and contexts of intimate partner violence constitutes a rather ambiguous undertaking, the analysis aims to disclose how anti-violence initiatives shape the social accounts of male-to-female partner violence, identify good practice examples and underlying ideological concepts enclosed in their material.Wolf, Birgit. 2013. 'Shaping the visual' of gender-based violence. How visual discourse on intimate partner violence and Europeananti-violence initiatives construct accounts of the social world PhD thesis. Barcelona (Spain): Autonomous University of BarcelonaCopyright and moral rights for this thesis are retained by the author. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author ([email protected]). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given
Translating the Author-Function: The (Re)Narration of Christa Wolf
No full textNarrative theory continues to offer new perspectives on the intercultural transfer of texts. Embedded in new narratives, the text opens up to new interpretations, resulting in the loss and acquisition of meaning. The writer’s persona or author-function (Foucault 1977) is also renegotiated by cultural transfer, as it is cumulatively and dynamically constructed through readings of an author’s texts and literary or biographical contexts. The translated author-function may differ considerably from the domestic, and may also interact with it as in the case of the East German writer Christa Wolf, whose international author-function has served for contrast (if not conflict) with her reception in the German Democratic Republic and united Germany. This was particularly marked during the 1990s, when revelations about Wolf’s political activity led to censure by the German media and literati. This paper demonstrates how the translation of Wolf’s texts and the construction of her international author-function have renegotiated her position within her domestic literary field
Naomi Wolf: Ethical Leadership for the 21st Century
No full textNaomi R. Wolf (born November 12, 1962) is an American liberal progressive feminist author, journalist, and former political advisor to Al Gore and Bill Clinton.
Via Wolf\u27s first book The Beauty Myth (1991),she became a leading spokeswoman of what has been described as the third wave of the feminist movement. Such leading feminists as Gloria Steinem and Betty Friedan praised the work; others, including Camille Paglia and Christina Hoff Sommers, criticized it. Her later books include the bestseller The End of America in 2007 and Vagina: A New Biography. Critics have challenged the quality and veracity of the scholarship in her books, including Outrages (2019). In this case, her serious misreading of court records led to its publication in the U.S. being cancelled.
Her career in journalism began in 1995 and has included topics such as abortion, the Occupy Wall Street movement, Edward Snowden and ISIS. She has written for media outlets such as The Nation, The New Republic, The Guardian and The Huffington Post
In pursuit of the lone wolf terrorist: investigative economics and new horizons for the economic analysis of terrorism
No full textThis book explores new horizons for the economic analysis of terrorism with an innovative combination of economics and offender profiling. The book is aimed at contributing to law enforcement efforts to pre-empt and pursue the lone wolf terrorist. By taking the economic analysis of terrorism back to its core concepts of 'opportunities' and 'choices' and by insisting that all results be both computable and relevant to the investigative process, the author examines lone wolf terrorism from a unique perspective that yields new insights into the nature of the lone wolf terrorist's opportunities and choices to inflict human tragedy. Not content with the task of delineating opportunities and choices, the author shows how the frameworks he has developed may be inverted and deployed in the pursuit of the lone wolf terrorist if efforts to pre-empt the lone wolf terrorist have failed. This book is groundbreaking for both the type of economics analysis it presents and its conscious break with several long-held traditions of terrorism studies. Both academics and law enforcement practitioners will find the author's analysis stimulating, confronting and, above all, applicable to the investigative processes designed to pre-empt or pursue a single violent offender who aims to etch a graphic biography of violence into the public consciousness
Mexican wolf reintroduction project Interagency Field Team annual report
No full textThe U.S. Fish and Wildlife Service (Service) is the lead agency responsible for recovery of the Mexican wolf, pursuant to the Endangered Species Act. The Mexican Wolf Recovery Program essentially is separated into two, interrelated components: 1) Recovery – includes aspects of the program administered primarily by the Service that pertain to the overall goal of Mexican wolf recovery and delisting from the list of threatened and endangered species, and 2) Reintroduction – includes aspects of the program implemented by the Service and cooperating States, Tribes, and other Federal agencies that pertain to management of the reintroduced Mexican wolf population in the Blue Range Wolf Recovery Area, which consists of the entire Apache and Gila National Forests in Arizona and New Mexico. This report
details all aspects of the Mexican Wolf Recovery Program
Mexican wolf recovery program progress report
No full textabstract: The U.S. Fish and Wildlife Service is the lead agency responsible for recovery of the Mexican wolf, pursuant to the Endangered Species Act. The Mexican Wolf Recovery Program essentially is separated into two, interrelated components: 1) Recovery – includes aspects of the program administered primarily by the Service that pertain to the overall goal of Mexican wolf recovery and delisting from the list of threatened and endangered species, and 2) Reintroduction – includes aspects of the program implemented by the Service and cooperating States, Tribes, and other Federal agencies that pertain to management of the reintroduced Mexican wolf population in the Blue Range Wolf Recovery Area, which consists of the entire Apache and Gila National Forests in Arizona and New Mexico. This report
details all aspects of the Mexican Wolf Recovery Progra
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