1,721,019 research outputs found
Venus' masterplot: Ovid and Homeric Hymns,
No full textPCPS Suppl.23. Saggio in volume tratto da congresso internazionale sulle nuove tendenze della critica sulle Metamorfosi di Ovidio. Dimostra l'importanza degli Inni Omerici come modello del poema epico di Ovidio
Lyric in Rome
No full textBut Horace steals the stage not just because, thanks to the vagaries of transmission, his texts are isolated, or because of his outstanding quality and artistic personality. His carmina (poems or songs) are isolated because of authorial choice and conscious, sometimes wily, self-positioning. He is a canonical author because he wants to be canonised. This is clearly a self-conscious difference vis-à-vis his Greek predecessors. Alcaeus and Pindar must have been competitive and aggressive in their own way, but the whole idea of a canon is dependent on a world of letters based on critics, wide readership, book trade, anthologies and schools, something that came into existence through a much later process, in the centuries between Isocrates and Meleager
Ovidio. Metamorfosi, vol. IV
No full textCommento completo ai libri VII-IX delle Metamorfosi di Ovidio, con testo, traduzione e apparato critico
Martial Arts. Mars Ultor in the Forum Augustum: a verbal monument with a vengeance
No full textThe Ovidian description of the new complex of Mars Ultor and the Forum Augustum in his poem Fasti is analysed as an example of the tension between poetic representation and Imperial authority which is often underrated by historians in their use of the Fasti as historical evidence
Iambic Ideas. Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire, Lanham - Boulder - New York - Oxford
No full textA pp. 205-17 il mio articolo "Ego Polivi Versibus Senariis: Phaedrus and Iambic Poetry
OVIDIO, Metamorfosi, vol. II (libri III-IV)
No full textedizione critica e commento scientifico del libro 4 delle Metamorfosi (il libro 3 è curato da A. Barchiesi
Exemplarity: between practice and text
No full textAnalysis of the relationship between the cultural practice of exempla in Roman culture and the development of a literary tradition in textual format and its transmission to later ages
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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