232 research outputs found
Hubaysh al-Tbilisi and His Work on Errors of Qur’anic Qirâat: Kitab al-Talhis
Hubeyş b. İbrahim et-Tiflîsî Anadolu Selçukluları döneminde
yaşamış, üretken bir müelliftir. Çok sayıda eser yazmış
olmasına karşın ana kaynaklarda hakkında yeterince bilgi
bulunmamaktadır. Tespit edilebilen otuz kadar eserinin ikisi
Kur’ân hakkındadır. Bu araştırma, müellifin iki önemli
eserinden biri olan Kitâbü’t-telhîs’i ele almaktadır. Kitâbü’ttelhîs, Kur’ân kırâatine dair yaygın hataları ortaya koyup
çözümlerini öneren bir eserdir. Orijinali üç bölüm olan eserin
sadece birinci bölümü günümüze ulaşabilmiştir. Birinci
bölüm iki sayfadan ibaret olup yazma eser halinde
kütüphane raflarında durmaktadır. Araştırmamız, daha çok
müellife ve eserine dikkat çekmeyi, ilgilileri eserin
varlığından haberdar etmeyi ve onlara yol göstermeyi
hedeflemektedir.Hubaysh b. Ibrahim al-Tbilisi is a productive author who
lived during Anatolian Seljuqs period. Despite the fact that
he has written a great number of works, there is not enough
information about him in the main sources. Tbilisi has more
than 30 works. Both of these works are about the Qur’an.
This article deals with Kitâb al-talhîs, one of the author’s two
most important works. The Kitâb al-talhîs reveals the errors
of Qur’anic qırâat and their resorts. This work is consist of
three parts actually. But, only the first episode could came
the present day. The first section stands on the library shelves
as a writing work on two pages. Our research is based on the
this part. This study aims to attention the author and his
work, to inform them about the existence of the work and to
awaken new ideas.ص
قد عاش حبيش بن ابراهيم التفليسي خالل فترة السالجقة
ّف تأليفات عديدة، التوجد
ّف المؤل
األناضولية. وهو مؤلف مثمر. على ال ّرغم أل
فليسي أكثر من ثالثين تأليفا. إثنان من
معلومات كافية في المصادر ال ّرئيسية. لِلتّ
لخيص"، واحدة من
تأليفاته معلقتان حول القرآن. هذه مقالتنا تتناول "كتاب التّ
ّل األخطاء. إ ّن
لخيص يهدف أن يُكشف علل قراآت القرآن و يُحل
إثنين. كتاب التّ
لخيص مر ّكب من ثالثة أجزاء في األصل. كان الجز
كتاب الت ء األ ّول فقط من ّ
ّالث األصل ّي قادرا على الوصول إلى يومنا. القسم األ ّول صفحتان و النسخة
الث
تقف على رفوف المكتبة. يستند بحثنا على الجزء الموجود. الهدف من هذه
أليف
ّف وأثره و اإلبالغ عن وجود التّ
ال ّدراسة اإلنتباه إلى ال
نشر مقدمة "الفوائد المكية في تفسير سورة النبأ على الحاشية العصامية على تفسير البيضاوي" لشيخ اإلسالم ميرزا مصطفى والدراسة القصيرة عليها
Kadı Beydavi’nin (ö. 685/1286) Envâru’t-Tenzîl ve Esrâru’t-Te’vîl adlı tefsiri üzerine yazılan pek çok haşiyeden biri İsâmuddîn el-İsferâyînî’nin (ö. 945/1538) Hâşiye alâ Cüz’i Amme min Tefsîri’l-Beydâvî isimli eseridir. İslâm dünyasındaki önemi nedeniyle söz konusu eserin üzerine hâşiye türünde çok sayıda çalışma yapılmıştır. Mirzâ Mustafa Efendi’nin (ö. 1135/1722) elFevâidü’l-Mekkiyye ale’l-Hâşiyeti’l-‘İsâmiyye adını verdiği eseri bu tarz bir hâşiye olup sadece Nebe suresini içermektedir. Bu makalede söz konusu eserin mukaddimesi muhteva yönüyle incelenmiş ve metin notlarla neşredilmiştirHundreeds of explanations (hashiyah) have been written on al-Qadi alBaidawi’s commantary in the name of Anvar al-Tanzil wa Asrar al-Ta’wil. One of these is explenation named Hashiya ala Juz Amma min Tafsir alBaidawi that written by Isamaddin al-Isfaraini. Isamaddin’s hashiyah is very well-knownd and very important. It’s therefore known that many hashiyah were written to explain it. Mirza Moustafa Efendi’s works named al-Fawaid al-Makkiyya ala’l-Hashiyat al-‘Isamiyya is such a work and contains only the surah of Naba. We examined the hashiyah of author Mirza Mustafa’s work in terms of content.لقد ألف كثير من أهل العلم ومنهم عصام الدين اإلسفراييني )ت1538م على
( حواشيا
أنوار التنزيل وأسرار التأويل للبيضاوي )ت1286م(. وأما شيخ اإلسالم ميرزا
مصطفى )ت1722م( فهو من المهت ّمين بهذه الحاشية في إطار تفسير سورة النبأ وقد
في مكة. فهذه
ً
ّف شيخ اإلسالم حاشية س ّماها بالفوائد المكية؛ حينما كان قاضيا
أل
الدراسة ترتكز على نشر مقدمة ميرزا مصطفى والدراسة القصيرة عليها ألهميتها في
تط ّور علم التفسير في الدولة العثمانية خا ّصة وأ ّن مؤلفها هو من مدينة باطوم الواقعة
. وخالل هذه الدراسة وبمثلها، يمكن أن نزيل الستار عن اآلثار
ً
في جورجيا حاليا
ُم ْسلمة التي كانت تحت الرعاية العثمانية.
العلمية والدينية في األماكن غي
KONFLIK KEPENTINGAN DALAM REVITALISASI LAPANGAN KAREBOSI
City as center of agglomeration is an important parameter to measure the growth of a region. The completion of facilities and infrastructure will invite people to stay. So that, the annual population growth become unaviodable. By the growth of population, the public utility and settlement requirement also progressively increase which also implicatese on wider land requirement level. Karebosi's Revitalization Project as the answer of Makassar's City Government on society's the need on facilities, in its implementation apparently ignore contained historical points at in it. Since its early development on 16th October 2007, have evoked conflicts of a variety the interested parties. Makassar's City Government who give management rights to PT. Tosan Permai up to 30 year gets lampooning of a variety party, such from the public, academician, NGOs, Cultural Concerned Institution (Provincial Beurau of Tourism and BPPP) and environment observer. This writing tries to see Karebosi as one place which have historical point but haven't gotten law protection corresponds to that affixed on Law No. 5 years 1992 about Cultural Pledge Object.Kota sebagai pusat aglomerasi adalah parameter penting untuk mengukur pertumbuhan suatu daerah. Selesainya fasilitas dan infrastruktur akan mengundang orang untuk berkunjung. Dengan demikian, pertumbuhan populasi tahunan menjadi tidak dapat diubah. Dengan pertumbuhan populasi, kebutuhan utilitas publik dan pemukiman juga semakin meningkat yang juga berimplikasi pada tingkat permintaan lahan yang lebih luas. Proyek Revitalisasi Karebosi sebagai jawaban Pemerintah Kota Makassar tentang kebutuhan masyarakat akan fasilitas, dalam implementasinya nampaknya mengabaikan poin sejarah yang terkandung di dalamnya. Sejak awal pengembangannya pada 16 Oktober 2007, telah menimbulkan konflik dari berbagai pihak yang berkepentingan. Pemerintah Kota Makassar yang memberikan hak pengelolaan kepada PT. Tosan Permai hingga 30 tahun mendapatkan lamponing dari berbagai pihak, seperti dari publik, akademisi, LSM, Lembaga Peduli Budaya (Beurau Pariwisata dan BPPP) dan pengamat lingkungan. Tulisan ini mencoba melihat Karebosi sebagai salah satu tempat yang memiliki titik sejarah tetapi belum mendapatkan perlindungan hukum sesuai dengan yang tercantum pada UU No. 5 tahun 1992 tentang Objek Sumpah Budaya
Ibrahim el-Antaki's divan called Burhanul-Burhan-examination and verification
Doktora TeziBu araştırma, Arap ve İslam kültür mirasına katkı sağlamak amacıyla, şair İbrahim el-Antaki'nin (H. 926-M. 1520) "Burhanu'l-Burhan" adlı divanının yazma nüshasını incelemektedir. Başka bir eseri bulunmayan ve çok tanınmayan yazarın bu eseri, araştırmacılar ve muhakkikler tarafından yeterince ele alınmamıştır. Yazarın şiirleri dönemin toplumsal yapısını, halk kültürünü, geleneklerini ve karakteristik özelliklerini yansıtmasına rağmen, eser uzun süre yazarına atfedilmemiştir. Divan, dönemin toplumsal entelektüel seviyesini ortaya koyması ve günümüz kültürüyle karşılaştırma imkânı sunması bakımından önem arz etmektedir. Araştırmada bilimsel inceleme ilkeleri ve tahkik kuralları çerçevesinde yazarın biyografisi, eserin yazara aidiyeti, divanın anlaşılmayan kasidelerinin ve aruz vezinlerinin tespiti, divandaki aruz, dil ve gramer hatalarının tashihi ile şiirlerdeki Beyan ve Bediî sanatlarının özellikleri incelenmiştir.This research examines the manuscript of the divan named "Burhanu'l-Burhan" by poet Ibrahim al-Antaki (H. 926-A.D. 1520) in order to contribute to the Arab and Islamic cultural heritage. This work of the author, who has no other works and is not very well known, has not been sufficiently studied by researchers and scholars. Although the author's poems reflect the social structure, folk culture, traditions and characteristic features of the period, the work has not been attributed to its author for a long time. The divan is important in terms of revealing the social intellectual level of the period and providing an opportunity for comparison with today's culture. In the research, the following issues were addressed within the framework of scientific examination principles and investigation rules: the author's biography, the work's belonging to the author, the detection of the divan's incomprehensible odes and aruz meters, the correction of aruz, language and grammar errors in the divan, and the characteristics of the arts of Beyan and Bediî in the poems were examined
Bi-Attempted Base Optimization Algorithm on Optimization of Hydrosystems
This study aims to search for optimum design parameters for a slurry pipeline problem and optimum operation parameters for a multi-reservoir scheduling problem by using Bi-Attempted Base Optimization Algorithm (ABaOA), which has been recently developed as a numerical bidirectional search algorithm. The slurry pipeline problem is a constrained non-linear cost minimization problem with constraints on facility capacities. It has two separate cost terms that behave differently with changes in decision variables. The problem includes several decision variables in addition to the fact that the objective function is highly non-linear. On the other hand, the multi-reservoir problem is a well-known problem in Hydraulics that aims to maximize benefit by optimizing the releases of each reservoir. The problem has a known global optimum, which is used to test the abilities of the ABaOA. The ABaOA is developed from Base Optimization Algorithm (BaOA) by transforming its operators with the aim to diversify the search paths to reach the global optimum. Its applications in hydrosystems show that it converges to the optimum solutions in reasonable times. The results from the first application are compared to the ones obtained from Genetic Algorithms (GA) application. It is observed that ABaOA outperformed GA in terms of speed of convergence and finding a better alternative solution. The ABaOA reaches the global optimum in the second application. In addition, alternatives with better benefit functions, including some penalties have been determined.Green Open Access added to TU Delft Institutional Repository ‘You share, we take care!’ – Taverne project https://www.openaccess.nl/en/you-share-we-take-care Otherwise as indicated in the copyright section: the publisher is the copyright holder of this work and the author uses the Dutch legislation to make this work public.Rivers, Ports, Waterways and Dredging Engineerin
An analysis on the novels of Burhan Cahit Morkaya until the alphabet revolution
ÖZET Burhan Cahit Morkaya, 1892 yılında İstanbul doğmuştur. Lise tahsilini Mercan İdadîsi'nde, yüksek öğrenimini Mekteb-i Mülkiye'de tamamlayan yazar, yaşamı boyunca memuriyette hiç bulunmamıştır. Burhan Cahit, 1946 seçimlerinde meclise girmiş, askerlik probleminden dolayı, seçim mazbatası 1947'de Meclis tarafından reddedilmiştir. Yazarın edebiyata ilgisinin ne zaman başladığı bilinmemekle birlikte gazeteciliği, Mülkiye'deki öğrencilik yıllarında başlamıştır. Yazar, 1909'da başlayan gazeteciliğini, 1946 yılına kadar hiç ara vermeden devam ettirmiştir. Yeni Gazete, Servet-i Fünûn, Vatan, Son Posta, Milliyet gibi gazetelerde çalışan yazar, Karagöz, Millet, Milliyet ve Köroğlu gazetelerini ise çıkartan Burhan Cahit'in yazı hayatı, gazetecilik ve romancılık olarak ikiye ayrılır. Gazetecilik yazar için asıl iş, romancılık ise gazetecilikle birlikte yürütülen bir iştir. Yazarın çıkartmakla övündüğü Köroğlu gazetesi, onun yazı hayatının son durağıdır. Burhan Cahit, 1949'da bir kalp rahatsızlığından dolayı vefat etmiştir. Yazar, evvela gazeteci, sonra romancıdır. Sayıları kırka yaklaşan romanları ile çıkarttığı ve idare ettiği gazetelerde yayınladığı binlerce makalesiyle Burhan Cahit, tarihî bir şahsiyettir. Çalışmamız, yazarın, Harf İnkılabı' ndan önce neşredilmiş olan yedi romanının incelenmesi ve değerlendirilmesine ayrılmıştır. Çalışmamız, üç bölümden oluşur. İlk bölümde, Burhan Cahit'in hayatı hususî hayatı, gazeteciliği, milletvekilliği, sanat ve edebiyat görüşü ana çizgileriyle incelenmiştir. İkinci bölümde, yazarın yedi romanı, olay örgüsü, tema, şahıs kadrosu, mekân, zaman bakımından değerlendirilmiştir. Üçüncü bölüm ise ikinci bölümde yapı unsurları incelenen yedi eser, kelime, cümle ve üslup bakımından değerlendirilmiştir. s Sonuç kısmı ise inceleme sonunda ulaşılmış bilgilerin öz cümlelerle verilmesine ayrılmıştır. Kaynakça kısmında ise Burhan Cahit'in incelenen eserlerinin tam künyesi verilmiş, istifade edilen kitaplar ve makaleler belirtilmiştir. IIABSTRACT Burhan Cahit Morkaya was born in Istanbul in 1892. He finished Mercan High School. Then he went to Mekteb-i Mülkiye. He never became a state official. He was elected for the Grand National Assembly in 1946, but he was rejected by the Assembly due to the problem of the military service. Although it is not clear when his interest in literature began, we know that his journalist carrier went back to his Mülkiye days. Journalism constitutes the central element of his carrier as writer. He began to work as a journalist in 1909, and without a break, he continued to work until 1946. He wrote for Yeni Gazete, Servet-i Fünûn, Vatan and the like, and he published Karagöz, Millet, Milliyet and Köroğlu. We can divide his life as an author into two part; journalist and novelist. Journalism was his main job, however, novel was a secondary interest subordinated to the journalism. Köroğlu newspaper was final stage in his authorship. He died in 1949 due to heart attack. As have already pointed out he was a journalist firstly and a novelist secondly. If we look at his forty novels and thousands of articles published in the different newspapers, we can see that he was an historical figure. Our study analyzes and evaluates his seven novels that were published before the Alphabet Reform. The study consists of three parts. The first part figures out his life, journalism, membership of the Grand National Assembly, and conception of art and literature. The second part analyzes his seven novels with respect to events, theme, heroes, space and time. The third part examines the novels in question in regards to style, sentence and word. The last part discuss the findings in brief. The bibliography part contains the full editorial references of the novels along with the references that were used in the study. Il
LUKISAN FAUNA, POLA SEBARAN DAN LANSKAP BUDAYA DI KAWASAN KARS SULAWESI BAGIAN SELATAN
Tulisan ini menyajikan studi tentang lanskap pada situs gua-gua yang memiliki gambar dari masa prasejarah. Gua-gua prasejarah di bagian selatan Pulau Sulawesi merupakan kawasan gua dengan karakter lukisan telapak tangan dan fauna. Penelitian ini difokuskan pada lukisan fauna dan lanskap budaya. Metode yang digunakan diantaranya mengumpulkan hasil penelitian lukisan di wilayah ini kemudian mengklasifikasi jenis lukisan fauna dan keletakan situs berlukis tersebut dalam peta dengan menggunakan software GIS. Software ini juga digunakan untuk menghitung jarak situs terdekat dan terjauh dengan pantai di masa Pleistosen. Hasil identifikasi berdasarkan lukisan fauna, pola sebaran gua dan lingkungan masa lalu menjelaskan bahwa kawasan gua-gua prasejarah di bagian selatan Sulawesi merupakan lanskap budaya yang telah diokupasi oleh dua kelompok identitas yang berbeda berdasarkan karakter lukisannya.</jats:p
The Manuscript of Al Naji Response on the Abrogator and the Abrogated by Burhan Edeen Al Naji who died in 900H
This research comes as part of the Quranic studies which aims at studying and investigating the manuscriptCof Al Naji response on the abrogator and the abrogated by Burhan Edeen Al Naji who died in 900 H.The focus on the scholars' legacy and their writtings and bringing them to light is one of the reasons for choosing to study this manuscript, and it's importance comes for the high status of it's author , in addition to the scient ific value of the manuscript. The research consisted of an introduction and two parts : the first part consisted of two areas of research: the first area on studying the author life and his scientific status ,and the second on studying the manuscript and the substatiation of its attribution, discription ,methodology and resources. And the second part is on investigation of the manuscript and then the conclusion in which I mentioned the key findings like : Apprenticeship of Burhan Edeen at the important maintainers of his time which had an impact on his high scientific position and his entrenchment in Hadith sciences and multiplicity of his modern authorities like: Availability of Scientific Evidence Inherits Prevelance of Probability, this authority was by Burhan Edeen Al Naji and also Al Naji did not intend to handle all the abrogated verses in Quran but just establishment of the occurrence of the abrogation with the indication that it was from Quran and then abrogated in reciting
Selîm-Nâme: İshâk b. İbrâhîm
Burhan Keskin tarafından incelenen bu Selim-name, İzmir Milli Kütüphane'de, Türkçe yazmalar bölümünde, 1874 numarada bulunmaktadır. Selim-name'nin yazarı İshak b. İbrahim'in doğumu M.1465, vefatı M.1537'dir. Muhtemelen 1512-1514 seneleri arasında kaleme alınmış olmalıdır. İstinsahı Cafer Çavuş tarafından M.1591 yılında tamamlanmıştır. M.1509'dan, 1512'ye kadar olan olaylar hakkında bilgi verir. Selim-name'de, İstanbul depreminden başlayarak, Şehzadelerin birbirleri ile olan mücadelerine, Padişah Bayezit'in Şehzade Ahmet'e gönderdiği mektuplara, Vezir-i Azam Hadım Ali Paşa'nın Şehzade Ahmet'i desteklemek için yaptığı çalışmalara değinilmiştir. Ayrıca Şah-Kulu Baba Tekeli isyanıyla, Selim'in Kefe üzerinden Rumeli'ye gidişi ve babası Bayezit ile yaptığı savaşa da yer verilmiştir. Selim-name, Selim'in Şehzade Ahmet üzerine çıktığı Anadolu seferiyle son bulur.The book Selim-nâme, studied by Burhan KESKİN, is registered in number 1874 in the department of Turkish Handwork writings in Izmir National Library. It must have been written between 1 51 2 - 1 51 4 A. D. The author, Ishak b. Ib rahim was born in 1 463 and died in 1 537 A.D. A copy of it was finished by Cafer Çavuş in 1 591. It refers to the events which took place between 1 509 and 1512. In the begining of book, it tells the eartquake in Istanbul, the disputes among princes (şehzadeler); the letters written by the emperor Bayezit II to prince Ahmet and Vezir-i Azam (Prime Minister) Hadım Ali Pasha's effort to support Şehzade Ahmet (Prince Ahmet). In addition, it mentions Şah-Kulu Baba Tekeli riot, Selim's going to war in Ru meli by passing Kefe and the war between Selim I and his father, Emperor Be- yazit. In the end, the book ends with Selim's going to Anatolia and the fight bet ween Selim I and his brother, Prince Ahmed
BENTUK DAN RAGAM HIAS MAKAM ISLAM KUNO DI KABUPATEN JENEPONTO SULAWESI SELATAN
Eksplorasi yang telah dilakukan di Jeneponto diperoleh sebaran makam Islam kuno pada sepuluh situs dengan variabilitas temuan makam yang sangat kompleks. Hubungan yang tampak jelas antara bentuk jirat, nisan dan ragam hias menunjukkan bahwa semakin besar dan tinggi ukuran jirat dan semakin variatif ragam hias suatu makam, maka tokoh yang dimakamkan memiliki strata yang tinggi pula. Bentuk jirat dengan varian ragam hias tidak berkorelasi positif terhadap bentuk jirat untuk melihat strata sosial orang yang dimakamkan. Hubungan bentuk jirat dengan bentuk nisan memperlihatkan bahwa pemakaian bentuk nisan paling banyak pada jirat monolit bersusun dua disusul dengan jirat bersusun tiga. Khusus untuk nisan menhir hanya digunakan pada makam tanpa jirat atau jirat yang tersusun dari batu-batu alam. Tampaknya tidak ada pola yang jelas mengenai penggunaan bentuk-bentuk nisan terhadap bentuk-bentuk jirat. Demikian pula dengan sistem ideologi, terlihat bahwa di daerah Jeaeponto, walaupun kepercayaan yang dianut sebelum adanya Islam, namun masih terlihat adanya unsur-unsur pra-Islam yang teraktualisasi pada bentuk makam, nisan dan ragam hias sebagai akibat adanya proses akulturasi dua unsur budaya. Exploration has been done in Jeneponto was obtained distributions of moslem ancient tombs at ten sites with variability of the tomb findings are very complex. The apparent relationship between the form of sepulcher, tombstones and ornaments show that the larger and height and the more varied decoration of a tomb, then the figures are buried have a higher strata as well. Sepulcher with a variant form of ornamentation is not positively correlated with the form of sepulcher to see the social strata of people are buried. Relationship of sepulcher and tombstone shows that the use of tombstones are most on a monolithic with composition of two, followed with a three one. Especially for menhir, it is used only for tombs without sepulcher or sepulcher that is composed of natural stones. It seems there is no clear pattern regarding the use of grave forms on sepulcher forms. Similarly with ideological system, shows that in Jeneponto area, although the beliefs held prior to Islam, but still visible presence of elements of pre-Islamic which actualized in the form of graves, tombstones and various ornaments as a result of the acculturation process of the two elements of culture
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