1,720,965 research outputs found

    Femicide, Gender and Violence. Discourses and counter-discourses in Italy

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    This book questions gendered readings of violence by analyzing how this paradigm has become normalized in Italy since the feminist term ‘femminicidio’, or ‘femicide’, entered the mainstream media during the 2013 general election. It also sheds light on discourses of contestation on the part of family activists, men’s rights campaigners and divorced fathers’ groups. Two counter-discourses emerge. The first is what the author terms an ‘ideology narrative’, for which discourses built around the conceptual category of ‘gender’ normalize simplistic representations of relationships between men and women. The second is a ‘female violence discourse’, which sheds light on under-represented aggressor-victim relations and modifies dominant representations of femininity and masculinity. The author argues that integrating these two discourses into public debates helps to reappropriate the complexity and biological dimensions of (violent) relationships between men and women, often overshadowed by gender/feminist perspectives. In this way, she concludes, we can address neglected social issues that contribute to violence beyond gender. This thought-provoking book will appeal to students and scholars of sociology, critical discourse studies and gender

    L'immaginario del discorso pro- surrogacy. La volontà di potenza degli imprenditori di se stessi nella produzione globale di vite

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    The imaginary of the pro-surrogacy discourse. Self-entrepreneurs' will to power in the global production of life.Gestational surrogacy is an emerging sector of bioeconomy, a reproductive option and a form of female labour which is increasingly accepted worldwide. It entails a deep rationalization of human processes, which are reduced to their mere biological aspects and managed through self- discipline and technology with the goal of producing high quality products (children). In this paper I discuss how the social practice of surrogacy is legitimized through a broader discourse of individual freedom and self- determination, typical of neoliberal capitalism, and how this frame is applied to two categories of "self-entrepreneurs": people who aspire to become parents and women with gestational capability that once placed on the reproductive market becomes source of economic empowerment. I argue that the pro-surrogacy discourse, which dips into the feminist rhetoric of women's autonomy and a culture of limitless technological manipulation, encourages the human will to power by activating the pleasure principle and the Great Mother archetype

    'Femminicidio' in Italy: A critique of feminist gender discourse and constructivist reading of the human identity

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    In recent years a feminist gender discourse of femicide has become established in Italian political debate. Stereotypical and sexist representations of women are singled out as key issues to be addressed in the fight against Violence Against Women (VAW). Gender discourse and associated cultural/linguistic enterprise simplify heterosexual (violent) relational dynamics, overshadow different situational, relational and socio-psychological readings of violence and foreground a cultural understanding of the human being as a self-determined artificially constructed identity. We suggest that this discourse on femicide can be read through the lens of Foucault’s theory of biopolitics, as a device of manipulation of human identity. Furthermore we borrow from Habermas’ theory of public sphere and argue that the hegemonic gender interpretation of femicide reflects the specific vantage point of feminist groups while it is not the result of any inclusive public reflections on the causes of this social phenomenon. Our core argument is that a gender discourse of femicide contributes to the advancement of a social constructivist paradigm in the interpretation of self in postmodern society, a society that, as warned by Sociologist David Riesman and Jungian psychologist Tony Wolff, is populated by individuals that conform to cultural values

    Analisi e Previsione dello Scambio Termico per Superfici Alettate a Segmenti Sfalsati

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    Le superfici alettate a segmenti sfalsati - offset fin o interrupted plates - trovano impiego in numerose applicazioni di scambio termico. La varietà di forme e disposizioni per tali sistemi, ha suggerito la messa a punto di una procedura di analisi e previsione numerica delle prestazioni di tali superfici alettate che, seppure limitata all'ipotesi bidimensionale e stazionaria, ha consentito una prima analisi di alcune geometrie adottate nei generatori di calore per uso domestico. La metodologia di analisi e calcolo è descritta assieme ai risultati ottenuti in alcuni casi pratici

    Femicide in Italy. “Femminicidio,” Moral Panic and Progressivist Discourse

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    In 2012-2013 the feminist neologism "femminicidio" (feminicide) erupted in Italian public discourse as national media outlets repeatedly described an epidemic of men murdering their female partners. As a result, Violence Against Women (VAW) as a cause acquired a new centrality in political discourse surrounding the National electoral campaign that year. Through a critical thematic qualitative analysis of press articles and a linguistic analysis of claims made by activists and politicians reported in news wires, this paper shows that the femminicidio narrative constructed an emergency around violence, one affecting the everyday Italian heterosexual family. Femminicidio as a narrative was influential in the abrupt adoption of a Gender Violence (GV) framework within national institutions, a framework that explains violence as a product of patriarchal culture that normalizes sexist representations of women. Intertwined with a political discourse of progress, the femminicidio narrative suggests that the solution to VAW resides in increasing women's participation in politics. While increasing participation in politics is a crucial factor in gender equality, focusing exclusively on this framework forecloses on the many sociological frameworks available to understand and prevent the complex social phenomenon of domestic and partner violence

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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