117 research outputs found
LLEAPP 2013 video postcard 4
This is a video recording from the performance at the end of LLEAPP 2013 workshop held from 16-19 April 2013 at the University of Edinburgh. It features music being performed by the whole ensemble, but focuses on Frauke Aulbert and Radek Rudnicki.This item contains a .mov video file
LLEAPP 2013 video postcard 11
This is a video recording from the performance at the end of LLEAPP 2013 workshop held from 16-19 April 2013 at the University of Edinburgh. It features music being performed by the whole ensemble, but focuses on Frauke Aulbert and Emma Lloyd.This item contains a .mov video file
Laboratory for Laptop and Electronic Audio Performance Practice (LLEAPP) 2013 final performance recording
This is a live recording of the final performance of the Laboratory for Laptop and Electronic Audio Performance Practice (LLEAPP) 2013 workshop on 18th April 2013 at Inspace, Edinburgh. Performers were: Lauren Hayes, Frauke Aulbert, Rob Canning, Owen Green, Marinos Koutsomichalis, Adam Linson, Emma Lloyd, Christos Michalakos, Amit Patel, Jules Rawlinson, Radek Rudnicki, Bill Vine, Sean Williams. Musical Director was Jan Hendrickse. Performers were located throughout the space, and audio was recorded in 4 channels, mixed down to a stereo version.Williams, Sean; Rawlinson, Jules; Hayes, Lauren; Green, Owen; Linson, Adam; Rudnicki, Radek; Canning, Rob; Aulbert, Frauke; Koutsomichalis, Marinos; Vine, Bill; Patel, Amit; Lloyd, Emma; Hendrickse, Jan; Michalakos, Christos. (2014). LLEAPP 2013 final performance recording, 2013 [sound]. University of Edinburgh. Edinburgh College of Art. Reid School of Music. http://dx.doi.org/10.7488/ds/189
LLEAPP 2013 performance
This is a live recording of the final performance of the LLEAPP 2013 workshop on 18th April 2013 at Inspace, Edinburgh. Performers were: Lauren Hayes,
Frauke Aulbert, Rob Canning, Owen Green, Marinos Koutsomichalis, Adam Linson, Emma Lloyd, Christos Michalakos, Amit Patel, Jules Rawlinson, Radek Rudnicki, Bill Vine, Sean Williams. Musical Director was Jan Hendrickse. Performers were located throughout the space, and audio was recorded in 4 channels, mixed down to a stereo version.This item contains a .wav audio file
Gavrilovski Goce- Daj duj, for sopran & piano
Gavrilovski Goce- Daj duj, for sopran & piano
performed on May, 3, 2013 in Hamburg- Germany
Frauke Aulbert- sopran & Andrej Koroliov- pian
Author Commentary: Mobile Music Technology: From Innovation to Ubiquitous Use
This author commentary chapter accompanies the re-publication of my co-authored 2006 paper ‘Mobile Music Technology: Report on an Emerging Community’ - one of 30 papers selected from 1,200 NIME papers to be included in the book ‘A NIME Reader: Fifteen Years of New Interfaces for Musical Expression, published by Springer and edited by Alexander Refsum Jensenius and Michael J. Lyons
Author Correction: A shared neural basis underlying psychiatric comorbidity
Correction to: Nature Medicine. Published online 24 April 2023. In the version of this article initially published, the STRATIFY data also included cohort data from the ESTRA consortium, though this was not acknowledged in the author list and the section in Methods on the Stratify dataset. The Methods are now updated, and the author list is amended to combine the STRATIFY and ESTRA consortium names and to include the following authors: Marina Bobou, M. John Broulidakis, Betteke Maria van Noort, Zuo Zhang, Lauren Robinson, Nilakshi Vaidya, Jeanne Winterer, Yuning Zhang, Sinead King, Hervé Lemaître, Ulrike Schmidt, Julia Sinclair, Argyris Stringaris and Sylvane Desrivières. The STRATIFY and ESTRA consortia are now combined to list Marina Bobou, M. John Broulidakis, Betteke Maria van Noort, Zuo Zhang, Lauren Robinson, Nilakshi Vaidya, Jeanne Winterer, Yuning Zhang, Sinead King, Gareth J. Barker, Arun L. W. Bokde, Hervé Lemaître, Frauke Nees, Dimitri Papadopoulos Orfanos, Ulrike Schmidt, Julia Sinclair, Argyris Stringaris, Henrik Walter, Robert Whelan, Sylvane Desrivières and Gunter Schumann as members, and the IMAGEN consortium is updated to also include Sylvane Desrivières. Affiliations, author contributions and acknowledgements have been updated to reflect the new authorship, and all changes have been made in the HTML and PDF versions of the article
Author Correction: A shared neural basis underlying psychiatric comorbidity
Correction to: Nature Medicine https://doi.org/10.1038/s41591-023-02317-4. Published online 24 April 2023. In the version of this article initially published, the STRATIFY data also included cohort data from the ESTRA consortium, though this was not acknowledged in the author list and the section in Methods on the Stratify dataset. The Methods are now updated, and the author list is amended to combine the STRATIFY and ESTRA consortium names and to include the following authors: Marina Bobou, M. John Broulidakis, Betteke Maria van Noort, Zuo Zhang, Lauren Robinson, Nilakshi Vaidya, Jeanne Winterer, Yuning Zhang, Sinead King, Hervé Lemaître, Ulrike Schmidt, Julia Sinclair, Argyris Stringaris and Sylvane Desrivières. The STRATIFY and ESTRA consortia are now combined to list Marina Bobou, M. John Broulidakis, Betteke Maria van Noort, Zuo Zhang, Lauren Robinson, Nilakshi Vaidya, Jeanne Winterer, Yuning Zhang, Sinead King, Gareth J. Barker, Arun L. W. Bokde, Hervé Lemaître, Frauke Nees, Dimitri Papadopoulos Orfanos, Ulrike Schmidt, Julia Sinclair, Argyris Stringaris, Henrik Walter, Robert Whelan, Sylvane Desrivières and Gunter Schumann as members, and the IMAGEN consortium is updated to also include Sylvane Desrivières. Affiliations, author contributions and acknowledgements have been updated to reflect the new authorship, and all changes have been made in the HTML and PDF versions of the article.</p
Possibilities and limitations of forensic linguistics : multidisciplinarity at the studies of forensic-linguistic texts with special regards to the topics of criminalistic, jurisprudence and forensic handwriting analysis
Die Arbeit ist in vier Themengebiete gegliedert, welche anhand von interdisziplinär vernetzten Beispielen am Schluss veranschaulicht werden, um das breite Spektrum der Anwendungsmöglichkeiten aufzuzeigen.
Der erste Teil, welcher auch den Schwerpunkt und den umfangreichsten Teil dieser Arbeit darstellt, ist das Themengebiet der forensischen Linguistik. Dabei werden im Speziellen die Hypothesen, Analysemethoden und im Besonderen die Autorenerkennung als Herzstück beleuchtet und anschließend die Möglichkeiten und Grenzen dieser wissenschaftlichen Methode aufgezeigt.
Der zweite Teil „Der kriminalistische Ansatz“ beschäftigt sich mit der Arbeitsweise der Kriminalisten und der Spurensicherung, wobei zunächst ein paar Grundbegriffe erläutert werden, um das Thema besser zu veranschaulichen. Hier werden auch die wissenschaftlichen Methoden und modernen Analysegeräte für verschiedene kriminalistische Spuren beschrieben und erklärt, unter anderem die zur Schriftvergleichung verwendeten Gerätschaften, welche für den anschließenden dritten Teil, die forensische Schriftvergleichung, von Bedeutung sind. Bei der forensischen Schriftvergleichung geht es im Besonderen um die Analysemethoden und die graphisch relevanten Aspekte von Schriften.
Anschließend wird im vierten Teil kurz auf das in dieser Arbeit auch relevante Thema der Rechtswissenschaften eingegangen.
Diese vier Themengebiete werden im letzten Teil mit wahren und themenmäßig sehr unterschiedlichen Beispielen verbunden, um die Aspekte aller bei den Ermittlungen und Analysen von (kriminalistischen) Fällen zu verdeutlichen.This paper is structured in four topics, which are illustrated in form of multidisciplinary examples at the last chapter of this work to demonstrate the possibilities of the application spectrum.
The first part, which represents the main part of this work, gives the attention to the subject of forensic linguistics. In this case the hypotheses, the multivariate methods of analysis and the identification of the author, as the special part, are demonstrated and afterwards the possibilities and the limitations of these subjects are illustrated.
The second part of this work is about criminalistic analysis methods, which includes the work of a criminalist and the securing of evidence. At the beginning some special terms will be defined to be able to retrace this art of working. Whatsoever the scientific methods and modern analysis equipment for criminalistic evidence are described and avowed, including also the ones, which are needed for the following third part, the forensic handwriting analysis. The forensic handwriting analysis deals with the methods of the analysis of handwritings and the relevant graphic aspects of handwritings.
Afterwards it’ll be payed regards to jurisprudence, which also plays a part in this work.
In the last part all these four themes are brought together and are manifested with the help of true and various examples to demonstrate the whole range of variations in crime scene investigations and analysis methods.vorgelegt von Frauke ObermoserAbweichender Titel laut Übersetzung der Verfasserin/des VerfassersInnsbruck, Univ., Diss., 201
Possibilities and limitations of forensic linguistics : multidisciplinarity at the studies of forensic-linguistic texts with special regards to the topics of criminalistic, jurisprudence and forensic handwriting analysis
Die Arbeit ist in vier Themengebiete gegliedert, welche anhand von interdisziplinär vernetzten Beispielen am Schluss veranschaulicht werden, um das breite Spektrum der Anwendungsmöglichkeiten aufzuzeigen.
Der erste Teil, welcher auch den Schwerpunkt und den umfangreichsten Teil dieser Arbeit darstellt, ist das Themengebiet der forensischen Linguistik. Dabei werden im Speziellen die Hypothesen, Analysemethoden und im Besonderen die Autorenerkennung als Herzstück beleuchtet und anschließend die Möglichkeiten und Grenzen dieser wissenschaftlichen Methode aufgezeigt.
Der zweite Teil „Der kriminalistische Ansatz“ beschäftigt sich mit der Arbeitsweise der Kriminalisten und der Spurensicherung, wobei zunächst ein paar Grundbegriffe erläutert werden, um das Thema besser zu veranschaulichen. Hier werden auch die wissenschaftlichen Methoden und modernen Analysegeräte für verschiedene kriminalistische Spuren beschrieben und erklärt, unter anderem die zur Schriftvergleichung verwendeten Gerätschaften, welche für den anschließenden dritten Teil, die forensische Schriftvergleichung, von Bedeutung sind. Bei der forensischen Schriftvergleichung geht es im Besonderen um die Analysemethoden und die graphisch relevanten Aspekte von Schriften.
Anschließend wird im vierten Teil kurz auf das in dieser Arbeit auch relevante Thema der Rechtswissenschaften eingegangen.
Diese vier Themengebiete werden im letzten Teil mit wahren und themenmäßig sehr unterschiedlichen Beispielen verbunden, um die Aspekte aller bei den Ermittlungen und Analysen von (kriminalistischen) Fällen zu verdeutlichen.This paper is structured in four topics, which are illustrated in form of multidisciplinary examples at the last chapter of this work to demonstrate the possibilities of the application spectrum.
The first part, which represents the main part of this work, gives the attention to the subject of forensic linguistics. In this case the hypotheses, the multivariate methods of analysis and the identification of the author, as the special part, are demonstrated and afterwards the possibilities and the limitations of these subjects are illustrated.
The second part of this work is about criminalistic analysis methods, which includes the work of a criminalist and the securing of evidence. At the beginning some special terms will be defined to be able to retrace this art of working. Whatsoever the scientific methods and modern analysis equipment for criminalistic evidence are described and avowed, including also the ones, which are needed for the following third part, the forensic handwriting analysis. The forensic handwriting analysis deals with the methods of the analysis of handwritings and the relevant graphic aspects of handwritings.
Afterwards it’ll be payed regards to jurisprudence, which also plays a part in this work.
In the last part all these four themes are brought together and are manifested with the help of true and various examples to demonstrate the whole range of variations in crime scene investigations and analysis methods.vorgelegt von Frauke ObermoserAbweichender Titel laut Übersetzung der Verfasserin/des VerfassersInnsbruck, Univ., Diss., 201
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