1,721,056 research outputs found
Baryogenesis and dark matter in the nMSSM
No full textBalazs, Csaba. (2012). Baryogenesis and dark matter in the nMSSM. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/129702
Investigating the electroweak phase transition with a real scalar singlet at a muon collider
No full textA strong first-order electroweak phase transition (SFOEWPT) is essential for explaining baryogenesis and for potentially generating observable gravitational waves. This study investigates the potential of a high-energy muon collider to examine the occurrence of SFOEWPT within the context of a Standard Model extended by a real scalar singlet (xSM). We analyzed all possible decay modes of the singlet to constrain the valid parameter space of SFOEWPT, which was extracted numerically at different renormalization scales to account for theoretical uncertainties, thereby determining the sensitivity of a muon collider to the production and decay channels of novel heavy scalar particles that emerge in the xSM. The findings demonstrate that a 3 TeV muon collider can directly examine the nature of electroweak symmetry breaking by efficiently detecting novel scalar particles associated with a first-order electroweak phase transition through jet-rich final states, thus complementing the indirect constraints from gravitational wave experiments
Updated Reach of the CERN LHC and Constraints from Relic Density, and in the mSUGRA Model
No full textWe present an updated assessment of the reach of the CERN LHC pp collider for supersymmetric matter in the context of the minimal supergravity (mSUGRA) model. In addition to previously examined channels, we also include signals with an isolated photon or with a leptonically decaying Z boson. For an integrated luminosity of 100 fb-1, values of m_{1/2}\sim 1400 GeV can be probed for small m_0, corresponding to a gluino mass of m_{\tg}\sim 3 TeV. For large m_0, in the hyperbolic branch/focus point region, m_{1/2}\sim 700 GeV can be probed, corresponding to m_{\tg}\sim 1800 GeV. We also map out parameter space regions preferred by the measured values of the dark matter relic density, the b\to s\gamma decay rate, and the muon anomalous magnetic moment a_\mu, and discuss how SUSY might reveal itself in these regions
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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