1,721,116 research outputs found

    Bausinger (Hermann) Volkskunde ou l'ethnologie allemande

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    Gutwirth Jacques. Bausinger (Hermann) Volkskunde ou l'ethnologie allemande. In: Archives de sciences sociales des religions, n°88, 1994. pp. 47-48

    Globalisierter Lokalpatriotismus im Fußball

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    Es gibt keine Sportart in Deutschland, die über einen so langen Zeitraum konstant populär ist wie Fußball. Nicht nur bei Spielen der Nationalmannschaft, auch die Bundesligen sind bei Fans stetig beliebt. Hermann Bausinger hat in seinem Vortrag "Globalisierter Lokalpatriotismus. Kulturelle Aspekte der aktuellen Fußballszene", die Sportart auf kulturwissenschaftliche Art und Weise analysiert

    Nous sommes perdus. Überlegungen zu einem Witz

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    Bausinger Hermann. Nous sommes perdus. Überlegungen zu einem Witz. In: Revue des sciences sociales de la France de l'Est, N°21, 1994. L'Europe du Rire et du Blasphème. pp. 90-94

    Bausinger Hermann, "Volkskunde" ou l'ethnologie allemande ; de la recherche sur l'antiquité à l'analyse culturelle

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    Jardin Pascal. Bausinger Hermann, "Volkskunde" ou l'ethnologie allemande ; de la recherche sur l'antiquité à l'analyse culturelle. In: Vingtième Siècle, revue d'histoire, n°44, octobre-décembre 1994. La culture politique en France depuis De Gaulle. pp. 165-166

    Ist der Ruf erst ruiniert ... Zur Karriere der Unterhaltung

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    Bei der Einweihung von neuen Autobahnabschnitten oder High-Tech-Anlagen läßt man gelegentlich einige junge Frauen in historischer Tracht aufziehen - freundlich-nichtssagende Gegenpole zur jagenden Modernisierung, um die es eigentlich geht. Dem historischen Auftakt zu einer aktuellen Mediendiskussion mag eine ähnliche Funktion zugedacht sein. Aber der historische Part steht doch nicht unverbunden neben dem aktuellen: Unterhaltung ist durch ihre Geschichte mitdefiniert. (...) English"Once the reputation is ruined " On the career of entertainment.The author reconstructs the assessments and valuations which the phenomenon "entertainment" has received from the Middle Ages to the present days. Entertainment used to be an easy and widely popular pleasure until the early modern age, when the new demands.for religious earnestness ("Christ did not laugh") started to debase "mere" entertainment. Later on, Puritan ideas of order and industriousness set "the serious side of life" against fun and entertainment in a similar way. The present day distinction between "high culture" and "popular culture", between "serious art" and "shallow entertainment" is also rooted in this tradition. A term like "light entertainment art" seems, therefore, almost like a contradiction in itself. Entertainment has long since borne the stigma of being unreliable and, in the end, in proper. The author describes this development as a character assassination of entertainment. Separations and devaluations, however, could not prevent that entertainment - produced in serial mechanical production within a short time - often developed an aesthetics of the unrestrained, the imaginative and of exceeding the Iimits, thus gaining and saving "a bit of freedom". By means of its separation entertainment also obtained new freedom and scope, which loosen the bonds of a rigid aesthetics and morality, release innovative potentials and engender new forms and genres. These newly created forms repeatedly renewand refresh the established forms which otherwise remain empty, dull an rigid

    NEW ASPECTS IN EMPIRICAL CULTURAL RESEARCH

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    Autor izlaže pristup etnološkom istraživanju koji se zasniva na pojedincu umjesto na zamišljenoj istraživačkoj jedinici jer polazi od pretpostavke da ljudi u isto vrijeme igraju više igara i pripadaju različitim subkulturama. Bavi se putem što vodi od objektivacija iii tekstova, preko konteksta do cjelokupne teksture nekog spleta okolnosti (setting). Naglašava težinu subjektivnoga značenja. Pošavši od određene scene, tj. mjesta akcije govori o krizi reprezentativnosti i zalaže se za pristup koji je obuhvatniji i manje podložan predrasudama. Ovaj tekst predavanje je što ga je Hermann Bausinger odrzao u Zavodu za istraživanje folklora u Zagrebu dana 6.10.1989. Tekst je transkribirala Ines Prica; nakon autorizacije prevela ga je Dunja Rihtman-Auguštin.An approach by individuals instead of imaginary units was presented assuming that people play many games at a time and are affiliated to diverse subcultures. The author dealt with the way from objectivations or texts, by contexts to the whole texture of setting. He stressed the weight of subjective meaning. The research starting from the scene, the place of actions was sketched out. The author spoke also of the crisis of representativity, leading to a more comprehensive and less prejudiced approach

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Stricker

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