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    Sbaraglia, Giovanni Girolamo

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    Voce relativa a Giovanni Girolamo Sbaraglia nel Dizionario Biografico degli Italian

    Process mapping and KPIs modelling for a manufacturing company

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    This paper is structured as a case study, intended to provide a detailed mapping of the order flow of a real company, working as a manufacturer of plants and equipment for logistics activities. A set of on-site visits initially allowed to describe the order flow process and the players involved. Then, interviews, talks and meetings with the managers of the various interested departments allowed to map the activities carried out by those departments and the relationships between them. Process mapping also highlighted the main criticalities of the order flow and of the suppliers’ management. Solutions to these criticalities were based on the introduction of departmental and supply chain key performance indicators, relating to the lean, agile, resilient and green supply chain perspectives, and to the service factors. From the computation of some selected indicators, an initial overview of the suppliers’ base of the company was obtained, together with suggestions on how to improve the current management of the order process

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Modeling opinion polarization on social media: Application to Covid-19 vaccination hesitancy in Italy

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    The SARS-CoV-2 pandemic reminded us how vaccination can be a divisive topic on which the public conversation is permeated by misleading claims, and thoughts tend to polarize, especially on online social networks. In this work, motivated by recent natural language processing techniques to systematically extract and quantify opinions from text messages, we present a differential framework for bivariate opinion formation dynamics that is coupled with a compartmental model for fake news dissemination. Thanks to a mean-field analysis we demonstrate that the resulting Fokker-Planck system permits to reproduce bimodal distributions of opinions as observed in polarization dynamics. The model is then applied to sentiment analysis data from social media platforms in Italy, in order to analyze the evolution of opinions about Covid-19 vaccination. We show through numerical simulations that the model is capable to describe correctly the formation of the bimodal opinion structure observed in the vaccine-hesitant dataset, which is witness of the known polarization effects that happen within closed online communities

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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