1,755,812 research outputs found
Bilal
No full textBilal was a journalist who fled as a refugee to Greece due to death threats by the Taliban. Bilal tragically drown several weeks after this photo was taken attempting to flee the refugee camp in Greece.https://scholarsarchive.byu.edu/tsos_photography/1007/thumbnail.jp
Mutiara hitam bersuara emas Bilal bin Rabah.
No full textBuku ini menceritakn tentang Bilal sorang budak yang ingin masuk islam dan bertemu dengan nabi Muhammad.48 hlm.: ilus.; 25 cm
Bilal
No full textBilal was 23 years old when he drowned in Greece. He was cheerful, intelligent, and full of energy.
He was a journalist in Afghanistan who received a death threat from the Taliban. His family decided that he should flee the country alone for survival since they couldn’t afford for the whole family to go.
He escaped from the camp in Moria by finding a hole in the fence. He outran the police, found a ship in port, and jumped on it as it was leaving. He later had 10 unsuccessful attempts to leave Greece for Germany. He was caught by police from Greece, Serbia, and Bulgaria. He said he would try 40 more times and wouldn’t stop until he escaped.
He explained the dire situation of refugees in Greece. Many have used up their money but cannot get work from the camps. On top of that, there is great difficulty in seeking asylum. He says Syrians are allowed in easier due to the war, but Afghanistan is just as dangerous. He came to Greece for safety—not enjoyment—but hasn’t found it. He sought human rights in Europe and was greatly disappointed.https://scholarsarchive.byu.edu/tsos_interviews/1005/thumbnail.jp
Academic Portrait Archive – Prof. Dr. Bilal Semih Bozdemir
No full textThis project contains academic portraits and professional photographs of
Prof. Dr. Bilal Semih Bozdemir, Dean at St. Clements University.
The collection is intended for academic reference, institutional publications,
and scholarly profiles
Recep Bilal Cenkçiler ile sözlü tarih görüşmesi
No full textBu görüşme, Aziz Elbas ve Ahmet Erdönmez koordinatörlüğünde Bursa Büyükşehir Belediyesi bünyesindeki Bursa Araştırmaları Merkezi tarafından Bursa'nın Köklü Eğitim Kurumları: Bursa Erkek Lisesi (Bursa Mekteb-i Sultanisi) projesi başlığı altında gerçekleştirilmiştir. Bu proje kapsamında yapılan görüşmelerin sayısı 60'tır.04.07.1943 tarihinde Bursa’da doğan Recep Bilal Cenkçiler, sözlerine özgeçmişini anlatarak başlamaktadır. 1957 yılında Bursa Erkek Lisesi’ne kayıt yaptıran Cenkçiler, Mezunlar Derneği'nin kurucu ve başkanlarındandır. Cenkçiler son olarak derneğin hedeflerinden bahseder.Bursa Büyükşehir BelediyesiBursa’nın köklü eğitim kurumları Bursa Erkek Lisesi (Bursa Mekteb-i Sultanisi). editör Aziz Elbas. Bursa: Bursa Kültür A.Ş., 2011
Lambert, Hendricks & Ross: American ventriloquism
No full textIt has been fifty-one years since the last Lambert, Hendricks & Ross studio recording. Since then Dave Lambert was tragically killed on the Connecticut Turnpike, Jon Hendricks has become a University of Toledo professor, and Annie Ross is still performing frequently worldwide. Few jazz vocalists are accepted into the scholastic canon. Fewer are filed in the annals of music history. But, if any vocalists should be regarded important to the story of jazz music it is LHR. Their impact on the art of vocalese has yet to be fully felt. In exploring the motivation behind the group’s dense, meticulous, trailblazing recordings, this study attempts to be a supplement for what was too much for liner notes in the late 50’s and 60’s, while simultaneously giving a brief encompassing historical outline. By examining the social and musical impact of Lambert Hendricks & Ross, this study attempts to further legitimate the art of jazz vocals and vocalese.M.A.Includes bibliographical referencesIncludes vitaby Bilal Salaa
Muka tokoh utama Bilal dalam film Bilal sutradara Ayman Jamal : Kajian Pragmatik
Get PDFPenelitian ini diperoleh dari realita bahwa film Bilal adalah film yang berlatar belakang sekitar 1400 tahun yang lalu. Film Bilal adalah film animasi pertama dari Uni Emirat Arab yang digarap oleh 250 Animator. Film ini mengangkat cerita dari kisah nyata mengenai aksi dan petualangan Bilal. film ini juga menampilkan elemen yang sangat rinci dan imajinatif. Tuturan dalam film tersebut terbentuk ke dalam konsep muka. Maka dari itu, peneliti tertarik untuk mengkaji film tersebut sesuai dengan pendekatan kajian pragmatik
Tujuan penelitian ini adalah untuk mengetahui dan mendeskripsikan muka positif dan muka negatif dalam film Bilal sutradara Ayman Sehingga dapat diketahui muka positif dan muka negatif dalam film Bilal tersebut.
Penelitian ini menggunakan metode deskriptif-analitik. Dengan cara mendeskripsikan bentuk-bentuk muka positif dan muka negatif yang muncul dalam proses pertuturan tokoh utama film Bilal kemudian menganalisisnya. Metode pengambilan data yaitu dengan menggunakan metode simak yang diikuti dengan teknik catat, adapun metode analisis yang digunakan dalam penelitian ini menggunakan metode padan ekstralingual. Pendekatannya menggunakan kajian pragmatik dan sumber data yang digunakan adalah tuturan tokoh utama Bilal film “Bilal”
Berdasarkan hasil analisis, data yang ditemukan dalam film Bilal berupa tuturan-tuturan yang berkaitan dengan konsep muka, di antaranya muka positif dan muka negatif. Data muka positif tokoh utama Bilal yang sering ditemukan dalam bentuk refresentatif yang berfungsi untuk menyatakan, penggunaannya dengan cara memperhatikan keinginan/menaruh perhatian atas apa yang dibawakan lawan tutur. Sedangkan data muka negatif tokoh utama Bilal yang sering ditemukan dalam bentuk refresentatif yang berfungsi untuk mengakui, penggunaannya dengan cara pesimistis (merendahkan diri)
Ghazalnama : poems from Delhi, Belfast, and Urdu
No full textThe ghazal for Maaz Bin Bilal becomes a way to love as well as to remember, to dialogue as well as to critique, to mourn as well as to memorialize. It aspires to the condition of statement and song, seeking to combine a love of rhetorical flourish with tender lyricism, political assertion with whimsy, even as it acknowledges its debt to forbears who range from Gandhi to Ghalib, Adrienne Rich to Agha Shahid Ali. Seguing between the elegiac, the reflective and the playful, these poems lurch restlessly across Delhi and Belfast, Aleppo and Srinagar, in quest of the ‘inflammable’ word, driven by the ancient aspiration of poets down the ages to write ‘in fire’
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