1,721,230 research outputs found
Personal Branding Atalia Praratya Melalui Media Sosial Instagram @ataliapr
Full text linkAtalia Praratya resmi terpilih sebagai anggota DPR RI mewakili Daerah Pemilihan Jawa Barat I pada tahun 2024, serta diusulkan sebagai calon Wali Kota Bandung periode 2024–2029. Tingginya elektabilitas Atalia tidak terlepas dari keberhasilannya dalam membangun personal branding, khususnya melalui media sosial. Instagram menjadi platform strategis yang dimanfaatkan untuk membentuk citra diri yang positif dan menarik simpati publik. Penelitian ini bertujuan untuk mengetahui strategi personal branding Atalia Praratya melalui akun Instagram resminya, @ataliapr. Penelitian ini menggunakan pendekatan kualitatif dengan paradigma konstruktivis dan metode framing untuk menganalisis konten. Teknik pengumpulan data dilakukan melalui observasi daring (online), sementara analisis data menggunakan model Miles, Huberman & Saldana yang meliputi reduksi data, penyajian data, dan penarikan kesimpulan. Hasil penelitian menunjukkan bahwa Atalia membangun personal branding berdasarkan delapan elemen dari Peter Montoya, antara lain brand sebagai pribadi yang lemah lembut, penyayang, cerdas, dan penuh cinta. Citra ini diperkuat melalui keterlibatan Atalia dalam aktivitas sosial yang ditampilkan secara konsisten di media sosial. Dengan demikian, personal branding yang kuat melalui media sosial terbukti mampu meningkatkan kedekatan emosional dengan masyarakat dan berdampak signifikan terhadap tingkat elektabilitas. Penelitian ini menunjukkan bahwa Instagram merupakan alat komunikasi politik yang efektif bagi figur publik untuk membangun reputasi dan kepercayaan publik secara strategis
Sulat na Me, Basa Na U Ang Politikal na Datíng ng Panulat ni Eros Atalia
No full textABSTRAKAng papel na ito ay pagsusuri sa mga gawa ng manunulat na si Eros Atalia, nang may diin sa kanyang mga dagli, gamit ang kambal na perspektibo ni Bienvenido Lumbera at Rolando Tolentino. Para kay Tolentino, lahat ng pagsusulat ay politikal, kahit na, o lalo na, iyong mga akdang itinuturing ang sarili bilang “di-politikal.” Ang pagtatakwil sa politika ang politika nito mismo. Para naman kay Lumbera, maaaring maging produktibo ang panunuring Filipino kung gagamitin ang kanyang konsepto ng “datíng.” Dahil maiksing paliwanag pa lamang ang ibinigay ni Lumbera sa datíng, minabuti sa papel na ito na magbigay ng elaborasyon sa konsepto sa mismong paggamit nito sa pagsusuri sa mga gawa ni Atalia. Binibigyang-diin sa papel na ito na kinakailangan ng mambabasa upang magkaroon ng datíng ang isang akda, dahil kung wala ay wala rin itong madaratnan. Bilang popular, bagaman hindi “pop,” na manunulat si Atalia, mainam na lokasyon ang mga panulat niya para himayin ang konsepto ng dating. Gayundin, hinahayaan sa papel na ito na magsalita si Atalia mismo, hango mula sa panayam sa kanya, at gayundin sa komento niyang nakapagloob sa kanyang mga malikhang akda.ABSTRACTThis paper is an analysis of the works of the writer Eros Atalia, mainly of his short-short stories, using the twin perspectives of Bienvenido Lumbera and Rolando Tolentino. For Tolentino, all writing is political, even those, and especially those, works that consider themselves “non-political.” The disavowal of politics is itself its politics. For Lumbera, the Philippine literary criticism can become more productive using his concept of “datíng.” Because Lumbera’s explanation of “datíng” is only a sketch, this paper aims to provide an elaboration of the concept at the same time that it deploys the concept in analysing Atalia’s works. This paper emphasizes the need for readers and its importance in order for a work to have “datíng,” because without readers, the work and its meaning will be of no value. Because Atalia is a popular, though not a “pop,” writer, his works provide a perfect proving ground to explicate the concept of “datíng.” In addition, the paper lets Atalia speak for himself, via an interview, as well as the numerous comments included in his creative works.KEYWORDS: Eros Atalia, datíng, pulitikal na kritisismo (political criticism), popular na panitikan (popular literature), dagl
Qué enseña Atalia de Racine al psicoanálisis.
No full textEl presente texto intenta descifrar el método que Lacan empleó en su Seminario sobre la Psicosis para leer un aparte de la Atalía de Racine, en la búsqueda de aquello que enseñan los poetas al psicoanálisis, teniendo claro que no se trata de psicoanálisis aplicado sino de aplicación del método analítico definido por él mismo como “ese método que procede al desciframiento de los significantes sin consideraciones por ninguna presupuesta forma de existencia del significado”. What does Racine’s Atalia show psychoanalysis? AbstractThe current text aims to decipher the method used by Lacan in his Seminar about the Psychosis to read a passage of Racine's Atalia, searching for what the poets show psychoanalysis. All this, bearing in mind it is not applied psychoanalysis but the application of the analytic method defined by him as “that method undertaking the interpretation of the signifier without consideration of any supposedly existing form of the signified.” Quel est l’enseignement d’Atalia de Racine à la Psychanalyse RésuméCe texte essaie de décrypter la méthode utilisée par Lacan dans son Séminaire sur la Psychose pour lire un extrait de l’Atalia de Racine, en cherchant ce que les poètesenseignent à la psychanalyse, sachant qu’il ne s’agit pas de psychanalyse appliquée mais d’une application de la méthode analytique définie par lui-même comme «cette méthode qu'entraine le déchiffrement des signifiants sans considérations par aucune forme présupposée de l’existence du signifié.
Atalia, a rainha regente de Judá (841 a 836 a.C.)
Full text linkThe present work deals with the figure of Athaliah (2Kings 11: 1-20), who was the only woman to rule the Kingdom of Judah in antiquity. Although the biblical text classifies her as an illegitimate ruler, historiography has, in recent years, proposed the possibility of seeing her as a legitimate ruler who reigned temporarily as regent in favor of his grandson Joash who, at the time, was too young to take the throne of Judah. Moreover, historiography has also proposed that much of the negative view one has of Athaliah is due to the fact that most of the biblical texts were written by remnants of the group who opposed it in their regency and their dynastic home of origin, namely the House of Omri.O presente trabalho versa sobre a figura de Atalia (2Rs 11, 1-20), que foi a única mulher a governar o Reino de Judá na Antiguidade. Apesar de o texto bíblico classificá-la como uma governante ilegítima, a historiografia tem, nos últimos anos, proposto a possibilidade de enxergá-la como uma governante legítima que reinou interinamente como regente em favor do seu neto Joás que, na ocasião, era muito jovem para assumir o trono de Judá. Ademais, a historiografia também tem proposto que muito da visão negativa que se tem sobre Atalia deve-se ao fato de a maioria dos textos bíblicos ter sido escrita por remanescentes do grupo que se opôs a ela, em sua regência, e à sua casa dinástica de origem, a saber, a Casa de Omri
Qué enseña Atalia de Racine al psicoanálisis. // What does Racine’s Atalia show psychoanalysis?
No full textThe current text aims to decipher the method used by Lacan in his Seminar about the Psychosis to read a passage of Racine's Atalia, searching for what the poets show psychoanalysis. All this, bearing in mind it is not applied psychoanalysis but the application of the analytic method defined by him as “that method undertaking the interpretation of the signifier without consideration of any supposedly existing form of the signified.” // El presente texto intenta descifrar el método que Lacan empleó en su Seminario sobre la Psicosis para leer un aparte de la Atalía de Racine, en la búsqueda de aquello que enseñan los poetas al psicoanálisis, teniendo claro que no se trata de psicoanálisis aplicado sino de aplicación del método analítico definido por él mismo como “ese método que procede al desciframiento de los significantes sin consideraciones por ninguna presupuesta forma de existencia del significado”
Qué enseña Atalia de Racine al psicoanálisis
No full textThe current text aims to decipher the method used by Lacan in his Seminar about the Psychosis to read a passage of Racine's Atalia, searching for what the poets show psychoanalysis. All this, bearing in mind it is not applied psychoanalysis but the application of the analytic method defined by him as “that method undertaking the interpretation of the signifier without consideration of any supposedly existing form of the signified.El presente texto intenta descifrar el método que Lacan empleó en su Seminario sobre la Psicosis para leer un aparte de la Atalía de Racine, en la búsqueda de aquello que enseñan los poetas al psicoanálisis, teniendo claro que no se trata de psicoanálisis aplicado sino de aplicación del método analítico definido por él mismo como “ese método que procede al desciframiento de los significantes sin consideraciones por ninguna presupuesta forma de existencia del significado”
O impacto das uniões prematuras no acesso e permanência à educação formal por parte das raparigas das zonas rurais de Moçambique
Full text linkZAVALA, Nadia Atalia. O impacto das uniões prematuras no acesso e permanência à educação formal por parte das raparigas das zonas rurais de Moçambique. 2021. 26f. Projeto de Pesquisa - Curso de Humanidades, Universidade da Integração Internacional da Lusofonia Afro- Brasileira, Redenção-CE, 2021.Este trabalho visa abordar o impacto que as uniões prematuras têm no acesso à educação formal por parte das raparigas, partindo da premissa universal de que homens e mulheres têm os mesmos direitos. E a ideia de que a maioridade para casos de casamento deve ser feita aos 18 anos conforme a lei de família moçambicana. Para a materialização desta pesquisa foi aplicada a pesquisa bibliográfica, que tem em
vista a análise de leis, manuais, monografias, dissertações de mestrado, artigos, teses de
doutorado, que abordam questões como: educação, direitos humanos, equidade de
gênero
D. Rodotheatos's Atalia for wind orchestra, critical and interpretative edition
No full textΔιατριβή (Διδακτορική)--Πανεπιστήμιο Μακεδονίας, Θεσσαλονίκη, 2024.Ο μείζων στόχος της παρούσας διδακτορικής διατριβής είναι η κριτική έκδοση του επταμερούς συμφωνικού έργου για ορχήστρα πνευστών του Διονυσίου Ροδοθεάτου, Αθαλία (Athalia ή Atalia). Εκτός της αυτονόητης αξίας μιας νέας επιστημονικής κριτικής έκδοσης, η οποία φιλοδοξεί να αποδώσει στην έρευνα για την ελληνική μουσική ένα νέο τεκμήριο ενός από τους μείζονες επτανήσιους συνθέτες του 19ου αιώνα, εξίσου σημαντική είναι και η πρακτική πλευρά αυτής της διατριβής, η οποία είναι η απόδοση του έργου έτοιμου προς εκτέλεση, διευρύνοντας έτσι το πρωτότυπο ρεπερτόριο των σύγχρονων μπαντών στη χώρα μας, επειδή ή ύπαρξη και ανάδειξη ποιοτικού ελληνικού ρεπερτορίου μπάντας στην Ελλάδα είναι εξαιρετικά σημαντική.
Η έρευνα για το πρωτότυπο ρεπερτόριο των Ελλήνων συνθετών για ορχήστρα πνευστών, δεν θα μπορούσε να ξεκινήσει διαφορετικά, παρά από τον ιστορικό χώρο δημιουργίας αυτού του ρεπερτορίου. Οι φιλαρμονικές της Επτανήσου κοσμούν με την παρουσία τους τα μπαντιστικά δρώμενα της χώρας μας, ενώ η ίδρυση τους ανάγεται στο πρώτο ήμισυ του 19ου αιώνα και έπειτα, καθιστώντας ιδιαίτερα πολύτιμα τα ιστορικά τους αρχεία μουσικής. Όπως όμως θα καταδειχθεί στο σχετικό κεφάλαιο, η σχετική έρευνα δεν απέδωσε τους αναμενόμενους καρπούς. Παρόλα αυτά, τα ευρήματα αυτής της αναζήτησης οδήγησαν σε μία «άτυπη» πρώιμη αξιολόγηση του υπάρχοντος μουσικού υλικού, από την οποία επελέγη το έργο Atalia του Ροδοθεάτου, ως κύριο αντικείμενο μελέτης και κριτικής έκδοσης σε αυτή τη διατριβή.
Στην παρούσα εργασία επιχειρείται μια ιστορική αναδρομή της μουσικής πνευστών με έμφαση στα Επτάνησα και κεντρικό σημείο αναφοράς την Φιλαρμονική Εταιρεία Κέρκυρας. Αυτό, για τρείς συγκεκριμένους λόγους: α) η Φ.Ε. Κέρκυρας είναι το αρχαιότερο πλήρες μουσικοεκπαιδευτικό ίδρυμα της χώρας μας, το οποίο από ιδρύσεώς του διέθετε και μπάντα στους κόλπους του. β) ο Διονύσιος Ροδοθεάτος, όχι μόνο σπούδασε μουσική στην Κέρκυρα, με δάσκαλο τον Νικόλαο Χαλικιόπουλο – Μάντζαρο, αλλά αργότερα, μετά την επιστροφή του από την Ιταλία, υπηρέτησε την Φ.Ε. Κέρκυρας από την θέση του Καλλιτεχνικού Υποδιευθυντή της Εταιρείας, και γ) η πρωτότυπη παρτιτούρα του έργου εντοπίστηκε στο ιστορικό μουσικό αρχείο της Φιλαρμονικής.
Παρατίθενται επίσης ιστορικά στοιχεία για την πολύτιμη προσφορά του Νικόλαου Μάντζαρου στην μουσική εκπαίδευση της νεοσύστατης Φ.Ε. Κέρκυρας, η οποία συστηματοποιήθηκε για πρώτη φορά, υπό την καθοδήγησή του, και αποτέλεσε το πρώτο σχολείο μουσικής του νεότερου Ελληνικού κράτους, παρότι τα Επτάνησα τότε τελούσαν ακόμη υπό την Βρετανική Προστασία. Πολλά από τα χαρακτηριστικά αυτής της «άτυπης» μουσικής εκπαιδευτικής διαδικασίας υπήρξαν οι βάσεις για τη μουσική εκπαίδευση στην Ελλάδα του δευτέρου μισού του 19ου αιώνα.
Στη συνέχεια, αναφέρονται αναλυτικά βιογραφικά στοιχεία για τον Διονύσιο Ροδοθεάτο, ο οποίος ακολούθησε κι αυτός όπως και πλήθος άλλων επτανησίων συνθετών σπουδές στην Ιταλία, και συγκεκριμένα στη Νάπολη. Παρατίθεται και αναλυτικός πίνακας των έργων του.
Όσον αφορά την Atalia, η ενορχήστρωση του έργου για ορχήστρα πνευστών από τον ίδιο τον συνθέτη και τα χρησιμοποιούμενα όργανα (instrumentation), δίνουν την ευκαιρία για μια σύντομη ιστορική αναδρομή σε μείζονα πρωτότυπα έργα για σύνολα πνευστών, σε συνδυασμό με την εξέλιξη της μορφής των μουσικών συνόλων πνευστών, με σημείο αναφοράς τη μπάντα για την οποία ο Ροδοθεάτος συνέθεσε την Atalia, δηλαδή αυτή της Φ. Ε. Κέρκυρας του δευτέρου μισού του 19ου αιώνα.
Η παρτιτούρα του έργου, συνοδεύεται από αναλυτικό κριτικό υπόμνημα με τις διορθώσεις και παρεμβάσεις στην πρωτότυπη παρτιτούρα του συνθέτη, ενώ ειδική αναφορά γίνεται στην μεταγραφή του έργου από την πρωτότυπη εκδοχή του για συμφωνική ορχήστρα για ορχήστρα πνευστών από τον ίδιο τον συνθέτη.
Η διατριβή ολοκληρώνεται με ορισμένα συμπεράσματα και προτάσεις όσον αφορά την αναγκαιότητα για την επιστημονική έρευνα και την ανάδειξη, τη διάδοση και την αποτύπωση σε ψηφιακά μέσα, σημαντικών πρωτότυπων έργων Ελλήνων συνθετών για ορχήστρα πνευστών και διατυπώνει προτάσεις για ζητήματα που απαιτούν περαιτέρω έρευνα.
Στο παράρτημα της διατριβής, παρατίθεται η πλήρης παρτιτούρα του έργου, με τη σύνθεση μιας σύγχρονης ορχήστρας πνευστών (concert band). Αυτή η πρακτική ακολουθεί τη μεθοδολογία σύγχρονων επανεκδόσεων και άλλων πρωτότυπων έργων για ορχήστρα πνευστών.The main objective of this Doctoral Thesis is the critical edition of Dionysios Rodotheatos’s seven-part symphonic work for wind orchestra, "Athalia" ("Atalia"). Apart from the self-evident value of a new scientific critical edition, which aspires to give Greek music research a new presumption of one of the major Greek composers of the 19th century, the practical side of this thesis is equally important, i.e. the performance of the finished work, thus expanding the original repertoire of contemporary bands in our country. The issue of the existence and promotion of a quality band repertoire in Greece is extremely important.
The research on the original repertoire of the Greek composers for wind orchestra could not start otherwise than from the historical place of creation of this repertoire. The wind bands of the Ionian Islands grace the band events of our country with their presence, while their establishment goes back to the middle of the 19th century, making their historical music records particularly valuable. However, as will be shown in the relevant chapter, this research did not yield the expected results. Nevertheless, the findings of this search led to an "informal" early evaluation of the existing musical material, from which the work "Atalia" by Rodotheatos was selected as the main subject of study and critical edition of this thesis.
In this paper, a historical review of wind music creation in the Ionian Islands is attempted, with the Corfu Philharmonic Society as a central point of reference, for three specific reasons: a) Corfu P.S. is the oldest complete music education institution in our country, which had a band in its bosom since its foundation, b) Dionysios Rodotheatos, not only studied music in Corfu, with Nikolaos Halikiopoulos - Mantzaros, but later, after his return from Italy, he served at the Corfu P.S. from the position of Artistic Deputy Director of the Company, and c) the original score of the work was located in the historical music archive of the Philharmonic.
The thesis includes also historical information regarding the valuable contribution of Nikolaos Mantzaros to the music education of the newly established Corfu P.S., which, under his guidance, was systematized for the first time and was the first music school of the new Greek state, even though the Ionian Islands were then still under British Protection. Many of the features of this "informal" music education process laid the foundations for music education in Greece in the second half of the 19th century.
The thesis includes also detailed biographical details about Dionysios Rodotheatos, who like many other Heptanesian composers, studied in Italy, Naples. An analytical table of his works is also listed.
Regarding "Atalia", the orchestration of the work for wind orchestra by the composer himself and the instruments used, give the opportunity for a brief historical review of major original works for wind ensembles, combined with the evolution of the form of wind ensembles, with reference to the band for which Rodotheatos composed "Atalia", i.e. the band of the "Corfu" Philharmonic Society of the second half of the 19th century.
The score of the work is accompanied by a detailed critical commentary with the corrections and interventions in the composer's original score, while special mention is made of the transcription of the work from its original version for symphony orchestra to the version for wind orchestra.
The thesis concludes with some conclusions regarding the necessity for scientific research, highlighting, dissemination and recording in digital media of important original works of Greek composers for wind orchestra and formulates proposals for issues that require further research.
In the appendix of the thesis, the full score of the critical edition is presented, with a standard modern wind orchestra (concert band) instrumentation. This practice follows the methodology of modern reissues of other original works for wind orchestra
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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