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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Centro urbano de formación en artes escénicas para la revitalización del sector Ciudadela Simón Bolívar, Ibagué

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    113 p. Recurso ElectrónicoEl Centro Urbano de Formación en Artes Escénicas se diseñó en la carrera 2 sur con avenida Pedro Tafur esquina; 2 hectáreas aproximadas para el diseño de una unidad de actuación urbanística enfocada a las artes conformada por unidades de vivienda, espacio público y un equipamiento. El diseño busca la revitalización del sector de la ciudadela simón bolívar, en la comuna 8 de Ibagué, una propuesta que no solo interviene el área de la U.A.U. si no también la rivera de la quebrada San Jelato como recuperación del estado de esta y como aporte de espacio público, además de elementos que completan el trazado de la ciudad para garantizar las conexiones al proyecto. El proyecto presenta un lenguaje claro, basado del concepto de diseño, (sinapsis) el cual establece conexiones con el entorno y el mismo, por medio de ejes y nodos ambientales y circulaciones que dan siempre importancia a los remates con gran calidad espacial. El modo como se plantean los elementos en la unidad pretende integrar los componentes ambiental, social y económico como aporte y solución a la situación del sector. Como protagonista principal se diseñó el equipamiento, casi 2000m2 de un edificio con cualidades estéticas y espaciales, que se integra al espacio público y ofrece diversidad en los espacios con tecnología flexible, además hace provecho de los recursos naturales y plantea una solución de movilidad peatonal, cabe resaltar que el programa arquitectónico lo compone desde el auditorio hasta zonas de estar. La complejidad del proyecto revitaliza el sector gracias a que soluciona las problemáticas analizadas a través de la arquitectura. Palabras claves: espacio público, ambiental, fitotectura, vivienda, movilidad, conexión, artes escénicas, paisaje, equipamiento, revitalización.The Urban Performing Arts Training Center was designed in race 2 south with Pedro Tafur corner; approximately 2 hectares for the design of an urban action unit focused on the arts made up of housing units, public space and equipment. The design seeks the revitalization of the sector of the citadel simón bolívar, in the 8 commune of Ibagué, a proposal that not only intervenes the area of the U.A.U. if not also the bank of the San Jelato stream as a recovery of the status of this and as a contribution of public space, as well as elements that complete the layout of the city to guarantee connections to the project. The project presents a clear language, based on the concept of design, (synapse) which establishes connections with the environment and itself, by means of axes and environmental nodes and circulations that always give importance to auctions with great spatial quality. The way in which the elements in the unit are proposed intends to integrate the environmental, social and economic components as a contribution and solution to the situation of the sector. As main protagonist, the equipment was designed, almost 2000m2 of a building with aesthetic and spatial qualities, which is integrated into the public space and offers diversity in the spaces with flexible technology. It also makes use of natural resources and proposes a pedestrian mobility solution. It should be noted that the architectural program consists of the auditorium to living areas. The complexity of the project revitalizes the sector thanks to solving the problems analyzed through architecture. Keywords: public space, environmental, fitotectura, housing, mobility, connection, scenic arts, landscape, equipment, revitalization

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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