1,722,237 research outputs found
Correction: Kars, Aydogan, and Ashkan Bahrani. 2022. Knowledge and Causality in Ibn al-ʿArabī’s Book of Giving, and the Buddhist Notion of Dependent Origination. Religions 13: 768
No full textAt the beginning of our article (Kars and Bahrani 2022), we mentioned that the Book of Giving [Kitāb al-Ifāda] “appears in the List of Writings [Fihris al-Muʾallafāt] compiled by Ibn al-ʿArabī [...
Man push cart . Film irano-américain de Ramin Bahrani
No full textVideau André. Man push cart . Film irano-américain de Ramin Bahrani . In: Hommes et Migrations, n°1262, Juillet-août 2006. Le couple. Attention fragile. pp. 130-131
Chop Shop, Film américain de Ramin Bahrani, (2008)
No full textVideau André. Chop Shop, Film américain de Ramin Bahrani, (2008). In: Hommes et Migrations, n°1276, Novembre-décembre 2008. Soldats de France. pp. 178-179
Zainab BAHRANI, Women of Babylon. Gender and Representation in Mesopotamia.
No full textJean Cynthia. Zainab BAHRANI, Women of Babylon. Gender and Representation in Mesopotamia.. In: L'antiquité classique, Tome 71, 2002. pp. 408-409
A sinfonia das labaredas: Fahrenheit 451, de Ray Bradbury, no filme de Ramin Bahrani
Full text linkNo presente artigo, pretendo analisar o romance Fahrenheit 451 (1952), de Ray Bradbury, e o filme homónimo (2018) de Ramin Bahrani, numa perspetiva comparada. Para tanto, examino os mecanismos de adaptação cinematográfica usados pelo realizador e estudo os principais momentos do arco narrativo presentes nas obras em cotejo, de acordo com a narratologia campbelliana. No sentido de escorar a minha pesquisa, recorro ao romance na recém-saída tradução de Casimiro da Piedade, ao filme de Bahrani, a entrevistas com o realizador e a estudos sobre a adaptação cinematográfica. Concluo, demonstrando que Bahrani apresentou uma adaptação inovadora e atualizada do romance clássico de Bradbury.info:eu-repo/semantics/publishedVersio
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Zainab Bahrani, The Graven Image. Representation in Babylonia and Assyria, (Archaeology, Culture, and Society) Philadelphia, University of Pennsylvania Press, 2003
No full textHeintz Jean-Georges. Zainab Bahrani, The Graven Image. Representation in Babylonia and Assyria, (Archaeology, Culture, and Society) Philadelphia, University of Pennsylvania Press, 2003. In: Revue d'histoire et de philosophie religieuses, 85e année n°2, Avril-Juin 2005. pp. 303-304
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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