1,721,250 research outputs found
Comentário a “Francis Bacon e a imagem do livro da natureza”: as viravoltas baconianas
Commented article reference: HIRATA, Celi. Francis Bacon e a imagem do livro da natureza. Trans/Form/Ação: Revista de Filosofia da Unesp, vol. 46, n. 4, p. 75- 98, 2023.Referência do artigo comentado: HIRATA, Celi. Francis Bacon e a imagem do livro da natureza. Trans/Form/Ação: Revista de Filosofia da Unesp, vol. 46, n. 4, p. 75- 98, 2023
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
FRANCIS BACON E GASTON BACHELARD: UM DIÁLOGO SOBRE OS OBSTÁCULOS EPISTEMOLÓGICOS
Este artigo trata de uma relação sobre os entraves ao conhecimento científico na perspectiva de Francis Bacon e de Gaston Bachelard. Para ambos os filósofos existem barreiras que se inserem no intelecto humano. Deste modo, causa atraso no desenvolvimento das ciências. Primeiramente buscamos explicitar a “teoria dos ídolos” de Francis Bacon e a teoria dos “obstáculos epistemológicos” no pensamento de Gaston Bachelard. Posteriormente se faz uma tentativa de mostrar algumas convergências e algumas divergências no pensamento dos dois filósofos sobre a referida questão
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Comentário a “Francis Bacon e a imagem do livro da natureza”: interpretação da natureza e relação entre ciência e religião”
Reference of the commented article: HIRATA, C. Francis Bacon e a imagem do livro da natureza. Trans/Form/Ação: Revista de Filosofia da Unesp, v. 46, n. 4, p. 75- 98, 2023.Referência do artigo comentado: HIRATA, C. Francis Bacon e a imagem do livro da natureza. Trans/Form/Ação: Revista de Filosofia da Unesp, v. 46, n. 4, p. 75- 98, 2023
O CORPO SEM ÓRGÃOS – FRANCIS BACON E O BUTOH: PROPONDO UMA ESTÉTICA CRUEL
Apresenta-se com essa investigação, a proposta de uma estética cruel tendo como subsídio artístico/teórico o possível e plausível diálogo do Corpo sem órgãos de Antonin Artaud com as expressões artísticas de Francis Bacon e do Butoh. O intercruzamento entre tais estéticas (cênicas e pintura) permite pensar que Francis Bacon é um corpo sem órgãos que pinta e o Butoh é a própria manifestação do corpo sem órgãos em cena. Sendo assim, busca-se elucidar e pensar por intermédio desse triálogo (Corpo sem órgãos, Bacon e Butoh) pontos de contato que agencie a proposta dessa estética cruel.</jats:p
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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