124,201 research outputs found
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Author Affiliation Statement Form
No full textAn author affiliation statement is needed when an author does not have The University of Queensland and their unit in the byline of the publication. This form can be used to supply the Author Affiliation Statement
Mixed extensions of decision-form games
No full textIn this paper we define the canonical mixed extension of a decision form game. We motivate the necessity to introduce this concept and we show several examples about the new concept. In particular we focus our study upon the mixed equilibria of a finite decision form game. Many devel- opments appear possible for applications to economics, physics, medicine and biology in those cases for which the systems involved do not have natural utility functions but are only capable to react versus the external actions.Decision form game; mixed extension.
The study of urban form in the Netherlands
No full textThe study of urban form in the Netherlands has been heavily influenced by the Modern Movement and characterized by strong disciplinary specialization. On the one hand there is the distinction between art and engineering and on the other the search for instrumental universal rationality. This helps to explain the increasing interest, initially within academe, in the first English and German translations of some outstanding works of Italian researchers, who were at the time already acting as leaders in new perspectives in the fields of urban form and architecture. In keeping with the Dutch practical attitude, these investigations contributed to urban developments of the post-industrial era, beginning at the end of the 1970s. Today much of the study of urban form entails investigation of how global trends affect local systems and how local systems can be improved by analysing best practices. In that respect the Netherlands has been able to establish a leading role in contemporary architecture that is widely recognized within EuropeArchitectureArchitecture and The Built Environmen
Form and Function in Spoken Discourse : An analysis of inconsistencies in language form and function
No full textA large number of language functions cannot readily be predicted simply by a consideration of their forms. There are a relatively limited number of language forms that are utilized by an infinite number of complex communicative functions involved in human linguistic interaction. The gap that exists between language forms and functions is bridged by contextual factors including speaker/listener cooperation, shared knowledge, intonation, conventional social norms and others. These factors help speakers communicatively bridge the correspondence gap between form and function and help give otherwise ambiguous forms their functionally intended meaning. In the first section of this article the author has made a summary of the arguments of the various approaches to the analysis of discourse on the issue of linguistic form and function. In the final sections the author has chosen a sample of spoken text and commented on examples, which demonstrate that the functions are not predictable from linguistic forms used by the interlocutors.departmental bulletin pape
The construction of Karen Karnak: The multi-author-function
No full textThis thesis is situated within the comparatively recent developments of Web 2.0 and the emergence of interactive WikiMedia, and explores the mode of authorship within a Read/Write culture compared to that of a Read/Only tradition. The hypothesis of this study is that the role of the audience has become merged with the author, and as such, represents new functions and attributes, distinct from a more conventional concept of authorship, in which the roles of audience and author are more separate. Read/Write and participatory culture, as defined by this study, is focused on collaboration, and includes the influences of D.I.Y. culture, Open-Source practices and the production of text by multiple authors. Multi-authorship presents a re-thinking of several concepts which support the notion of the individual author, since the focus of multi-authorship is not on attribution and ownership of a finished text, but on the continued malleability of a text. Modes of multi-authorship, demonstrated in the use of the pseudonyms Alan Smithee and Karen Eliot, represent declarative authors whose names signify multiple origins, whilst concurrently indicating a distinct body of work. The function of these names form an important context to this study, since primary research involves the construction of an experimental mode of multi-authorship utilising WikiMedia technology and the interaction of thirty nine participants, who are invited to create a body of work under the collective pseudonym Karen Karnak. The data generated by this experiment is analysed using aspects of Michel Foucault's author-function to identify and determine power structures inherent in the WikiMedia context. The interplay of power structures, including concepts such as identity, ownership and the body of work, affect the resulting mode of authorship and contribute to the construction of Karen Karnak, suggesting further areas of research into the emerging multi-author
Backmatter (Author Guideline, Copyright Transfer Agreement for Publishing Form)
No full textBackmatter (Author Guideline, Copyright Transfer Agreement for Publishing Form
Backmatter (Author Guideline, Copyright Transfer Agreement for Publishing Form)
No full textBackmatter (Author Guideline, Copyright Transfer Agreement for Publishing Form
From Pedrolino to a Pierrot: The Origin, Ancestry and Ambivalence of the British Pierrot Troupe
No full textIn this article, the author considers the British development of the seaside Pierrot troupe, arguing that its construction is consistent with the notion of invented tradition, and the associated concerns with identity and nationality. Tracing the history of the character from its origins as Pedrolino in the commedia dell’arte, the article considers the traditional and novel elements of the British form. This also allows a brief account of the origin and aesthetics of the British tradition. Reflecting on the synthesis of the archaic and contemporary dimensions of the form, the author proposes that the new structure constructed an ambivalent class of character. The composition of both troupes and audiences was drawn from across the range of social strata. Through its collectivity and its treatment of contemporary social themes, it is argued the British Pierrot troupe approached and negotiated questions of a cultural and national identity in the late-Victorian period.
Dave Calvert is a Senior Lecturer at the University of Huddersfield, UK. His research
interests include street theatre, Applied Theatre and learning disabled
performance. He is also a member of The Pierrotters, the last remaining seaside
Pierrot troupe
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