1,723,029 research outputs found
Bowen, J, 414334
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/372887Surname: BOWEN
Given Name(s) or Initials: J
Military Service Number or Last Known Location: 414334
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 55054183929
Item: [2016.0049.05210] "Bowen, J, 414334
Bowen, J, VX29737
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/372894Surname: BOWEN
Given Name(s) or Initials: J
Military Service Number or Last Known Location: VX29737
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 17729183936
Item: [2016.0049.05217] "Bowen, J, VX29737
Program Verification and Semantics: Further Work, Science Museum, London. , 27(2), 2005.
No full textStaff, James V. Bowen, J. R. Ricks, J. C. Herbert, L. L. Patterson, William F. Hand, I. D. Sessums
Full text linkpictured are: Dr. James V. Bowen, J. R. Ricks, J. C. Herbert, L. L. Patterson, Dr. William F. Hand, and I. D. Sessumshttps://scholarsjunction.msstate.edu/ua-photo-collection/1697/thumbnail.jp
The Impact of Alan Turing: Formal Methods and Beyond
Full text link© 2019, Springer Nature Switzerland AG. In this paper, we discuss the influence and reputation of Alan Turing since his death in 1954, specifically in the field of formal methods, especially for program proving, but also in a much wider context. Although he received some recognition during his lifetime, this image was tarnished by the controversy at the time of his death. While he was known and appreciated in scientific circles, he did not enter the public’s consciousness for several decades. A turning point was the definitive biography produced by Andrew Hodges in 1983 but, even then, the tide did not turn very rapidly. More recent events, such as the celebrations of his birth centenary in 2012 and the official British royal pardon in 2013, have raised Turing’s fame and popularity among the informed general public in the United Kingdom and elsewhere. Cultural works in the arts featuring Turing have enhanced his profile still further. Thus, the paper discusses not only Turing’s scientific impact, especially for formal methods, but in addition his historical, cultural, and even political significance. Turing’s academic ‘family tree’ in terms of heritage and legacy is also covered
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
