4,449 research outputs found
Gian Luca Barbieri, "Il laboratorio delle identità. Dire io nell’epoca di internet", Mimesis 2014
No full textReview of book: Gian Luca Barbieri, Il laboratorio delle identità. Dire io nell’epoca di internet, Mimesis, 2014. Recensione di libro: Gian Luca Barbieri, Il laboratorio delle identità. Dire io nell’epoca di internet, Mimesis, 2014.
(collaborazione in) Linda M. Paterson, Singing the Crusades. French and Occitan lyric responses to the Crusading Movements, 1137-1336
No full textThis book is a monograph by Linda Paterson, in collaboration with Luca Barbieri, Ruth Harvey, Anna Radaelli and with an appendix by Marjolaine Raguin. It is based on a corpus of over two hundred texts which have been placed online, half of them newly edited from the medieval manuscripts, together with Italian and English translations and information about their dating and the historical circumstances of their composition.
http://warwick.ac.uk/crusadelyric
Gino Barbieri
No full textL'attività del pittore e xilografo Gino Barbieri (1885-1917) e i suoi rapporti con Federigo Tozzi
Introduzione. Il governo: che cosa è e come cambia
No full textUn'analisi semantica del concetto di governo, la struttura del volum
Qui a tué Ajax, fils de Telamón ? De la double mort d'un héros et d'autres incohérences dans la tradition troyenne
No full textBarbieri Luca. Qui a tué Ajax, fils de Telamón ? De la double mort d'un héros et d'autres incohérences dans la tradition troyenne. In: Romania, tome 123 n°491-492, 2005. pp. 321-359
Atti della giornata di studi “Tutti i colori dell’ospedale. Il disegno infantile e l’esperienza di malattia” (a cura di G.L. Barbieri)
No full texthttp://www.psicoart.unibo.it/psicoart_colori_ospedale.ht
Realtà e finzione in autobiografia
No full text[Reality and fiction in the autobiography] How does the autobiography reproduce
its author’s life? What kind of reality and truth does the author investigate?
Does his reconstruction accept imagination? And where does the
narrative of fiction find its contents? Is the author’s biography part of the fictional
plot? Quoting Sigmund Freud, Groucho Marx, David Metzinger, David
Foster Wallace, Wilfred Bion and Albert Camus among the others, in this article,
we have underlined how reality and fiction can meet in both the types of
narrative. We have also studied the trans-autobiographical narrative in which
the autobiography intentionally encounters the fiction, and have analysed its
reparative effects
Identità, alterità, narrazione. Un approccio psicodinamico
Full text linkIdentity, Alterity, Narrative. A Psychodynamic Approach - This article explores the development of personal identity - construed as a sense of self underpinned by a theory of self - in five steps: the “core self”; mirror self-recognition; the use of the pronoun “I”; alternating use of the pronouns “I” and “you” in dialogue; children’s capacity to connect their bodily and psychological sense of self to their self-image and to report this connection through the sentence “That’s me”. Moreover, the importance of interpersonal relationships in the construction of personal identity through mirroring, mentalization, and mutual identification is emphasized. Identity is conceived as a complex system with a “self pole”, involving the dynamics of introjection, and an “I-other pole”, involving the dynamics of projection. Finally, the author analyses how narrative and paradigmatic thinking (both conscious) join with unconscious and preconscious thinking in the definition of one’s own identity
Il caso clinico e le operazioni di sicurezza dell'analista
No full textThe aim of this text is to make an analysis of the clinical case. It is focused not on the content, but on the form, and in particular on the “form of content”, that includes the narrative structure, the role of the narrator and the focalization. If we observe not only what, but also how the author narrates, we can have interesting information about the thought of the psychoanalyst, his process of mentalization, his defense mechanisms and his resistances. We use Bion’s theory of thinking, integrated by the concept of “beta remains” theorised by the author. The observations focuses on Freud’s four most important clinical cases
Intrecciare storie, costruire menti. Le dinamiche psichiche dei personaggi nel laboratorio letterario.
No full textThe author analizes some novels in order to observe how the characters activate psychic dynamics based on recognition, mentalization, narcissism and mirroring. These mechanisms shape their identity and structure the relations with the other characters. The literary space is a kind of laboratory where are staged, in a nearly experimental way, emotions, thoughts, defences, and interpersonal relations that reproduce the same daily-life phenomenons. It’s a mirror in which the author and the reader reflect themselves in an empathetic way and realize the process of meta-mentalization
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