1,723,246 research outputs found
Private Johnny B. Evans
No full textCopy of picture of Private Johnny B. Evans. Private Johnny B. Evans, 22, left for Seattle and overseas duty after spending a 15-day furlough here with his mother, Mrs. Ira Evans of 908 West Allen. Evans recently completed paratrooper training at Fort Benning, Georgia.https://mavmatrix.uta.edu/specialcollections_startelegram1950s/17364/thumbnail.jp
D. B. Evans. Leontius of Byzantium. An Origenist Christology
No full textNautin Pierre. D. B. Evans. Leontius of Byzantium. An Origenist Christology. In: Revue de l'histoire des religions, tome 183, n°2, 1973. pp. 213-216
Portrait of guest artist Cécile B. Evans at CERN
No full textArts at CERN organised welcomed guest artist Cécile B. Evans. The American-Belgian artist visited the Laboratory as part of a research project around the production of reality. Cécile B Evans’ multimedia work examines how we evaluate emotion and its rebellion in contemporary society as it comes into contact with ideological, physical, and technological structures. Evans made a short field trip to the Laboratory as part of a research project around the production of reality. ‘Beyond the excitement of visiting experimental sites, which are profoundly inspiring, speaking to physicists was an edifying highlight’, remarks Evans about their visit
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Letter to William Gillet Ritch from S. B. Evans
No full textLetter to William Gillet Ritch from S. B. Evans, Otumwa, Iowa, regarding the receipt of the pamphlet Resources of New Mexico. Evans was interested in moving to New Mexico, had invested in some mining property in Los Cerrillos, had found colendo? milling stones, value, assayer. Document in English, 2 pp/fr, missing heading page
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