6,350 research outputs found
Alfonso García Morales y Rosa García Gutiérrez (eds.). México 1915-1920: una literatura en la encrucijada. Sevilla: Editorial Renacimiento, 2020
No full textReseña de Ignacio Ballester Pardo sobre México 1915-1920: una literatura en la encrucijada (Renacimiento, 2020) de Alfonso García Morales y Rosa García Gutiérrez (eds.). 660 pp. ISBN: 9788416981182.Review of Ignacio Ballester Pardo sobre México 1915-1920: una literatura en la encrucijada (Renacimiento, 2020) de Alfonso García Morales y Rosa García Gutiérrez (eds.). 660 pp. ISBN: 9788416981182
Alfonso GARCÍA MORALES y Rosa GARCÍA GUTIÉRREZ (eds.). México 1915-1920: una literatura en la encrucijada. Sevilla: Editorial Renacimiento, 2020
No full textReview of Ignacio Ballester Pardo sobre México 1915-1920: una literatura en la encrucijada (Renacimiento, 2020) de Alfonso García Morales y Rosa García Gutiérrez (eds.). 660 p. ISBN: 9788416981182Reseña de Ignacio Ballester Pardo sobre México 1915-1920: una literatura en la encrucijada (Renacimiento, 2020) de Alfonso García Morales y Rosa García Gutiérrez (eds.). 660 p. ISBN: 9788416981182
La apuesta independiente de la animación europea, a través de El pan de la guerra
No full text[EN] The Breadwinner (Nora Twomey, 2017) is an Irish-Canadian film by Cartoon Saloon, with the cooperation of Angelina Jolie and Jordan Peele as executive producers. The movie adapts Deborah Ellis’ best-seller novel, published in 2002, which has won several literary awards, and it was inspired by numerous interviews to women and girls living at refugee camps of Pakistan and Russia. The Breadwinner tells the story of Parvana, an Afghan Young girl who pretends to be a boy to be able to support her family during the Taliban regime. The animated film was premiered at the Toronto International Film Festival 2017, and it has been nominated as Best Animation Movie for the 2018 Oscar® Awards. For the following article we have had one of the designers and concept artists of Cartoon Saloon, the Valencian Rosa Ballester, who explains the film’s production process in conversation with Nora Twomey (director of the film) and Fabian Erlinghäuser (animation director).[ES] El pan de la guerra (The Breadwinner, Nora Twomey, 2017) es una película irlandesa-canadiense de Cartoon Saloon, que ha tenido como productora ejecutiva a Angelina Jolie y Jordan Peele. La película está basada en la novela bestseller de Deborah Ellis, publicada en 2002, ganadora de varios premios literarios, y que se basó en numerosas entrevistas efectuadas a mujeres y niñas en los campamentos de refugiados de Pakistán y Rusia. El pan de la guerra relata la historia de Parvana, una chica afgana que durante el gobierno de los talibanes debe hacerse pasar por un chico para así mantener a su familia. La película de animación se estrenó en el Toronto International Film Festival de 2017, y ha sido nominada al Oscar® a la Mejor Película de Animación 2018. Para el siguiente artículo hemos contado con una de las diseñadoras y artistas de concepto de Cartoon Saloon, la valenciana Rosa Ballester, que nos explica su proceso de producción en conversación con Nora Twomey (directora del film) y Fabian Erlinghäuser (director de animación).Ballester Cabo, R. (2018). La apuesta independiente de la animación europea, a través de El pan de la guerra. Con A de Animación. (8):112-118. https://doi.org/10.4995/caa.2018.9651SWORD112118
Viruela y vacunación: el legado de la Expedición Balmis
No full textEn el primer capítulo de «No vamos a contar mentiras» de la temporada 2025-2026, la doctora Rosa Ballester, catedrática emérita de Historia de la Ciencia de la Universidad Miguel Hernández y vicepresidenta de la Real Academia de Medicina de la Comunidad Valenciana, relata la historia de la vacuna contra la viruela siguiendo la estela de su creador, el médico inglés Edward Jenner, y la gesta del cirujano español Francisco Javier Balmis para llevarla al otro lado del mundo
Ataüllar un humanista. Aspectes de l'obra de Joan Crexells
No full textEn el número 18 de la revista L'Espill trobaràs un dossier monogràfic sobre "El llegat intel·lectual d'un historiador: Pierre Vilar (1906-2004)", amb contribucions de Pedro Ruiz Torres, Rosa Congost i Pau Viciano. A més, articles de François Burgat, Nicholas Xenos, Antoni Defez, Francesc Burguera, Adrià Chavarria i Xavier Ballester, Victor Labrado i Montserrat Bacardí, així com dos documents de Pierre Vilar
DATASE_Ochratoxin A defective Aspergillus carbonarius mutants as potential biocontrol agents
No full textThis dataset is made available under a CC-BY license (https://creativecommons.org/licenses/by/4.0/)Aspergillus carbonarius is one of the main species responsible for wine, coffee and cocoa toxin contamination. The main mycotoxin produced by this fungus, ochratoxin A (OTA), is a secondary metabolite categorized as a possible carcinogen because of its significant nephrotoxicity and immunosuppressive effects. A polyketide synthase gene (otaA) encodes the first enzyme in the OTA biosynthetic pathway. It is known that the filamentous fungi, growth, development and production of secondary metabolites are interconnected processes governed by global regulatory factors whose encoding genes are generally located outside the gene clusters involved in the biosynthesis of each secondary metabolite, such as the veA gene, which forms part of the VELVET complex. Different fungal strains compete for nutrients and space when they infect their hosts, and safer non-mycotoxigenic strains may be able to outcompete mycotoxigenic strains during colonization. To determine the possible utility of biopesticides based on the competitive exclusion of mycotoxigenic strains by non-toxigenic ones, we used A. carbonarius ΔotaA and ΔveA knockout mutants. Our results showed that during both in vitro growth and infection of grapes, non-mycotoxigenic strains could outcompete the wild-type strain. Additionally, the introduction of the non-mycotoxigenic strain led to a drastic decrease in OTA during both in vitro growth and infection of grapes.The work was partially cofunded by Projects RTI2018-093392-A-I00 and PID2021-126005OB-I00 (MCIN /AEI /10.13039/501100011033 / FEDER, UE) and by Project AGROALNEXT/2022/028 (GVA, PRTR, MRR, NextGenerationEU). The Ramón y Cajal postdoctoral contract (RYC-2017-22009, MINECO and FSE) to A.-R.B. is also acknowledged, as are contracts JAEINT_19_01896 (CSIC) and PRE2019-089326 (MICINN/AEI/FSE, UE) to B.L.Figure1: Phenotypic traits of the wild-type strain of A. carbonarius ITEM 5010, two ectopic mutants and three knockout mutants of genes otaA and veA, denoted as ?pks and ?veA, respectively -- Figure_2: Growth assay of the wild-type strain A. carbonarius ITEM 5010 and two Dpks mutants. -- Figure_3 : Growth assay of the wild-type strain A. carbonarius ITEM 5010 and two DveA mutants. -- Figure_4: Competitiveness of the Dpks and Dvea knockout mutants against the mycotoxigenic wild-type (wt) strain A. carbonarius ITEM 5010 on potato dextrose broth (PDB) -- Figure_5: OTA production during the infection of grape berriesPeer reviewe
ALCUDIA (Baleares) (Mallorca). Fortificaciones (175). 1:1.900
No full textPresenta el plano de la planta y un perfilAtribuido a Juan Ballester por el Catálogo del SGE: "Islas Baleares. Siglos XVII a XIX". 1972. P. 88Escala [ca.1:200], 10 Tues. [= 9,7 cm]. Orientado con lis en rosa de 8 vientosManuscrito a plumilla en tintas negra y roja y coloreado a la acuarela en carmín, amarillo y grisRelación de las principales puertas, iglesia, capilla etc. del recinto de la ciudad, indicada por clave alfabéticaNota relativa a la realización del proyectoIndica el proyecto de construcción con líneas punteadas en amarillo y cultivosProcede de la "Colección de Rico y Sinobas
The life and Story of Rosa Maria:Brazil's First Black Author
No full textThirty years after the release of Rosa Maria Egipcíaca's biography by Brazilian historian LuizMott in 1993, one of Rio de Janeiro's strongest carnival samba schools, Unidos do Viradouro, finally brought her name into Brazilian mainstream culture. Rosa Maria is Brazil's first black author, having written a book and letters of prophecy. Her story is global in both space and time. In her journey, Rosa traversed three different continents - Africa, South America and Europe - interconnected by the colonial ties of transatlantic slavery and Catholicism, and though she lived in the eighteenth century, her 'afterlife' extends until today, as will be described through the context of Brazil's carnival
Sub Rosa
No full textIn this stunning debut novel, Amber Dawn subverts and transgresses the classic hero's quest adventure to create a dark post-feminist vision not for the faint of heart. Sub Rosa's reluctant heroine is known as "Little," a teenaged runaway unable to remember her real name; in her struggle to get by in the world, she stumbles upon an underground society of ghosts and magicians, missing girls and would-be johns: a place called Sub Rosa. Not long after she is initiated into this family of magical prostitutes, Little is called upon to lead Sub Rosa through a maze of feral darkness, both real and imagined--a calling burdened with grotesque enemies, strange allies, and memories from a foggy past.
Written with a kind of gasping urgency, Sub Rosa is a beautiful and gutsy allegory of our times, a fairy-tale-like fantasia imbued with a grave, unapologetic realness. --From publisher description.Women's literatureFictionLGBTQ+Lesbian literatur
Ressenyes
No full textIndex de les obres ressenyades: Rosa Mª MEDINA DOMÉNECH, La Historia de la Medicina en el siglo XXI. Una visión postcolonial
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