1,721,115 research outputs found
Theoretical studies on association/dissociation process of protein complex related to protein-protein and ligand-receptor interactions
博士論文要旨Abstract 以下に掲載:The Science Report of the Kanazawa University 63(14) pp.15-28 2019. Institute of Science and Engineering, Kanazawa University. 共著者:Arwansyah Muhammad Saleh, Koichi KODAMA, Isman KURNIAWAN, Tatsuki KATAOKA, Kazutomo KAWAGUCHI, Hidemi NAGA
Hadith-hadith daif dan palsu dalam Nasa’ih al-‘Ibad oleh Nawawi Banten: Pengaruhnya terhadap masyarakat Islam di Sumatera / Arwansyah Kirin
The book of “Na‘i al-‘Ibd” by Shaykh Nawaw al Batan is a tasawuf which contained various categories of hadith. Therefore, it should be studied on its legitimacy where it has been made as public referral widely among the community, especially the Ma’had in Indonesia. The set of problems that derived within this scripture are the status of the hadith, mostly have not been takhrj and legally authenticated. Hence, the researchers had to perform the takhrj of these hadith in this scripture beginning from chapter five until chapter ten. They (the researchers) ought to clarify the status and the source of the hadith, whether it is a, a’f or Maw’ dependable on the ulama (which specialized in Hadith) point of view, and also how it has influenced the Islamic community in Sumatera, Indonesia. The objective of the research is to determine the strengths or the weaknesses of each hadith in the Na’i al-‘Ibd scripture, together on how it has impacted and influenced the weak (a’f) and fabricated (Maw’) Hadith among the Islamic community in Sumatera, Indonesia. The methodology that has been used, is to analyze the content of document base on the volume of hadith, whether, it is matan or sanad, together with the interrogation methodology. Whereas, in a data analysis, researchers are currently using the inductive method. Of the 236 hadith texts that have been analyzed, it was found that there are 49 authentic ahadith, 13 fine ahadith, 68 weak ahadith, 20 are the weakest ahadith, 66 fabricated ahadith, and 20 came from unknown sources. An analysis on a research being forwarded to 210 respondents, and the researchers have found that, 54.48 % of those respondents knew the meaning of the hadith. 49.52 % of the respondents are practicing ahadith weak and fabricated, which has been studied. In understanding the hadith status point of view, 44.81 % of the respondents, are not knowing the details of the hadith. The sense of eagerness to disseminate the hadith is not encouraging within the respondents, which is merely 57.38 %. On the implementation of the hadith, it is found that 75.28 % of the respondents had never disseminate it (the hadith) to other people
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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