130 research outputs found
Data for: Prevalence of Left Ventricular Non-Compaction Cardiomyopathy Pattern Among Patients with Congenital Dyserythropoietic Anemia Type 1 (CDA1) - Cardiac Magnetic Resonance Study
No full textCardiac magnetic resonance; Congenital dyserythropoietic anemia type I; Left ventricular noncompactio
Supplemental Material, sj-tiff-2-cpt-10.1177_10742484221074585 - The Association of Alanine Aminotransferase Levels With Myocardial Perfusion Imaging and Cardiovascular Morbidity
No full textSupplemental Material, sj-tiff-2-cpt-10.1177_10742484221074585 for The Association of Alanine Aminotransferase Levels With Myocardial Perfusion Imaging and Cardiovascular Morbidity by David Yardeni, Ronen Toledano, Victor Novack, Aryeh Shalev, Arik Wolak, Yaron Rotman and Ohad Etzion in Journal of Cardiovascular Pharmacology and Therapeutics</p
Supplemental Material, sj-tiff-1-cpt-10.1177_10742484221074585 - The Association of Alanine Aminotransferase Levels With Myocardial Perfusion Imaging and Cardiovascular Morbidity
No full textSupplemental Material, sj-tiff-1-cpt-10.1177_10742484221074585 for The Association of Alanine Aminotransferase Levels With Myocardial Perfusion Imaging and Cardiovascular Morbidity by David Yardeni, Ronen Toledano, Victor Novack, Aryeh Shalev, Arik Wolak, Yaron Rotman and Ohad Etzion in Journal of Cardiovascular Pharmacology and Therapeutics</p
Solitary confinement
No full text"This website is dedicated to examining the practice of solitary confinement in its various forms. It is designed to accompany the Sourcebook on Solitary Confinement and expand on issues discussed therein. The website is managed and maintained by Sharon Shalev." - Home page, 11 January 2013
Listening Voices: On Actualizing Memories
No full textThis chapter presents an artist’s vision of the notion of ‘voice’ in relation to that of memory. Under the auspices of her own practice, Esther Shalev-Gerz explores the modalities of voice as illustrated by three of her own artistic projects. The notion of voicing requires becoming vocal and this in turn suggests a demand or need for the contrapuntal – being listened to. The author considers the modes of voicing and listening which have allowed her to ask broader questions about the relationship of the artist to formations of community and society and to investigate the question of belonging from the perspective of the artist as ‘nomad
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