20,649 research outputs found
Xi yuan lu jie
王又槐增輯 ; 李觀瀾補輯 ; 孫光烈參閱 ; 阮其新補註 ; 王又梧校訂 ; 張錫藩重訂加丹.綫裝.框15.3x13.1公分, 10行18字, 小字雙行同, 無界行. 白口, 左右雙邊, 單黑魚尾. 版心上鐫題名, 中鐫卷次及小題, 下鐫葉次. 眉端刻註解評語.紅, 黃, 藍三色套印本.書名頁刻"同治四年夏月重校刊, 寳鑑編附後, 粤東省署藏板"卷末附刊: 檢骨圖格 -- 寳鑑編 -- 急救方 -- 石香秘錄 / 仲振履校訂 ; 張鍚蕃重訂加丹 -- 洗冤錄解 / 姚德豫著 ; 文晟校訂.鈐"許豫康侯", "莊兆祥印".Xian zhuang.Kuang 15.3 x 13.1 gong fen, 10 hang 18 zi, xiao zi shuang hang tong, wu jie hang. Bai kou, zuo you shuang bian, dan hei yu wei. Ban xin shang juan ti ming, zhong juan juan ci ji xiao ti, xia juan ye ci. Mei duan ke zhu jie ping yu.Hong, huang, lan san se tao yin ben.Shu ming ye ke "Tongzhi si nian xia yue chong jiao kan, Bao jian bian fu hou, Yue dong sheng shu cang ban"Wang Youhuai zeng ji ; Li Guanlan bu ji ; Sun Guanglie can yue ; Ruan Qixin bu zhu ; Wang Youwu jiao ding ; Zhang Xifan chong ding jia dan.Juan mo fu kan: Jian gu tu ge -- Bao jian bian -- Ji jiu fang -- Shi xiang mi lu / Zhong Zhenlu jiao ding ; Zhang Yangfan chong ding jia dan -- Xi yuan lu jie / Yao Deyu zhu ; Wen Sheng jiao ding.Qian "Xu yu kang hou", "Zhuang zhao xiang yin"
Fan xing tu ji yao bao lu er jüan.
Special collection from London Missionary Society.; On double leaves, oriental style, in case.; Also available in an electronic version via the Internet at http://nla.gov.au/nla.gen-vn1911619.880-02 Fan xing tu ji yao bao lu
Obtenção, caracterização físico química de vidros e vitro-cerâmicos baseados no sistema Li2-ZrO2-BaO-SiO2
Dissertação (Mestrado) - Universidade Federal de Santa Catarina, Centro de Ciências Físicas e Matemáticas. Curso de Pós-Graduação em QuímicaNeste trabalho encontra-se descrita a preparação de vidros e vitro-cerâmicos de composição 29 % Li2O - 1% ZrO2 - x% BaO - (70 - x %) SiO2, onde x = 0, 2, 3, 5, e 6 % em mol de BaO, obtidos pelo método clássico de fusão. Os materiais foram caracterizados por Difração de Raios-X, Espectroscopia Raman, Espectroscopia no Infravermelho, Espectroscopia de Fotoelétrons Excitados por Raio-X, Microscopia Eletrônica de Varredura e Análise Térmica Diferencial. Determinaram-se o mecanismo e a cinética de cristalização dos vidros, além das propriedades físico-químicas microdureza e durabilidade química
Ye xing zai xian : Taiwan bao yu dong wu yu yu wai bao yu xing dong /
Fu lu: bao yu huo ban (Taiwan yu wai bao yu xiang guan ji gou) deng 2 zhong.Zhong Ying dui zhao = 中英對
Ksavers Andermanis – LU Akadēmiskās nozīmītes meta autors
Raksts tapis kā turpinājums 2024. gada septembra mēneša priekšmetam par Latvijas Universitātes (LU) Akadēmisko nozīmīti, kur uzmanība pievērsta LU Akadēmiskās nozīmītes meta autoram, LU Arhitektūras fakultātes studentam un novadpētniekam, vācbaltietim Ksaveram Andermanim. K. Andermanis ne tikai ir sniedzis ieguldījumu Latvijas etnogrāfijas pētniecībā, bet arī LU simbolu izgatavošanā, kas mūsdienās saglabā savu unikalitāti un vērtību. Meta autora piederība pie LU saimes sakņojusies jau viņa ģimenē, jo viņa tēvs ir absolvējis Rīgas Politehnisko institūtu, LU priekšteci starpkaru periodā, un strādājis LU Saimniecības padomē par inspektoru.The article is a continuation of the September 2024 Museum Object on the Academic Badge of the University of Latvia (UL), which focuses on the author of the UL Academic Badge design, the student of the Faculty of Architecture and local historian, the Baltic German Ksavers Andermanis. K. Andermanis has not only contributed to the research of Latvian ethnography, but also to the production of symbols of the UL, which today retain their uniqueness and value. The author's belonging to the UL family is rooted in his family, as his father graduated from the Riga Polytechnic Institute, the predecessor of UL during the interwar period, and worked as an inspector at the UL Economical council
Mu lu quan bian
司馬光奉勑編集 ; [陳仁錫校閱].綫裝, 2函.框21.3x14.8公分, 8行16字, 白口, 單魚尾, 四周單邊. 版心上鐫"通鑑目錄", 中鐫卷次及小題, 下鐫葉次及子卷次(第一卷至第二百九十四卷).刻書年據序.内封頁鐫"陳明卿太史校閱, 豹變齋藏板"鈐有"櫻山文庫"印.Xian zhuang, 2 han.Kuang 21.3 x 14.8 gong fen, 8 hang 16 zi, bai kou, dan yu wei, si zhou dan bian. Ban xin shang juan "Tong jian mu lu", zhong juan juan ci ji xiao ti, xia juan ye ci ji zi juan ci (di yi juan zhi di er bai jiu shi si juan).Ke shu nian ju xu.Nei feng ye juan "Chen Mingqing tai shi jiao yue, Bao bian zhai cang ban"Sima Guang feng chi bian ji ; [Chen Renxi jiao yue].Qian you "Ying shan wen ku" yin
Bao Hui’s Evaluation of Lu Jiuyuan: The Reading of Xiangshan Xiansheng Nianpu Xu
本稿は、南宋後期に活躍した、いわゆる「朱陸折衷」論者の一人である包恢に着目し、その陸九淵評価について考察したものである。具体的には、まずは包恢の文集『敝帚稿略』の中から、直接陸九淵に言及した「象山先生年譜序」、「跋象山先生二帖」、「陸象山先生賛」の三篇の文章を精読することを試みた。そしてこれらの作業を通じて、①陸九淵自身に進歩を求める姿勢があったことを確認し、②当時一般的であった学問や教育を軽視した陸九淵像の見直しを図るという包恢の意図を明らかにした。また併せて、陸九淵研究の基礎資料である「象山先生年譜」の編纂者が、包恢やその父包揚と関係の深い李溥という人物であったことも指摘した。
Bao Hui 包恢 in the Nan-Song 南宋 Dynasty is famous as a Zhu-Lu 朱陸 eclectic philosopher. Bizhougaolüe 敝帚稿略: the collected works of Bao Hui has three pieces of writing: Xiangshan Xiansheng Nianpu Xu 象山先生年譜序, Ba Xiangshan Xiansheng Ertie 跋象山先生二帖, Lu Xiangshan Xiansheng Zan 陸象山先生贊 which referred to Lu Jiuyuan 陸九淵’ s thought directly. This paper focused on these writing, and investigated Bao Hui’s evaluation of Lu Jiuyuan.
— 101departmental bulletin pape
Lu Xun's Revolution : Writing in a Time of Violence /
Recognized as modern China’s preeminent man of letters, Lu Xun (1881–1936) is revered as the nation’s conscience, a writer comparable to Shakespeare or Tolstoy. Gloria Davies’s vivid portrait gives readers a better sense of this influential author by situating the man Mao Zedong hailed as "the sage of modern China" in his turbulent time and place.Widely recognized as modern China’s preeminent man of letters, Lu Xun (1881–1936) is revered as the voice of a nation’s conscience, a writer comparable to Shakespeare and Tolstoy in stature and influence. Gloria Davies’s portrait now gives readers a better sense of this influential author by situating the man Mao Zedong hailed as "the sage of modern China" in his turbulent time and place. In Davies’s vivid rendering, we encounter a writer passionately engaged with the heady arguments and intrigues of a country on the eve of revolution. She traces political tensions in Lu Xun’s works which reflect the larger conflict in modern Chinese thought between egalitarian and authoritarian impulses. During the last phase of Lu Xun’s career, the so-called "years on the left," we see how fiercely he defended a literature in which the people would speak for themselves, and we come to understand why Lu Xun continues to inspire the debates shaping China today. Although Lu Xun was never a Communist, his legacy was fully enlisted to support the Party in the decades following his death. Far from the apologist of political violence portrayed by Maoist interpreters, however, Lu Xun emerges here as an energetic opponent of despotism, a humanist for whom empathy, not ideological zeal, was the key to achieving revolutionary ends. Limned with precision and insight, Lu Xun’s Revolution is a major contribution to the ongoing reappraisal of this foundational figure.Recognized as modern China’s preeminent man of letters, Lu Xun (1881–1936) is revered as the nation’s conscience, a writer comparable to Shakespeare or Tolstoy. Gloria Davies’s vivid portrait gives readers a better sense of this influential author by situating the man Mao Zedong hailed as "the sage of modern China" in his turbulent time and place.Widely recognized as modern China’s preeminent man of letters, Lu Xun (1881–1936) is revered as the voice of a nation’s conscience, a writer comparable to Shakespeare and Tolstoy in stature and influence. Gloria Davies’s portrait now gives readers a better sense of this influential author by situating the man Mao Zedong hailed as "the sage of modern China" in his turbulent time and place. In Davies’s vivid rendering, we encounter a writer passionately engaged with the heady arguments and intrigues of a country on the eve of revolution. She traces political tensions in Lu Xun’s works which reflect the larger conflict in modern Chinese thought between egalitarian and authoritarian impulses. During the last phase of Lu Xun’s career, the so-called "years on the left," we see how fiercely he defended a literature in which the people would speak for themselves, and we come to understand why Lu Xun continues to inspire the debates shaping China today. Although Lu Xun was never a Communist, his legacy was fully enlisted to support the Party in the decades following his death. Far from the apologist of political violence portrayed by Maoist interpreters, however, Lu Xun emerges here as an energetic opponent of despotism, a humanist for whom empathy, not ideological zeal, was the key to achieving revolutionary ends. Limned with precision and insight, Lu Xun’s Revolution is a major contribution to the ongoing reappraisal of this foundational figure.Electronic reproduction. :Mode of access: Internet via World Wide Web.DaviesGloria: Gloria Davies is a literary scholar and historian of China at Monash University in Australia. She is also Adjunct Director of the Australian Centre on China in the World at the Australian National University.Description based on online resource; title from PDF title page (publisher’s Web site, viewed May 26, 2011
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