1,720,978 research outputs found
Transformasi Cerpen Madre Karya Dewi Lestari ke Film Madre Karya Sutradara Beni Setiawan: Kajian Ekranisasi
The purpose of this article (a) to describe story of episode cerpen Madre by Dewi Lestari (b) to describe story of episode film Madre director by Beni Setiawan, (c) to describe similar and different story of episode cerpen with film Madre. The Data of this study were story of episode Madre by Dewi Lestari and film Madre director by Beni Setiawan. Analyzed technique do with ekranisasi theory. The findings of the study showed that the decrease story of episode cerpan Madre by Dewi Lestari in film Madre director by Beni Setiawan become to 27 story of episode. Increase story of episode in film Madre director by Beni Setiawan become to 56 story of episode. The same variation changes event, figure and background story of episode in n cerpen Madre created by Dewi Lestari and film Madre director by Beni Setiawan become to 11 story of episode
Alih Kode dan Campur Kode pada Webseries “Layangan Putus†Karya Beni Setiawan
Penelitian ini bertujuan untuk mendeskripsikan kajian sosiolinguistik khususnya alih kode dan campur kode yang terdapat pada webseries “Layangan Putus†karya Beni Setiawan. Data pada penelitian ini berupa penggalan tuturan dalam webseries “Layangan Putus†karya Beni Setiawan. Sumber data penelitian ini berupa tuturan dialog tokoh webseries “Layangan Putus†yang diklasifikan dalam bentuk alih kode dan campur kode. Metode yang digunakan adalah metode deskriptif-kualitatif. Deskriptif kualitatif yakni mengumpulkan informasi berupa data empiris atau dapat dibuktikan kebenarannya sesuai fakta. Langkah-langkah yang digunakan dalam pengumpulan data sebagai berikut, (a) teknik simak untuk mendapatkan data yang faktual, (b) teknik catat untuk mencatat semua tuturan tokoh, (c) mengelompokkan data temuan berdasarkan kategori jenis alih kode dan campur kode, (d) menganalisis data yang telah diklasifikasikan berdasarkan tuturan tokoh. Peneliti mengambil kesimpulan dari hasil analisis tersebut. Hasil analisis dari kategori jenis alih kode dan campur kode, yaitu terdapat 63 data: a) alih kode sebanyak 30 data, b) campur kode sebanyak 33 data. Jenis alih kode yang ditemukan yaitu alih kode ekstern atau keluar sebanyak 30 data dan jenis campur kode yang ditemukan yaitu campur kode keluar atau outer code mixing sebanyak 33 data. Seluruh alih kode dan campur kode yang ditemukan melakukan peralihan dan penyisipan ke Bahasa Inggris.
 
PESAN DAKWAH DALAM FILM 3 HATI DUA DUNIA SATU CINTA KARYA BENI SETIAWAN (Study Analisis Semiotika Teori Roland Barthes)
Pesan dakwah adalah isi dari aktivitas dakwah yang disampaikan oleh
seorang Da’i kepada Mad’u, Berupa ajaran Islam yang secara garis besar dapat
dikelompokan menjadi 3 bagian, yaitu Aqidah, Syari’ah dan Akhlak. Dalam abad
globalisasi dan informasi sekarang ini, Pesan dakwah bisa didesing semaksimal
mungkin menggunakan media massa modern seperti: Radio, TV, Pers, Film dan
sebagainya. Tak ada yang dapat membantah kemampuan media komunikasi
massa ini dalam penyebaran suatu Agama. Film 3 Hati Dua Dunia Satu Cinta
adalah film drama Indonesia yang dibuat pada tahun 2010 disutradarai oleh Beni
Setiawan yang di angkat dari Novel Da Peci Code dan Rosid & Delia karya Ben
Sohib.
Fokus Masalah yang akan diteliti dalam skripsi ini adalah bagaimana isi
pesan dakwah dalam Film”3 Hati Dua Dunia Satu Cinta” karya Beni Setiawan.
Tujuan penelitian ini adalah untuk mengetahui dan memahami pesan-pesan
dakwah yang ada pada film tersebut. Manfaat penelitian ini diharapkan dapat
menambah wawasan keilmuan bagi pengembangan penelitian Ilmu Dakwah pada
Fakultas Dakwah dan Ilmu Komunikasi khususnya Komunikasi Penyiaran Islam.
Untuk mengidentifikasi pesan-pesan dakwah secara mendalam dan
menyeluruh penelitian ini menggunakan metode kualitatif. Sumber data diperoleh
melalui metode dokumentasi dan metode wawancara. Data kemudian dianalisis
menggunakan metode analisis Semiotika Teori Roland Barthes. Pada model ini,
Roland Barthes menekankan pada temuan dua tingkat dalam pertandaan, yaitu
Denotasi dan Konotasi.
Temuan dari peneliti ini, bahwa fim 3 Hati Dua Dunia Satu Cinta
mengandung pesan: Akidah, Syari’ah dan Akhlak. Pesan Akidah dalam film ini
tergambar pada saat Abah yang tak memperbolehkan Rosid berpacaran dengan
Delia yang bukan seagama di menit ke 55. Pesan Syari’ah, dimana Rosid Sholat
dan berdoa kepada Allah dimenit ke 35. Dan pesan Akhlak saat Rosid bejabat
tangan dan mencium tangan Uminya yaitu salah satu Akhlak patuh terhadap orang
tua dimenit ke 34
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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