7,955 research outputs found
Carmen : fantaisie-marche pour piano : op. 32 / par Paul Beck ; [d'après l']opéra de Georges Bizet
No full textTitre uniforme : Beck, Paul (18..-19.. ; compositeur). Compositeur. [Fantaisies. Bizet, Georges. Carmen. Piano. Op. 32]Fantaisies (piano) -- +* 1800......- 1899......+:19e siècle:Piano, Musique de -- +* 1800......- 1899......+:19e siècle
[Memo by Paul Tsuneishi, January 19, 1998]
No full textA memo by Paul Tsuneishi offering both humorous and apparently serious explanations of the work of that Friends of Michi (FOM) is doing.These materials are from box 73 and 74 of the Frank Chin Papers. The Frank Chin Papers contain personal and professional correspondence between Frank Chin and Michi Weglyn relating to particular projects on which either author was working as well as files related to the Day of Remembrance Tribute to Michi Weglyn
Portrait of Paul Barry speaking at the National Press Club, Canberra, 18 July, 1990 [picture] .
No full textCondition: Good.; Title devised by cataloguer from caption on negative packet.; Related material: Address delivered by Paul Barry, journalist and author, at the National Press Club, Canberra, on 18 July, 1990 National Library of Australia Oral History section ORAL TRC 4171
Paul Philippot, o restauro arquitetônico no Brasil e o tempo. Conversaciones con... Paul Philippot. Num. 1 Año 1 (2015) enero-diciembre
No full textAugé, Marc (2011) Où est passé l’avenir? Éditions du Seuil, ParisBrandi, Cesare (1950) Il fondamento teorico del restauro. Bollettino dell’Istituto Centrale del Restauro, numero 1, pp. 5-12.Brandi, Cesare (2004) Teoria da restauração. Ateliê Editorial, Cotia.Carbonara, Giovanni (1995) I trent’anni di una buona carta del restauro. Restauro. Volume 24, numero 131-132, pp. 57-60.Carbonara, Giovanni (2006) Brandi e a restauração arquitetônica hoje. Desígnio. Número 6, pp. 35-47.Carta de Veneza (1964)Damé, Luiza; Chico de Gois (2010) Lula volta a despachar no Palácio do Planalto após reforma que durou um ano e meio. O Globo. 24 de agosto de 2010. Disponível em: [http://oglobo.globo.com/politica/lula-volta-despachar-no-palacio-do-planalto-apos-reforma-que-durou-umano-meio-2960773] [acesso em 12 de novembro de 2014]ICCROM (2009). ICCROM Newsletter. Number 35, October 2009, p. 9.Goulart, Ghilherme (2009) Reforma do Palácio do Planalto prevê a remoção de painéis de Athos Bulcão.Correio Brasiliense [On Line] 6 de maio de 2009 [http://www.correiobraziliense.com.br/app/noticia/cidades/2009/05/06/interna_cidadesdf,105685/index.shtml] [acesso em 12 de novembro de 2014]Kühl, Beatriz M. (2009) Preservação do patrimônio arquitetônico da industrialização. Ateliê Editorial, São Paulo.Kühl, Beatriz M. (2010) “Notas sobre a Carta de Veneza” em Anais do Museu Paulista. Volume 18, número 2. Julho-dezembro 2010, pp. 287-320. Também disponível em: [http://www.scielo.br/scielo.php?script=sci_arttext&pid=S0101-47142010000200008&lng=ptnrm=iso]Le Goff, Jacques (2003) História e memória. Editora Unicamp, Campinas.Mendes, Fabiana (2010) Reforma estaria com falhas. Jornal de Brasília [On Line] 13 de julho de 2010. Disponível em [http://www.jornaldebrasilia.com.br/noticias/cidades/288680/reforma-com-falhas-no-palaciodo-planalto/] [acesso em 12 de novembro de 2014]Philippot, Albert and Paul Philippot (1959) Le problème de l’intégration des lacunes dans la restauration des peintures. Bulletin de l’Institut Royal du Patrimoine Artistique. Volume 2, pp. 5-18.Philippot, Paul (1966) La notion de patine et le nettoyage des peintures. Bulletin de l’Institut Royal du Patrimoine Artistique. Volume 9, pp. 138-143.Philippot, Paul (1996) “Historic preservation: philosophy, criteria, guidelines” in Stanley Price, Nicholas, Talley,M. Kirby and Melucco Vaccaro, Alessandra (eds.) Historical and philosophical issues in the conservation of cultural heritage. Getty Conservation Institute, Los Angeles, pp. 268-274; 358-364.Philippot, Paul, Laura Mora, e Paolo Mora (1986) Il restauro degli intonaci colorati in architettura: L’esempio di Roma e la questione di metodo. Bollettino d’Arte, supplemento al numero 35-36, pp. 139-141.Quatremère de Quincy, Antoine (1815) Considérations morales sur la destination des ouvrages de l’art. Le Clere, Paris.This paper aims at reflecting on some relevant issues for present conservation by means of an analysis of some aspects of Paul Philippot’s thought, especially his considerations regarding the role of time in conservation. Therefore, the text focuses on the following aspects: subjects related to the interpretation of theoretical references in the field of restoration in Brazil; the importance of discussing those references to analyse the role of time in conservation; issues resulting from the fact of not considering the passing of time in recent interventions made in that country; finally, as a conclusion, a reflection on the traces of time in the work of art, i.e. patina.Este artigo tem por intuito refletir sobre alguns temas relevantes para a preservação hoje, por meio da análise de aspectos do pensamento de Paul Philippot, em especial no que diz respeito ao papel do tempo na restauração. Para tanto, o texto enfatiza os seguintes aspectos: questões relacionadas à interpretação dos referenciais teóricos do campo disciplinar do restauro no Brasil; a importância de discutir esses referenciais para analisar o papel do tempo na restauração; alguns problemas resultantes do fato de não considerar a passagem do tempo em intervenções recentes no país; por fim, como conclusão, uma reflexão sobre as marcas do tempo na obra, a pátina
The Renewal of Song: Metalepsis and the Christological Revision of Psalmody in Paul
Full text linkThe productive yield of Richard Hays’ Echoes of Scripture in the Letters of Paul for the study of Pauline intertextuality has not been matched by adequate reflection on questions of method, particularly on the character of the trope at the heart of the Haysian project: metalepsis, or “echo”. Nor has sufficient attention been given to the reception of biblical psalmody in Paul, and to the distinctiveness of psalmic discourse in relation to metaleptic process. This study accordingly attempts a close engagement with biblical psalmody as this appears at selected sites in Romans and 2 Corinthians, focusing on those sites which best demonstrate the distinctive character of psalmody, and so offer to refine an account of metalepsis. In particular, it examines quotations which are attributed or attributable to David or to Christ, and sites in which psalmody serves to modulate Paul’s discourse without recourse to quotation. In so doing, this study sets out to enrich the Haysian account of metalepsis by discerning and correcting two biases. In relation to method, Haysian metalepsis is found to license maximalist readings of intertexts on the presumption of narrativity, which cannot be fully sustained in relation to psalmody. In relation to hermeneutics, Haysian metalepsis is shown to privilege dialectical accounts of Pauline intertextuality, in which the voice of scripture is richly and sympathetically invoked in Paul’s discourse. By resisting these biases, the present study is able to offer a more nuanced account of metalepsis, one better suited to psalmody, and to discern a more complex picture of Pauline intertextuality. Within it, Christ is richly configured as a psalmist in Paul, rhetorically empowered and tendered for imitation, yet nearly always at the expense of David, subverting the mode of agency he represents, in hermeneutical gestures which are dialectical in form but heuristic in effect
Paul Philippot, la restauración arquitectónica en Brasil y el tiempo. Conversaciones con... Paul Philippot. Num. 1 Año 1 (2015) enero-diciembre
No full textAugé, Marc (2011) Où est passé l’avenir? Éditions du Seuil, ParisBrandi, Cesare (1950) Il fondamento teorico del restauro. Bollettino dell’Istituto Centrale del Restauro, numero 1, pp. 5-12.Brandi, Cesare (1988) Teoría de la restauración. Alianza Editorial, S.A., Madrid.Carbonara, Giovanni (1995) I trent’anni di una buona carta del restauro. Restauro. Volume 24, numero 131-132, pp. 57-60.Carbonara, Giovanni (2006) Brandi e a restauração arquitetônica hoje. Desígnio. Número 6, pp. 35-47.Carta de Venecia (1964)Damé, Luiza; Chico de Gois (2010) Lula volta a despachar no Palácio do Planalto após reforma que durou um ano e meio. O Globo. 24 de agosto de 2010. Disponível em: [http://oglobo.globo.com/politica/lula-volta-despachar-no-palacio-do-planalto-apos-reforma-que-durou-umano-meio-2960773] [acesso em 12 de novembro de 2014]ICCROM (2009) ICCROM Newsletter. Number 35, October 2009, p. 9.Goulart, Ghilherme (2009) Reforma do Palácio do Planalto prevê a remoção de painéis de Athos Bulcão.Correio Brasiliense [On Line] 6 de maio de 2009.;
[http://www.correiobraziliense.com.br/app/noticia/cidades/2009/05/06/interna_cidadesdf,105685/index.shtml] [acesso em 12 de novembro de 2014]Kühl, Beatriz M. (2009) Preservação do patrimônio arquitetônico da industrialização. Ateliê Editorial, São Paulo.Kühl, Beatriz M. (2010) “Notas sobre a Carta de Veneza” em Anais do Museu Paulista. Volume 18, número 2.Julho-dezembro 2010, pp. 287-320. Também disponível em: [http://www.scielo.br/scielo.php?script=sci_arttextpid=S010147142010000200008ng=ptnrm=iso]Le Goff, Jacques (2003) História e memória. Editora Unicamp, Campinas.Mendes, Fabiana (2010) Reforma estaria com falhas. Jornal de Brasília [On Line] 13 de julho de 2010. Disponível em [http://www.jornaldebrasilia.com.br/noticias/cidades/288680/reforma-com-falhas-no-palaciodo-planalto/] [acesso em 12 de novembro de 2014]Philippot, Albert and Paul Philippot (1959) Le problème de l’intégration des lacunes dans la restauration des peintures. Bulletin de l’Institut Royal du Patrimoine Artistique. Volume 2, pp. 5-18.Philippot, Paul (1966) La notion de patine et le nettoyage des peintures. Bulletin de l’Institut Royal du Patrimoine Artistique. Volume 9, pp. 138-143.Philippot, Paul (1996) “Historic preservation: philosophy, criteria, guidelines” in Stanley Price, Nicholas, Talley, M. Kirby and Melucco Vaccaro, Alessandra (eds.) Historical and philosophical issues in the conservation of cultural heritage. Getty Conservation Institute, Los Angeles, pp. 268-274; 358-364.Philippot, Paul, Laura Mora, e Paolo Mora, (1986) Il restauro degli intonaci colorati in architettura: L’esempio di Roma e la questione di metodo. Bollettino d’Arte, supplemento del numero 35-36, pp. 139-141.Quatremère de Quincy, Antoine (1815) Considérations morales sur la destination des ouvrages de l’art. Le Clere, Paris.Este artículo tiene por objetivo reflexionar sobre algunos temas relevantes para la conservación actual, por medio del análisis de aspectos del pensamiento de Paul Philippot, en especial lo que dice respecto al papel del tiempo en la restauración. Por tanto, el texto enfatiza los siguientes aspectos: cuestiones relacionadas con la interpretación de referencias teóricas del campo de la restauración en Brasil; la importancia de discutir esas referencias para analizar el papel del tiempo en la restauración; algunos problemas resultantes del hecho de no considerar el paso del tiempo en intervenciones recientes en ese país; por último, como conclusión, una reflexión sobre las marcas del tiempo en la obra, la pátina
The Political Economy of Textbook Writing: Paul Samuelson and the making of the first ten Editions of Economics (1945-1976)
Full text linkOver the past two decades, numerous contributions to the history of economics have tried to assess Paul Samuelson’s political positioning by tracing it in the subsequent editions of his famous textbook Economics. This literature, however, has provided no consensus about the location of Samuelson’s political ideas. While some authors believe that Samuelson has always had inclinations toward interventionism, others conclude that he more often acted as a pro-business advocate. The purpose of this paper is not to argue for one of these two interpretations but to depict the making of Economics itself as a political process. By ‘political’ it is not meant the conduct of party politics but the many political elements that a textbook author has to take into account if he wants to be published and favorably received. I argue that the “middle of the road” stance that Samuelson adopted in the book was consciously constructed by the MIT economist, with the help of his home institution and his publishing company, McGraw-Hill, to ensure both academic freedom and the success of the book. The reason for which the stance developed is related to pre-McCarthyist right-wing criticisms of the textbook and how Samuelson and the MIT department had to endure the pressures from members of the Corporation (MIT’s Board of Trustees), who tried to prevent the publication of the textbook and threatened Samuelson’s tenure at MIT as soon as 1947 – when early manuscripts were circulated. As a result, it was decided in accordance with both the Corporation and McGraw-Hill that the Readings volume would be published to balance conflicting ideas about state intervention. Following these early criticisms, the making of the subsequent editions relied on a network of instructors and referees all over the US in order to make it as successful and consensual as possible. This seemed to work quite well in the 1950s and for a good portion of the 1960s, until Economics became victim of its own success and was seen, in an ironical twist of fate, as a right wing text by younger, radical economists. From now on, Samuelson will try to have his book sent as often as possible to the radicals for referring process, with mixed results. Eventually, the book became criticized from both its left and its right.Paul Samuelson, Economics, Textbook, Politics, Economic Education
Investigating the ‘empire of secrecy’ — three decades of reporting on the secret state
Full text linkThis thesis was submitted for the degree of Doctor of Philosophy and awarded by Brunel University LondonIt has often been argued that journalism has been the most effective means of holding the intelligence services to account in western democracies. This thesis examines whether that proposition holds true in the United Kingdom and if so, whether such oversight has been consistent. Accountability by the news media is compared with the expanding range of UK official oversight mechanisms. The author utilises a body or work from over three decades of reporting on the intelligence services and further research on accountability to examine these questions. The author suggests this work is timely, given the controversy prompted by the former National Security Agency contractor, Edward Snowden, who leaked a substantial archive of secret intelligence documents. This thesis concludes that the news media were often effective, if not consistent, in bringing intelligence to account in the second half of the 20th century. Since the start of the 21st century monitoring the secret state has become more challenging as a result of a changing economic, global and national political environment. Government legislation and technology makes it increasingly difficult for journalists to obtain confidential sources and then undertake their Fourth Estate role. Finding new methodologies is an urgent task for journalists, as history reveals that if intelligence agencies operate without scrutiny from outside government, abuses take place. Never before has government and its intelligence services had such powers and techniques of invasive mass surveillance available, and thus the potential to control the population and particularly those who dissent
Author Co-Citation Analysis (ACA): a powerful tool for representing implicit knowledge of scholar knowledge workers
Full text linkIn the last decade, knowledge has emerged as one of the most important and valuable organizational assets. Gradually this importance caused to emergence of new discipline entitled ―knowledge management‖. However one of the major challenges of knowledge management is conversion implicit or tacit knowledge to explicit knowledge. Thus Making knowledge visible so that it can be better accessed, discussed, valued or generally managed is a long-standing objective in knowledge management. Accordingly in this paper author co- citation analysis (ACA) will be proposed as an efficient technique of knowledge visualization in academia (Scholar knowledge workers)
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