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Museums and Sites of Persuasion
No full textMarch 31, 2017 marked the centenary of the transfer of the Danish colony—the Danish West Indies (today’s US Virgin Islands)—to the US. During the 100 years that had passed, the history had only occasionally been revisited in Danish public debate and history books—often shaped as a postcolonial nostalgic longing for what was perceived as a paradise lost. Even less often had the history of the Danish West Indies been the topic of museum exhibitions. However, the centenary sparked an unprecedented interest in the colonial past, unfolding in both public debate and nearly 30 special exhibitions all around the country on various topics related to the history of colonialism and enslavement. Instead of nostalgic longing, the questions often raised in these exhibitions were about the aftereffects in terms of continued colonialism in the Virgin Islands, racism, and global inequality. The museums involved ranged from small private collections to some of the largest state museums in and around the capital. Building on interviews with many of the curators involved, this chapter considers the challenges faced by museums that were often driven by a twofold ambition to create exhibitions that aligned with the wishes and feelings of descendant communities of enslaved Africans and that were able to engage an ethnic Danish audience with low prior awareness of the subject to arrive at new insights into the topic. These dual ambitions sometimes came under pressure from the political debate in the country
Museums and Sites of Persuasion
No full textMarch 31, 2017 marked the centenary of the transfer of the Danish colony—the Danish West Indies (today’s US Virgin Islands)—to the US. During the 100 years that had passed, the history had only occasionally been revisited in Danish public debate and history books—often shaped as a postcolonial nostalgic longing for what was perceived as a paradise lost. Even less often had the history of the Danish West Indies been the topic of museum exhibitions. However, the centenary sparked an unprecedented interest in the colonial past, unfolding in both public debate and nearly 30 special exhibitions all around the country on various topics related to the history of colonialism and enslavement. Instead of nostalgic longing, the questions often raised in these exhibitions were about the aftereffects in terms of continued colonialism in the Virgin Islands, racism, and global inequality. The museums involved ranged from small private collections to some of the largest state museums in and around the capital. Building on interviews with many of the curators involved, this chapter considers the challenges faced by museums that were often driven by a twofold ambition to create exhibitions that aligned with the wishes and feelings of descendant communities of enslaved Africans and that were able to engage an ethnic Danish audience with low prior awareness of the subject to arrive at new insights into the topic. These dual ambitions sometimes came under pressure from the political debate in the country
Museums and Sites of Persuasion
No full textMarch 31, 2017 marked the centenary of the transfer of the Danish colony—the Danish West Indies (today’s US Virgin Islands)—to the US. During the 100 years that had passed, the history had only occasionally been revisited in Danish public debate and history books—often shaped as a postcolonial nostalgic longing for what was perceived as a paradise lost. Even less often had the history of the Danish West Indies been the topic of museum exhibitions. However, the centenary sparked an unprecedented interest in the colonial past, unfolding in both public debate and nearly 30 special exhibitions all around the country on various topics related to the history of colonialism and enslavement. Instead of nostalgic longing, the questions often raised in these exhibitions were about the aftereffects in terms of continued colonialism in the Virgin Islands, racism, and global inequality. The museums involved ranged from small private collections to some of the largest state museums in and around the capital. Building on interviews with many of the curators involved, this chapter considers the challenges faced by museums that were often driven by a twofold ambition to create exhibitions that aligned with the wishes and feelings of descendant communities of enslaved Africans and that were able to engage an ethnic Danish audience with low prior awareness of the subject to arrive at new insights into the topic. These dual ambitions sometimes came under pressure from the political debate in the country
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Museums for Peace
Get PDFMuseums for Peace: In Search of History, Memory and Change highlights the inspiring as well as conflicting representations and purposes of diverse museums for peace around the world. Coming from various cultural and professional backgrounds, the authors explore “what are museums for peace and what do they mean?” Some chapters introduce alternative histories of peace, conflict, and memorialization. This innovative collection examines grassroots museums, military sexual slavery, historical memory in East Asia, and cultural heritage in the Africanized peace museum movement. The chapters discuss differing representations of Gandhi, technology of war and opposition to it, and structural violence such as racial terror and imperialism. Investigating how institutions interact with political and cultural forces, the volume demonstrates that some museums reinforce hegemonic narratives, while others resist authoritative tropes to reveal silenced histories, including peace histories. Museums for Peace will appeal to academics and students in museum studies, heritage studies, peace studies, memory studies, social justice, and human rights. Those working in cultural studies and trauma studies will also find this volume valuable. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license
Joyce Apsel on To Plead Our Own Cause: Personal Stories by Today\u27s Slaves. Edited by Kevin Bales and Zoe Trodd (Ithaca, NY: Cornell University Press, 2008). 260pp.
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To Plead Our Own Cause: Personal Stories by Today\u27s Slaves. Edited by Kevin Bales and Zoe Trodd (Ithaca, NY: Cornell University Press, 2008). 260pp
Introducing peace museums
No full textIncludes bibliographical references and index.Introducing peace museums: peace matters -- The peace museum in Bradford, UK: fostering peace education and community cohesion while preserving peace art and history -- Kyoto Museum for World Peace: speaking truth to power: a university peace museum -- Gernika Peace Museum: creating a culture of peace and reconciliation -- Dayton International Peace Museum: a community model -- The Nobel Peace Center, Oslo, and Casa Per la Pace, Casalecchio di Reno, Bologna, Italy -- Individuals and movements for peace and pacifism -- Conclusion: peace museums looking forward
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