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Figure 2 in Quaternary range dynamics and taxonomy of the Mediterranean collared dwarf racer, Platyceps collaris (Squamata: Colubridae)
No full textFigure 2. Phylogenetic network from SPLITSTREE, showing the reticulate relationships within the two clades of Platyceps collaris, the Balkan–Anatolian clade (red) and the Levantine clade (green). Numbers in circles are locality numbers shown in Figure 1 and detailed in Table 1. Bootstrap support values for major nodes ≥ 70 are indicated. The specimen depicted is from Ropotamo, Bulgaria.Published as part of Šmíd, Jiří, Aghová, Tatiana, Velenská, Doubravka, Moravec, Jiří, Balej, Petr, Naumov, Borislav, Popgeorgiev, Georgi, Üzüm, Nazan, Avci, Aziz & Jablonski, Daniel, 2021, Quaternary range dynamics and taxonomy of the Mediterranean collared dwarf racer, Platyceps collaris (Squamata: Colubridae), pp. 655-672 in Zoological Journal of the Linnean Society 193 (2) on page 665, DOI: 10.1093/zoolinnean/zlaa151, http://zenodo.org/record/553057
Figure 3 in Quaternary range dynamics and taxonomy of the Mediterranean collared dwarf racer, Platyceps collaris (Squamata: Colubridae)
No full textFigure 3. Species distribution models for Platyceps collaris in current conditions (A) and in conditions during the Last Glacial Maximum (B), the Last Interglacial (C), mid-Pleistocene (D) and mid-Pliocene (E). Black points in A indicate the records that were used for the species distribution modelling. The bottom right panel shows reconstructions of global temperature in the last 4 Myr relative to the peak Holocene temperature (Hansen & Sato, 2012), with grey arrows and dashed lines highlighting the temperature in the time periods used in the present study.Published as part of Šmíd, Jiří, Aghová, Tatiana, Velenská, Doubravka, Moravec, Jiří, Balej, Petr, Naumov, Borislav, Popgeorgiev, Georgi, Üzüm, Nazan, Avci, Aziz & Jablonski, Daniel, 2021, Quaternary range dynamics and taxonomy of the Mediterranean collared dwarf racer, Platyceps collaris (Squamata: Colubridae), pp. 655-672 in Zoological Journal of the Linnean Society 193 (2) on page 666, DOI: 10.1093/zoolinnean/zlaa151, http://zenodo.org/record/553057
Jan Svankmajer- inspiration by literature and theatre
No full textSummary:
The subject of this thesis is an analysis of literary and theatrical inspiration (E.
A. Poe, D. A. F. Sade, Ch. D. Grabbe, L. Carrol, V. de l?Isle-Adam, H. Walpole, J.
W. Goethe, Ch. Marlowe, Baroque and popular plays, Gothic fiction, fairy tales) in
Jan Švankmajer?s short (The Last Trick, Punch and Judy, Don Juan, Jabberwocky,
Castle of Otranto, The Fall of the House of Usher, The Pendulum, the Pit and
Hope) and full-feature (Alice, Faust, Little Otik, Lunacy).
The goal of the thesis is to investigate how these sources of inspiration are
handled in the final films, how the original topics are translated to other media
and how their meaning is developed or reshaped. As regards theatrical
inspiration, the thesis describes the transfer of formal means of expression
typical for theatre (black light theatre, masked actors, hand puppet theatre, etc.)
into film as well as the author?s relationship to puppets and the crucial impact of
this relationship on his work
Jan Svankmajer- inspiration by literature and theatre
No full textAbstrakt:
Tématem práce je analýza literární a divadelní inspirace ( E. A. Poe, D. A. F.
Sade, Ch. D. Grabbe, L. Carrol, V. de I´Isle-Adam, H. Walpole, J. W. Goethe, Ch.
Marlowe, barokní a lidové divadelní hry, černé romány, pohádky) v krátkých
( Poslední trik pana Schwarzwaldea a pana Edgara, Rakvičkárna, Don Šajn,
Žvahlav aneb šatičky Slaměného Huberta, Otrantský zámek, Zanik domu Usherů,
Kyvadlo, jáma a naděje) a celovečerních ( Něco z Alenky, Lekce Faust, Otesánek,
Šílení) filmech Jana Švankmajera.
Cílem práce je vysledovat, jakým způsobem je s těmito inspiračními zdroji ve
filmovém zpracování nakládáno, jak jsou původní témata převáděna do jiného
média a jak jsou významově rozvíjena či přetvářena. U divadelní inspirace práce
popisuje přenos formálních výrazových prostředků charakteristických pro divadlo
(černé divadlo, herci v maskách, maňáskové divadlo atd.) do filmu a také popsat
autorův vztah k loutkám a klíčový vliv tohoto vztahu na jeho tvorbu.Summary:
The subject of this thesis is an analysis of literary and theatrical inspiration (E.
A. Poe, D. A. F. Sade, Ch. D. Grabbe, L. Carrol, V. de l?Isle-Adam, H. Walpole, J.
W. Goethe, Ch. Marlowe, Baroque and popular plays, Gothic fiction, fairy tales) in
Jan Švankmajer?s short (The Last Trick, Punch and Judy, Don Juan, Jabberwocky,
Castle of Otranto, The Fall of the House of Usher, The Pendulum, the Pit and
Hope) and full-feature (Alice, Faust, Little Otik, Lunacy).
The goal of the thesis is to investigate how these sources of inspiration are
handled in the final films, how the original topics are translated to other media
and how their meaning is developed or reshaped. As regards theatrical
inspiration, the thesis describes the transfer of formal means of expression
typical for theatre (black light theatre, masked actors, hand puppet theatre, etc.)
into film as well as the author?s relationship to puppets and the crucial impact of
this relationship on his work
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Figure 1 in Quaternary range dynamics and taxonomy of the Mediterranean collared dwarf racer, Platyceps collaris (Squamata: Colubridae)
No full textFigure 1. Phylogenetic tree resulting from the Bayesian inference (BI) analysis of three mitochondrial and three nuclear genes concatenated. Nodes were considered supported when Bayesian posterior probability was ≥ 0.95 and maximum likelihood (ML) bootstrap values ≥ 70. Lengths of branches connecting the split between Platyceps collaris and Platyceps najadum and the crown nodes of those species are not proportional to the rest of the tree and the scale, which is indicated by their partial transparency. The two clades, the Balkan–Anatolian and the Levantine, are highlighted in the tree with the red and green shading, respectively. Four species of Telescopus used to root the tree are not shown. Each tree tip is connected by a dashed line with the locality of its sample, which is marked by a number (for details, see Table 1). Type localities are marked with stars: P. collaris collaris in green, P. collaris rubriceps in white and Coluber rubriceps thracius in pink. The potential current distribution of P. collaris based on the species distribution model with the maximum training sensitivity plus specificity threshold applied is shown in blue. Haplotype networks reconstructed for the six markers are on the right. Circles are colour coded according to the clade assignment, and their size is proportional to the number of individuals. Lines represent mutational steps. The network for the cytb gene was constructed using the 148-bp-long fragment that was available for the types of Coluber rubriceps thracius. The position of sample DJ8199 from locality 19, whose phylogenetic placement differed in the maximum likelihood and Bayesian inference analyses, is marked with the locality number in each network.Published as part of Šmíd, Jiří, Aghová, Tatiana, Velenská, Doubravka, Moravec, Jiří, Balej, Petr, Naumov, Borislav, Popgeorgiev, Georgi, Üzüm, Nazan, Avci, Aziz & Jablonski, Daniel, 2021, Quaternary range dynamics and taxonomy of the Mediterranean collared dwarf racer, Platyceps collaris (Squamata: Colubridae), pp. 655-672 in Zoological Journal of the Linnean Society 193 (2) on page 664, DOI: 10.1093/zoolinnean/zlaa151, http://zenodo.org/record/553057
Muzzles
No full textKrátký animovaý film Pusinky je černo-humorný příběh o lidské agresivitě a válkách inspirovaný grafikou Guerra mundial mexického umělce José Guadaloupe Posady. Film je proveden technikou kreslené animace, postprodukčně upravené v počítačových programech Aura 2, Adobe After Effects a Adobe PremiereShort animated film Pusinky is black-humourous story about human agresivity and wars inspired by graphic list Guerra mundial by mexican artist José Guadaloupe Posada. Film is created as drawing animation, additionaly adjusted in computer programs Aura 2, Adobe After Effects and Adobe Premiere.Ústav animace a audiovizeobhájen
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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