267 research outputs found
Allegoria in Shakespeare ed identità enunciativa della coscienza. Amleto ed il fantasma paterno come ‘voce’ di presentimento
No full textAbstract – A reading of Hamlet is proposed in which the consciousness of the Shakespearean character is highlighted as a scene which is allegorically allocutive, where his presentiment regarding his father’s death and felt inwardly becomes a paternal sentiment of enunciation, a request to the son for revenge. At the basis of the transformation of Hamlet’s inward monologue into dialogue, there is the rhetorical use of allegory as a poetic form with which to portray conscience as a dramatic space in which it ‘happens’ that the word ‘present’ becomes performative allocution, which evokes in Hamlet-the-listener the force that drives him to action, and that dispels doubt, on his part, regarding the truth of his inner word, as it is ‘dictated’ by the father. It should be underlined that it is the allegorical personification that is the real ‘active’ protagonist of the tragic action: in the form of the writing itself, a transformation of the personographic identity takes place, in which the I-idem becomes I-ipse (Ricoeur 1993): an I changed from the you of the other, an ‘agent’ character committed to ‘wanting’ what the father ‘wants’. The other part of himself that the allegorized enunciation has made authoritative you, reassures the self that what he wants (to avenge his father) has become a promise to his father, a performative act of making an oath, by virtue of which his son is ready to ‘do’ what the murdered father, rendered phantom by allegory, expects him to do, according to the divided consciousness of Hamlet’s ego
Il convivio comparato. Scritti per Stefano Tani
No full textVolume pubblicato in onore di Stefano Tani, già professore ordinario di Letterature Comparate all’Università di Verona. A cura di Donatella Boni e Silvia Monti. La prima parte contiene saggi critici, la seconda poesie, racconti, e ricordi. Contributi di: Paolo Spedicato, Paola Bellomi, Donatella Boni, Alfredo Buonopane, Andrea Chiurato, Claudio Gallo, Felice Gambin, Donatella Izzo, Alberto Maleci, Giovanna Mereu, Silvia Monti, Sergio Noto, Nicola Pasqualicchio, Carolina Pernigo, Francesca Petrocchi, Giulia Poggi, Claudia Salvatori, Alessandro Scarsella, Gherardo Ugolini, Cristina Anzilotti, Carlo Alberto Augeri, Stefano Benifei, Carlo Bordoni, Domenico De Martino, Nanni Delbecchi, Gary J. Freitas, Ariel Samuel Lewin, Riccardo Mazzeo, Franco Mormando, Sandra Petrignani, Matteo Rima, Michela Sanfelici, Walter P. Verschueren
La negritudine come antidoto antropo-poetico all’alienazione linguistica dell’Occidente: riflessioni sull’Orphée noir di J.-P. Sartre
No full textAbstract – This chapter is intended as a critical re-reading of Orphée noir by Jean-Paul Sartre, which is an introduction, written by the French philosopher, to the anthology of French-speaking poets of the Third World, edited by L. Sedar Senghor, entitled: Anthologie de la nouvelle poésie nègre et malgache de langue française (1948). Analysing Sartre’s text again today has a dual theoretical importance regarding the alternative semantics needed to make sense of the diversity of the African culture, of ‘negritude’ which, in its ‘western’ meaning, has always stemmed from a vocabulary of white domination justifying the reduction of blacks to slaves, and which is also an inherent aesthetic energy of the poetic word, whose symbolic nature guarantees an understanding of the logical language of the ‘other’ who is defined as ‘wild’ by the restricted rationality of the functional western culture – and yet s/he is ‘deeply human’ insofar as s/he makes use of the imaginative and emotional language of the universal consciousness. The writings of Sartre seem to have no time limit when considering the topical relevance of his thought, which is open to the overcoming of every closed identity, including that of ‘negritude’ – which must be a liberating symbolic tradition to be abandoned, however, in the name of humanistic identity that is open to the recognition of the dignified condition of a human being from any culture, from any geo-historical area in the world. The objective of every culture, in fact, must be to liberalize the ‘human’ dimension of a human being tout-court, beyond every border and every tradition – History will decide which populations emancipate others in a particular period. Then, this task moves onto other nations, a pattern which repeats itself over time, which crosses the historical events of every human and humanistic process towards the goal of a conscious and democratically civil existence
Welfare Intergenerational Distribution and Households: What does generational accounting tell us? ENEPRI Occasional Paper No. 2, October 2003
No full textContains three separate chapters: Chapter 1. Generational Accounts, Fiscal Policy and Business Cycles in Finland, 1990-2000, by Reijo Vanne. Chapter 2. Intragenerational Distribution across Families: What do generational accounts tell us?, by Nicola Sartor, Carlo Azzarri, Maria Cozzolino, Carlo Declich, Veronica Polin and Alberto Roveda. Chapter 3. Family Burdens and the Transfer/Tax System in Germany, by Bernhard Seidel
Cartography and military heritage. Methodological and design lines for Naval Arsenal of La Spezia
No full textThe Naval Arsenal of La Spezia is the first “great work” of the Kingdom of Italy, which went to occupy a large area, formerly dedicated to agriculture, outside of the walls of the historic city. Its construction meant the total socio-spatial distortion of the Ligurian Riviera’s town and its transformation, even symbolic, in the archetype of “the modern city”, as celebrated by Futuristi artists in the twentieth century. Now subjected to the crisis of its function caused by changing of global strategic framework, it has all the characteristics of an “urban case”. In this hypothesis, author goes back to various cartographic sources produced in the founding stages of the military dockyard of La Spezia, and describes their typologies in the future perspective of reconstruct existing landscape structures as well as those generated by the construction of the building. Also, author identify the guidelines for studying iconographic and documentary materials for the creation of a documentation center, that is both a place of memory and a useful tool for territorial planning and building restoration
Con Socrate anche Shahrazàd: la cultura dell'altro e l'arricchimento narrante delle ragioni del non morire
No full textRepeat hepatic surgery for recurrent colorectal metastases.
No full textThe author discuss the repeated hepatic resection for recurrent colorectal metastase
Dialogue concerning Carlo Revelli's "Il catalogo per soggetti"
No full textThis article presents, in the form of a conversation, the content of the "The Author Catalog" by Carlo Revelli, published in the '70s and recently reprinted. Carlo Revelli puts together a systematic approach to the subject cataloguing, a great experience, and a wide theoretic and historical information. The importance of this work in the context of Italian library Science is beyond doubt as it is a tool for working in library and for the training of new librarians. It is the classic cataloguing book. Despite technology advancements that undermine its application, this work keeps intact its value for the understading of subject indexing
Carlo Dossi and the Scapigliatura movement
No full textThe topic of this thesis is a connection between the writer Carlo Dossi and the artistic movement Scapigliatura from the Milano. The author explores Dossi's life as well as his two first novels, L'Altrieri and Vita di Alberto Pisani. The analysis of Dossi's works focuses on the topics of the Scapigliatura movement, especially on the dualistic view of the world and on the ironic comments to the postrisorgimental society. The conclusion summarizes the results of partial analyzes from which is appreciated Dossi's place in the Scapigliatura movement
L'Assetto Istituzionale: tra teoria e storia
No full textThe essay explores - through an original approach that intertwines theoretical and historical analysis, with a style similar to many works of Alberto Quadrio Curzio – the complex relations institutions and the functioning of economic systems. In doing so, the author dwells on income distribution in economic systems where, of their size (and of consequent increase of complexity the economic interactions that exist within
them), the separation between consumption and production decisions has become radical. The considers the development/underdevelopment dilemma as a possible consequence of a strained acceleration in economic and technological changes of economic systems to which institutions have not adjusted, and of the relevance, in national income, of exploiting non-produced natural resources. A temporal separation of production and consumption decisions, that is separating decisions for saving from investment and how economic equilibrium can be modified with the introduction money, is considered in the last section of the paper. The relation of the latter with mining and the transformation of precious metal, first of all gold, already extensively examined by Alberto Quadrio Curzio since the beginning of the 1980s, is also discusse
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