11,038 research outputs found
Anne M. and James J. Boland headstone in St. Francis of Assisi Cemetery
No full textAnne M. and James J. Boland headstone in St. Francis of Assisi Cemetery in Outer Cove
Anne as Pagan, Anne as Queer
No full text‘Anne as Pagan, Anne as Queer’ is a critical and creative answer to the question: How do we construct Anne Shirley, and what does she mean to us? This creative research submission is a work of fanfiction, specifically a mash up based on Anne of the Island, L.M.M. Montgomery’s sequel to Anne of Green Gables. In this short work of fiction (under 4 thousand words) Anne is revealed as a changeling, one of the Faerie Folk, and also a being not strictly male or female; sometimes neither, sometimes both. The mash up is based on the last two chapters of Anne of the Island, the scenes in which Gilbert Blythe is seriously ill and Anne realises she loves him. This realisation causes Anne, in this version, to reveal to Gilbert that she is both non-human and not a girl, and to use Faerie magic to save Gilbert’s life. Anne’s revelation causes Gilbert a great relief, as he has been keeping a secret also - that he too is queer. The piece has an accompanying research statement and reflection, that reflects on the ways the contributor/author interprets Anne, as a being troubled by gender, and not strictly gender conforming. The much-loved scene from Anne of Green Gables in which Anne realises she is not wanted by the Cuthberts because she is not a boy is inserted into the mash up (as a memory) as this scene is the principal cause for the contributor’s identification with Anne as a gender non-conforming figure who resists gender expectations. Overall, this creative and critical work and reflection queers both Anne as a character and the Anne of the Island novel.Book chapter - work of fiction with a critical reflective essa
Unha ventá en South Anne Street, 1983
No full text“A Window in South Anne Street, 1983”, de Mary O’Donnell. Tradução para o galego por Claudia Castro. Escrito para “Eavan Boland — In Her Many Images”, ABEI Journal 23.2 (2021).“A Window in South Anne Street, 1983” by Mary O’Donnell. Written for “Eavan Boland — In Her Many Images”, ABEI Journal 23.2 (2021)
'The country at my shoulder' : gender and belonging in three contemporary women poets
No full textThis
study considers the work of three women poets writing
in English during the
period
1970-2000. I
argue that the poets, Eavan Boland, Michele Roberts and Jackie
Kay
are all
`hybrid'
voices, positioned and positioning themselves on the borders
between different
cultures and traditions. Locating the poets within a specific social,
cultural and intellectual
context the
study considers the different
ways in
which the
poets negotiate these mixed
heritages and how
gender interacts with
their cultural
location to affect the
poetic identities they inhabit.
My
study of
Eavan Boland locates her
as a post-colonial poet writing out of a very
specific historical
relationship with
Britain. I
argue that the effects of
this
relationship are explored in two ways; the political and psychic legacy of
the British
colonisation of
Ireland but
also the ways in
which women in Ireland have been
colonised by
a nationalist poetic tradition. I
show how Boland interrogates these
different
colonisations and drawing
on the work of
Homi Bhabha I
argue that Boland
finds her
own
hybrid
space in
the Dublin
suburbs from
where she explores the
frictions between a number of conflicting positions.
My
study of
Michele Roberts explores the effects of
her dual French and English
heritage on her
writing.
I
argue that Roberts' desire to embrace both
aspects of
her
identity
manifests itself
as a desire to reconcile what western dualistic thinking has
split and separated. I
consider how Roberts advocates a writing and reading practise
which asks us to embrace the stranger within ourselves and so begin to
heal the split
within
individuals
and nations.
My
chapter on Kay
explores how
she negotiates the cultural specificity of
her
location
as a Scottish writer who
identifies
as black
and how her poetry complicates
questions of cultural authority and theories of cultural
hybridity. I
argue that Kay
through
a focus on
`performance' as both theme and aesthetic subverts simple fixed
notions of
identity.
I
conclude that all three poets problematise any simple notion of
home and belonging
as a fixed
and immutable space. Rather they inhabit borderlands, unsettled spaces,
where there is
a constant interaction and reformulation of
identity
Interview with Anne Russell
No full textInterview with Anne Russell, playwright and author of several books on local history, including Wilmington: A Pictoral History
A sojourn in Paris 1824-25: sex and sociability in the manuscript writings of Anne Lister (1791-1840)
No full textThis thesis examines the day to day practices that constituted Anne Lister's (1791-1840) sexuality and sociability within the range of her writings, as well as her society. Anne's writings were a detailed account, spanning her lifetime, of her own love and relationships with the 'fairer sex' (Whitbread 1988, 145). Anne's sociality, seen in her correspondence and plain handwritten journal entries, has been explored by Muriel Green in Miss Lister of Shibden Hall and Jill Liddington in Female Fortune and Nature's Domain (Green 1992; Liddington 1998; 2003). As a gentlewoman of adequate means, Anne has garnered some attention from women's historians interested in her agency within an early nineteenth century social and historical context. Anne's sexual identity has been extensively analysed over the past nearly twenty years by lesbian feminists, queer theorists, women's historians and historians of sexuality concerned with the history and development of modern Western female homosexuality and gender. The source for theorising Anne's sexuality has been the edited selections of the crypted journal entries, published by Helena Whitbread in I Know My Own Heart and No Priest but Love (Whitbread 1988; 1992). However, many analyses deal either with the theorisation of Anne's sexuality or her sociality; the theoretical difficulty with reconciling these categories has troubled the analysis of her complex subjectivity. Drawing upon the archival materials, I have used an interdisciplinary feminist approach to analyse the sexual and social processes of Anne's everyday interactions in her writings. Taking the seven month period of the sojourn to Paris in 1824-25, I have focused upon Anne's textual practices within her journal volume and letters during her residence in Paris, her social practices with the other guests at the guesthouse 24 Place Vendome and her sexual practices with her lover, the widow Mrs. Maria Barlow. The journal volumes and correspondence are a valuable historical record of one gentlewoman's engagement with early nineteenth century British culture
Editor's inscription in Valentine Duval : an autobiography of the last century
No full textEditor Anne Manning's gift inscription to author William Stebbing (1832–1926), "To William Stebbing from his affectionate friend the editor Nov. 2, 1860".Manning, Anne, 1807-1879
Dr. Anne Koch
No full textDr. Anne Koch, author of the book It Never Goes Away: Gender Transition at a Mature Age, meets with students Kolby Nelson after a speech at PCOM.https://digitalcommons.pcom.edu/pa_2020_photos/1065/thumbnail.jp
sj-docx-2-mde-10.1177_23821205231198921 - Supplemental material for Professional Identity Formation, Professionalism, Leadership and Resilience (PILLAR) in Medical Students: Methodology and Early Results
No full textSupplemental material, sj-docx-2-mde-10.1177_23821205231198921 for Professional Identity Formation, Professionalism, Leadership and Resilience (PILLAR) in Medical Students: Methodology and Early Results by Aine Ryan, Anne Hickey, Denis Harkin, Fiona Boland, Mary E. Collins and Frank Doyle in Journal of Medical Education and Curricular Development</p
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