1,721,229 research outputs found
[Laurie Payne with an un-named actress in the television show Z-Cars, Feb. 1962] [picture] /
No full textTitle devised by cataloguer based on information from inscription.; Condition: Good.; Part of the Laurie Payne collection of theatrical photographs, 1950-1973.; Inscriptions: 'Z-Cars TV Feb 1962'--Handwritten on reverse. 'BBC copyright'--Stamped on reverse. Actress is possibly Jean Alexander, 1926-, who made her debut in the hit cop series Z-Cars
[Laurie Payne, Frank Windsor and Stratford Johns in Z-Cars, BBC Television Service, 19 Jan. 1962] [picture] /
No full textTitle devised by cataloguer based on information from inscription.; Condition: Good.; Part of the Laurie Payne collection of theatrical photographs, 1950-1973.; Inscriptions: 'BBC Televison Service, 'Z-Cars' No. 5. [synopsis of episode] ... Left to right: Sergeant Watt (Frank Windsor), Nils (Laurie Payne) and Det. Chief Inspector Barlow (Stratford Johns). BBC copyright photograph. From: BBC, Broadcasting House, London.--Typewritten on reverse
Film No. 149: Doubts and Certainties: USA. BBC interview by Gerald Priestland
No full textContents: Economic problems, military spending, Muskie as Catholic and target of other candidates, McCarthyism, campus unrest, Vietnam war, voting age.
Date: 1969.
Length: 28 minutes.
Color: Color (pink).
Client: BBC-TV
List of Programs, BBC TV \u27Birdwatch\u27 in Florida, April-May 1986
No full textA list of nature television programs and their descriptions.https://digitalcommons.usf.edu/audubon_coastal_islands_records/1023/thumbnail.jp
"Video: BBC TV Crew Held Back At Sri Lanka Commonwealth Event" by Colombo Telegraph
No full textA BBC cameraman was physically restrained by security officials at the Commonwealth Heads of Government Meeting in the Sri Lankan capital Colombo The BBC’s James Robbins and his cameraman Duncan Stone were attempting to film Sri Lankan President Mahinda Rajapaksa, at a media event before the formal opening of the Commonwealth meeting. via: https://www.colombotelegraph.com/index.php/video-bbc-tv-crew-held-back-at-sri-lanka-commonwealth-event/ Source: Colombo Telegrap
A Midsummer Night's Dream Transcript : Guide
No full textThis post-production script of Russell T Davies' A Midsummer Night's Dream includes music, lighting, and camera cues, offering a comprehensive overview of the BBC TV adaptation. This post-production script of Russell T Davies' A Midsummer Night's Dream includes music, lighting, and camera cues, offering a comprehensive overview of the BBC TV adaptation. Description based on online resource; title from title screen (Digital Theatre+, viewed August 24, 2022
Documentary film maker
No full textPaul Watson describes his role as director and author of the films he directs, stressing his dependence on other members of his team and relating the psychological and intellectual as much as the technical skills involved in making documentaries.Cameraman, Patti Musicaro ; editor, Karoline Elbogen
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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