1,721,075 research outputs found
Progressive methods in multiple criteria decision analysis
Full text linkOur work mainly focusses on the study and the development of progressive methods in the field of Multiple Criteria Decision Analysis, i.e., iterative procedures presenting partial conclusions to the Decision Maker that can be refined at further steps of the analysis.
The thesis is divided into three parts. The first one is intended to be a general analysis of the concept of progressiveness. The last two parts develop progressive methods related first to Multiattribute Value Theory and second to outranking methods
Algorithmic Decision Theory for solving complex decision problems
Full text linkToday's decision makers in fields ranging from engineering to psychology, from medicine to economics and/or homeland security are faced with remarkable new technologies, huge amounts of information to help them in reaching good decisions, and the ability to share information at unprecedented speeds and quantities. These tools and resources should lead to better decisions. Yet, the tools bring with them daunting new problems: the massive amounts of data available are often incomplete, unreliable and/or distributed and there is great uncertainty in them; interoperating/distributed decision makers and decision making devices need to be coordinated; many sources of data need to be fused into a good decision; information sharing under new cooperation/competition arrangements raises security problems. When faced with such issues, there are few highly efficient algorithms available to support decision makers. The objective of Algorithmic Decision Theory (ADT) is to improve the ability of decision makers to perform well when facing these new challenges and problems through the use of methods from theoretical computer science, in particular algorithmic methods. The primary goal of ADT is hence to explore and develop algorithmic approaches for solving decision problems arising in a variety of applications areas. Examples include, but are not limited to:
- Computational tractability/intractability of social consensus and multiple criteria compromise functions;
- Improvement of decision support and recommender systems;
- Development of automatic decision devices including on-line decision procedures;
- Robust decision making;
- Learning for multi-agent systems and other on-line decision devices.
This presentation will focus more specifically on multiple criteria decision aiding methodology, the actual research field of the author
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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