1,762,170 research outputs found

    The Bergman property for semigroups

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    In this article, we study the Bergman property for semigroups and the associated notions of cofinality and strong cofinality. A large part of the paper is devoted to determining when the Bergman property, and the values of the cofinality and strong cofinality, can be passed from semigroups to subsemigroups and vice versa. Numerous examples, including many important semigroups from the literature, are given throughout the paper. For example, it is shown that the semigroup of all mappings on an infinite set has the Bergman property but that its finitary power semigroup does not; the symmetric inverse semigroup on an infinite set and its finitary power semigroup have the Bergman property; the Baer-Levi semigroup does not have the Bergman property.Peer reviewe

    The role of imagination in Bergman, Klein and Sartre

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    This thesis was submitted for the degree of Doctor of Philosophy and was awarded by Brunel UniversityThis thesis provides an inter-disciplinary study of selected works by Ingmar Bergman. I explore how key concepts from Melanie Klein and Jean-Paul Sartre apply to the focus on characters in a state of heightened imagination; and the value placed on imagination in the construction of these films. This involves recognition of the way an active response from the viewer is encouraged. Klein, Sartre and Bergman also attend to contextual factors that challenge any notion of subjectivity as sovereign and the power of imagination is frequently placed in a social context. All three figures develop their ideas within specialised fields drawing on the influence of others. Chapter 2 shows how Klein’s ideas relate to the influence of Freud before exploring how her work can be applied to Bergman’s films through the example of Wild Strawberries. Chapter 3 concentrates on Sartre’s early work, The Imaginary and considers how this is significant in relation to some of Sartre’s better-known philosophical ideas developed during and after the Second World War. These ideas will lead to an exploration of The Seventh Seal. Chapters 4, 5, and 6 focus on three films from distinct parts of Bergman’s career: Summer with Monika, The Virgin Spring and Hour of the Wolf. In Chapter 4 this will be preceded by a brief over-view of three more films from the early part of Bergman’s career. These chapters explore how Kleinian and Sartrean ideas can be incorporated in close analysis, and alongside selected critical responses to the films. The analysis integrates key points from Klein and Sartre in a methodology specific to film studies. This will include analysis of cinematic elements such as camera work and lighting, and recognition of narrative structure and character developmen

    Bergman and the business [Elektronisk resurs] : Notes on the director’s ‘worth in the market’

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    This chapter discusses Bergman’s potential worth in the commercial film market on the basis of the director’s own correspondence with potential co-producers and international distributors of his films. The author first studies Bergman’s ample correspondence with Carl Anders Dymling, the powerful head of the Swedish production company Svensk Filmindustri between 1942 and 1961; most of Bergman’s early films were produced by Svensk Filmindustri. This correspondence concerns Bergman’s potential turn to the more profitable colour-film format in the early 1960s, a turn resisted by Bergman on artistic grounds; Bergman’s first colour film would eventually be the relatively unknown comedy, All these Women, in 1964. Second, the author examines Bergman’s correspondence with New York agent Bernhard L. Wilens regarding a possible film adaptation of French author Albert Camus’s short novel The Fall (La Chute, 1956). Third, the chapter explores Bergman’s correspondence with his American distributors, Janus Films, who famously specialized in the art-house market. Here, Janus is represented by Cyrus Harvey. Bergman never made a colour film during Dymling’s reign at Svensk Filmindustri, nor did he ever direct a film based on Camus’s novel. He did have a lengthy relationship with Janus Films, however. The chapter demonstrates how Bergman’s conception of himself as an artist conflicted with Hollywood, especially with regard to filmmaking practices. As an auteur in the European tradition, Bergman would always strive for artistic control of the entire production and distribution processes

    Lisa Bergman, Senior Recital, April 24, 1978

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    Concert program for Lisa Bergman, Senior Recital, April 24, 197

    Ingrid Bergman

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    Illustrated biography of Ingrid Bergman. Includes; achieving instant stardom, 'Casablanca', winning three Oscars, stage and television appearances, return to Swede

    Bibliografi Hjalmar Bergman 1897–2010

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    Bibliografin förtecknar alla realiseringar av Hjalmar Bergmans verk 1897–2010 samt material om Bergman och hans författarskap

    Captives no longer, but servants still? Contract parliamentarism and the new minority governance in Sweden and New Zealand

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    This is the accepted version of this article. The definitive version is available at www3.interscience.wiley.com Published version: Bale, T. and Bergman, T. (2006), Captives No Longer, but Servants Still? Contract Parliamentarism and the New Minority Governance in Sweden and New Zealand. Government and Opposition, 41: 422–449. doi: 10.1111/j.1477-7053.2006.00186.

    Stability and covergence properties of Bergman Kernel methods for numerical conformal mapping

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    In this paper we study the stability and convergence properties of Bergman kernel methods, for the numerical conform al mapping of simply and doubly- connected domains. In particular, by using certain well-known results of Carleman, we establish a characterization of the level of instability in the methods, in terms of the geometry of the domain under consideration. We also explain how certain known convergence results can provide some theoretical justification of the observed improvement in accuracy which is achieved by the methods, when the basis set used contains functions that reflect the main singular behaviour of the conformal map

    Ingmar Bergman at 100 [Elektronisk resurs] : An Introduction

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    This book on Swedish film-maker Ingmar Bergman contains 18 new essays, representing parts of modern scholarship on the director’s work, mainly in the cinema. Most of the contributors to the book, some of them Swedish, others American or British, have written lavishly on Bergman previously, some even for decades. Bergman is one of the most written about artists in film history and his fame still lingers all over the world, as could be seen in the celebrations of his centenary in 2018. The book was specifically conceived back then with the aim to present fresh angles on his work, even if many essays also focus on traditional aspects of Bergman’s art, like philosophy and psychology. Thus, the book presents a number of essential subjects which have been hitherto somewhat absent from Bergman studies: like the director’s relations with Hollywood and transnational film production. It also focuses on Bergman’s highly sophisticated use of film music and his prominence as a writer of autobiographical literature and the inevitable intermedial relations to his films that this will encompass. Finally, it also addresses Bergman’s complex relations to Swedish politics. Many different approaches and methods are employed in the book in order to show that Bergman still is a relevant and important artist. The analyses generally focus on some of his most memorable films, like Smiles of a Summer Night, The Seventh Seal, Wild Strawberries, Persona and Fanny and Alexander, but also on rarer material like Hour of the Wolf, The Lie and Autumn Sonata

    Bergman-Toeplitz operators on fat Hartogs triangles

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    In this paper, we obtain some Lp mapping properties of the Bergman-Toeplitz operator on fat Hartogs triangles
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