6,347 research outputs found
Encuentros con Elena Poniatowska
No full textThe author analyzes testimonial literature from the perspective of female literature through his meeting with Elena Poniatowska. An analysis of reality vs. Fiction in Elena, Jesusa and Tinisima.El autor analiza, desde su encuentro con Elena Poniatowska, la vertiente de la literatura testimonial como literatura de mujeres. Un análisis interior de la relación entre realidad y ficción, entre Elena, Jesusa o Tinísima
Grupos empresariales, marco institucional y desarrollo económico en España en el siglo XX: los negocios de la familia Aznar, 1937-1983
No full textEditada en la Fundación Empresa PúblicaEste trabajo ofrece los primeros resultados de un proyecto de investigación que intenta analizar las relaciones entre los grupos empresariales, el marco institucional y el desarrollo económico en España en el siglo XX a partir de una perspectiva microeconómica, un análisis histórico-institucional comparado y unas fuentes de naturaleza privada. A partir del estudio de los negocios de la familia Aznar desde 1937, fecha en la que se hace con el control de las empresas del anterior grupo Sota y Aznar, hasta 1983, cuando se produce la quiebra de la empresa más importante del grupo, la Naviera Aznar, se hará hincapié, sobre todo, en las consecuencias que una organización industrial basada en grupos empresariales y un marco institucional caracterizado por el intervencionismo extremo y la discrecionalidad del Estado tuvo sobre las capacidades y la competitividad de las empresas y las industrias y, por extensión, sobre el modelo de desarrollo económico de España durante el franquismo y la transición.This article shows the first results of a research project that attempts to analyse the relations between the business groups, the institutional framework and the economic development in 20th century Spain. It employs a microeconomic perspective, a historical-institutional analysis and private archival sources. The article focuses on the businesses of the Aznar family from 1937 (when they took over the management of the firms that formerly belonged to the Sota and Aznar group) to 1983 (when Naviera Aznar, the most important firm of the group, broke out and ceased business). Out of this empirical evidence, the article tries to underline the consequences that an industrial organization based on business groups and on an institutional framework characterized by the State's extreme interventionism and discretionality had on the capabilities and the competitiveness of Spanish firms and industries, and, by extension, on the economic development of Spain during the Franco's regime and the first Governments of the transition to democracy.Publicad
Bio-bibliografía de y sobre Elena Poniatowska Amor
No full textThe objective of this article is to collect and present: I. the chronology of the life and work of Elena Poniatowska; II. the complete works (as principal and secondary author), and III. the bibliography on the author (books, chapters, and articles).El objetivo de este artículo es reunir y presentar: I. los datos cronológicos fundamentales de la vida y la obra de Elena Poniatowska; II. El compendio de sus obras (como autora principal y como secundaria); y III. la bibliografía sobre la escritora (libros, capítulos de libros y artículos)
El Tlacuache Núm. 698 (2015). 698 Año 13 (2015) noviembre. El Tlacuache
No full textLa mujer vista por cronistas en tiempos novohispanos por Laura Elena Hinojosa. - El Códice Mauricio de la Arena forma parte de Los códices de Tlaquiltenango por Laura Elena Hinojosa
Encounters with Elena Poniatowska
No full textEl autor analiza, desde su encuentro con Elena Poniatowska, la vertiente de la literatura testimonial como literatura de mujeres. Un análisis interior de la relación entre realidad y ficción, entre Elena, Jesusa o Tinísima.The author analyzes testimonial literature from the perspective of female literature through his meeting with Elena Poniatowska. An analysis of reality vs. Fiction in Elena, Jesusa and Tinisima
Was There a Quiet Revolution? Belarus After the 2006 Presidential Election
No full textThe 2006 presidential election in Belarus mobilized a large cross-section of society to protest against the Lukashenko regime. Although unprecedented, the mass mobilization was short-lived, failing to develop into another kind of coloured revolution in the region. The key to our understanding of the endurance of Lukashenko's regime seems to lie in its internal environment, and notably, in the seemingly contradictory feature of the Belarusian electorate. Not only do they fully identify with the president, thus effectively legitimizing his politics and policies; they also do so knowingly, through their strategic learning of how to survive and even thrive under Lukashenko's regime. This type of learning, however, may not necessarily lead to a critical reflection of the regime's malpractice, and thus is unlikely to challenge its foundations
From trans-disciplinary to "undisciplined" design learning: educating through/to disruption
No full textThe paper is fruit of a coordinated work, however the author of paragraphs 1 and 4 is Flaviano Celaschi, the author of paragraph 2 is Elena Formia and the author of paragraphs 3 and 5 is Eleonora Lup
Black Fashion Designers Symposium: Elena Romero in conversation with Dapper Dan and Jeriana San Juan
No full textElena Romero in conversation with Dapper Dan and Jeriana San Juan at The Museum at FIT's annual fashion symposium, Black Fashion Designers, held on Monday, February 6, 2017.The one-day symposium featured talks by designers, models, journalists, and scholars on African diasporic culture and fashion.Elena Romero is an adjunct assistant professor at FIT. She is author of Free Stylin’: How Hip Hop Changed the Fashion Industry.Dapper Dan pioneered high-end street wear during the early 1980s. His celebrity clients include LL Cool J, Missy Elliott, and Jay Z.Jeriana San Juan is a costume designer and stylist currently working on the Baz Luhrmann series The Get Down
Tutta la letteratura è infanzia. Su Elena Ferrante
No full textThis article follows the path of the doll in the production of Elena Ferrante. Starting from The Lost Daughter, continuing with the tetralogy My Brilliant Friend and taking into consideration the only Ferrantian work addressed to the ‘minor’ children audience, The Beach at Night, the recurring element is investigated: the doll is fiction, representation, double, substitute, and its presence coincides with the ‘disappearance’ and the concealment of the author. Exploring this voluntary absence, the article goes in search of what the ‘apocryphal’ author leaves in its place, of what it returns: the literature itself, which is body, play, childhood, trial and rehearsal. Following the traces of the ferrantian fetish one plunges us into a metaphorical world, where play and sensuality, truth and fiction, childhood and maturity intersect each other without posing; an incessant metalepsis within a confused space of dolls and girls, women and mothers.Il presente articolo segue il percorso della bambola nella produzione di Elena Ferrante. A partire da La figlia oscura, continuando con la tetralogia de L’amica geniale e prendendo in considerazione l’unica opera dell’autrice rivolta al pubblico ‘minore’ infantile, La spiaggia di notte, si indaga l’elemento ricorrente: la bambola è fiction, rappresentazione, doppio, sostituto, e la sua presenza coincide con la ‘sparizione’ e il nascondimento dell’autrice. Esplorando questa assenza volontaria, l’articolo va alla ricerca di ciò che l’autrice ‘apocrifa’ lascia al suo posto, e di quel che restituisce: la letteratura stessa, che è corpo, gioco, infanzia, prova. Seguendo le tracce del feticcio ferrantiano ci si immerge in un mondo metaforico, dove gioco e sensualità, verità e finzione, infanzia e maturità si intersecano senza posa; un’incessante metalessi entro uno spazio confuso di bambole e di bambine, di donne e di madri
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