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Postilla per Barque qui vas flottant di Philippe Du Plessis-Mornay
Full text linkIl sonetto Barque qui vas flottant è già stato da me preso in esame in un articolo del 1986; si trattava allora di intervenire sul testo e di illustrare le peculiari caratteristiche formali della lirica in questione; si tratta ora invece di indicare come, dietro il testo poetico, si lasci leggere, quasi in filigrana, l’apporto di una “fonte”, a testimonianza della cultura biblica e del fervore cristiano di Philippe Du Plessis-Mornay, “papa degli Ugonotti”.I have already examined the Barque qui vas flottant sonnet in a paper published in 1986, when I made a correction to the text, illustrating the peculiar formal characteristics of the poem. My present intention is to show how the presence of a “source” is visible in the text, almost like a watermark, evidence of the Biblical scholarship and Christian fervour of Philippe Du Plessis-Mornay, the “Huguenot pope”
Sur la valeur des manuscrits rimés pour l'étude de la tradition rolandienne: tentative pour trouver les filiations des manuscrits TLP / Edward A. Heinemann
No full textLa sezione gallo-romanza dei "Giuramenti di Strasburgo" / The Gallo-Romance Section of the "Oaths of Strasbourg"
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L’arcivescovo Turpino nella Chanson de Roland e nel Rolandslied
Full text linkFor modern readers of the Chanson de Roland (late 11th c.) and of its German version, the Rolandslied (late 12th c.), the Archbishop Turpin is an intriguing but bewildering character: he is a member of the Church who despises the idea of a life meant to fight evil only by means of prayers, and at the same time he takes active part in the war against the infidels. This paper briefly retraces the process that led to the convergence of oratores and bellatores, and analyzes the different forms of representation of Turpin in the two poems, in order to throw light on the attitude of each author to the thorny issue of militarized clergy in the 11th and 12th centuries
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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