2,244 research outputs found
Theater, Roman von Hermann Bahr, Fischers Romanbibliothek, Eine Mark, In Leinen M1.25
No full textTHEATER, ROMAN VON HERMANN BAHR, FISCHERS ROMANBIBLIOTHEK, EINE MARK, IN LEINEN M1.25
Theater, Roman von Hermann Bahr, Fischers Romanbibliothek, Eine Mark, In Leinen M1.25 ( -
Rede über Klimt/Gegen Klimt
No full textIl libro presenta per la prima volta al lettore italiano una serie di scritti polemici comparsi sui principali quotidiani viennesi tra Otto e Novecento contro Gustav Klimt e la sua opera. I testi, raccolti e presentati da Hermann Bahr, vengono corredati da altri due scritti dello stesso autore - Discorso su Klimt e Note - dedicati alla "polemica che cambiò la vita di Gustav Klimt"
L’arte dell’attore nella Schauspielkunst di Hermann Bahr
No full textAnalisi del saggio di Hermann Bahr "die Schauspielkunst", pubblicato nel 1923. Individuazione dell'essenza della recitazione nell'arte dell'attore "elementare
Musikstädte as real and imaginary soundscapes: urban musical images as literary motifs in twentieth-century German modernism
No full textPhDThis study examines German literary images of musical life as part of the wider sound identity of the modern German city at the turn of the twentieth century. Focussing on a forty-year period from 1890 to 1930, synonymous with the emergence of the modern German metropolis as an aesthetic object, the project assesses, compares and contrasts how musical life in the Musikstädte was perceived and portrayed by writers in an increasingly noisy urban environment. How does urban musical life influence and condition city writings? What are the differences and similarities between the writings on various musical cities? Can an urban textual sound identity be derived from these differences and similarities? The approach employed to answer these questions is a new, cross-disciplinary one to urban sound in literature, moving beyond reading the key sounds of the urban soundscape using urban musicology, sensorial anthropology and cultural poetics towards a literary contextualisation of the urban aural experience.
The literary motifs of the symphony, the gramophone and urban noise are put under the spotlight through the analysis of a wide range of modernist works by authors who have a special relationship with music. At the centre of this analysis are the Kaffeehausliteratur authors Hermann Bahr, Alfred Polgar and Peter Altenberg, the then Munich-based author Thomas Mann and the lesser known René Schickele. The analysis of these particular works is framed in the music-geographical context of the Musikstadt and literary underpinnings of this topos, ranging from Ingeborg Bachmann to Hans Mayer and, once again, Thomas Mann. In analysing these texts, the methodological approach devised by Strohm, who identifies the blending of a range of urban sounds as a definition of urban space and identity, is applied. His ideas combine historical literary
analysis, musical history and urban sociology. They are rarely used in the analysis of the auditory environment.Arts and Humanities Research Council
Westfield TrustWestfield Trust Studentship
Arts and Humanities Reseach Council (AHRC
Hermann-Bahr-Bibliothek in der Bibliotheksaula der Salzburger Studienbibliothek (1935)
No full textBibliotheksaula, Bücherregale, Hermann-Bahr-Bibliothek, im Hintergrund Büste des Schriftstellers Hermann BahrTitel fingiertBeschriftung: 193
Hermann Bahr: Trieste e nessun luogo
No full textSi comparano le rappresentazione della identità absburgica/italiana nella Trieste del primo Novecento richiamandosi a testi di hermann Bahr e Scipio Slataper
Nota del traduttore
No full textIn questa breve nota del traduttore vengono messe brevemente in luce le principali questioni traduttive legate alla resa dal tedesco all'italiano del testo di Hermann Bahr proposto nel volume
martinantonmueller/Hermann-Bahr_Arthur-Schnitzler: Zenodo Release
No full textHermann Bahr – Arthur Schnitzle
Hermann Bahr Arthur Schnitzler – Briefwechsel, Aufzeichnungen, Dokumente 1891-1931
No full textScholarly edition of the correspondence between Hermann Bahr and Arthur Schnitzler, including further documents
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