1,720,966 research outputs found
Drama Chichi Kaeru dan Karir Sastrawan Kikuchi Kan
Drama Chichi Kaeru karya Kikuchi Kan pertama kali diterbitkan pada tahun 1917 di majalah Shinshicho. Pada awalnya drama ini tidak banyak mendapat apresiasi dari pembaca. Ketika drama ini dipentaskan di panggung pertama kali oleh kelompok Takeda Masanori pada tahun 1919 juga dianggap tidak berhasil. Pada tahun 1920, kelompok Ichikawa Ennosuke mengangkat drama ini ke panggung dan meraih kesuksesan. Apresiasi positif datang dari berbagai tokoh sastra di jaman itu seperti Eguchi Kan dan Kishida Kunio. Lakon Ichikawa yang memerankan tokoh Kenichiro dianggap sukses membuat para penonton turut merasakan emosi yang dalam hingga meneteskan air mata. Bagi Kikuchi Kan sendiri, drama Chichi Kaeru selain berhasil mengharumkan namanya, juga memiliki kesan tersendiri dibandingkan karyanya yang lain karena hubungan erat sebagian besar isi drama dengan masa lalu dan pengalamanny
Perbandingan Drama Jepang Chichi Kaeru karya Kikuchi Kan dan Drama Adaptasi Ayahku Pulang karya Usmar Ismail
Chichi Kaeru adalah drama karya Kikuchi Kan yang terbit pada tahun 1917. Drama ini mengangkat tema konflik keluarga yang terjadi ketika tokoh ayah yang meninggalkan keluarga 20 tahun sebelumnya, tiba-tiba kembali. Pada masa penjajahan Jepang, drama ini turut diperkenalkan di Indonesia. Usmar Ismail lalu membuat drama adaptasi berjudul Ayahku Pulang dari drama ini. Tujuan dari penelitian ini adalah untuk mengkaji bagaimana penyesuaian-penyesuaian yang dilakukan oleh Usmar Ismail terhadap unsur-unsur budaya dan sosial masyarakat Jepang sehingga dapat diterima oleh pembaca di Indonesia melalui pendekatan sosiologi sastr
Eksistensi dan Pergeseran Budaya Ohaka Mairi dalam Masyarakat Jepang Saat Ini
This reasearch aims to describe how the existence and cultural shift on ohaka mairi (grave visiting) in Japanese society today. Ohaka mairi which is one of the traditional culture that is still preserved in Japan until today, rooted in Buddhism that entered Japan around the 6th century. Obon holiday and higan usually be the moment for Japanese people to gather and visit the family cemetery, clean it and pray there. A survey of 500 respondents (250 men 250 women, aged 40-69 years) published in the Asahi Shimbun newspaper August 15th 2014 resulted that 132 respondents (26.4%) make a grave visiting at least once a year and 119 people (23.8%) at least 2 times a year. This survey shows that a significant number and that describes how ohaka mairi can???t be separated from the habits of the Japanese people. Internet and digitalization has also influenced the practice of ohaka mairi. Many companies that provide ohaka mairi services called ohaka mairi daiko can be easily found on the internet. They offered grave cleaning so that the service user doesn???t need to visit the tomb directly. They will get a photo of the grave before and after cleaning. There was also a virtual grave service. By becoming a member, the user can have a virtual grave with the name of the person who has died carved on the headstone. This grave is very practical in nature because it can be accessed anywhere and anytime so it is easier for the users to perform ohaka mairi
Mapping The Development of Japanese Studies Journals In Indonesia
The Japanese studies field has significantly expanded globally, encompassing diverse themes from traditional cultural aspects to contemporary issues such as globalization and international relations. In Indonesia, Japanese studies play a pivotal role in fostering academic and cultural ties with Japan. The growth of this field is evidenced by the increasing number of academic programs and publications focusing on Japanese language, literature, and culture. Currently, Indonesia hosts 27 Japanese studies journals, which serve as key platforms for disseminating research and strengthening academic engagement. This study adopts a qualitative descriptive approach to map and analyze the development of these journals. It identifies key challenges such as meeting national accreditation standards set by SINTA, ensuring consistent publication quality, and addressing operational sustainability. Other notable issues include article processing charges (APCs) and the need for alignment with international publication norms. Despite these challenges, integrating Japanese cultural philosophy into journal names and designs demonstrates a strong commitment to the field’s identity. In addition, mandatory publication requirements for faculty members and collaborations with academic associations such as ASJI, ASPBJI, and KPSJI provide critical opportunities for these journals to develop further. Rather than merely offering a general overview, this study presents specific insights into the conditions and trajectories of Japanese studies journals in Indonesia, shedding light on their role in strengthening Indonesia’s contribution to global Japanese studies scholarship
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Analisis Konflik Tokoh Utama Novel Hakuchō to Kōmori karya Keigo Higashino
Character conflicts are divided into two, namely external and internal conflicts. This study aims to describe the conflict of the main character, Tatsuro Kuraki, and analyze the cause of the conflict in the novel Hakuchō to Kōmori by Keigo Higashino. This research uses a structural approach with a descriptive qualitative method. The analysis shows that one of the main characters\u27 external conflicts is between Tatsuro Kuraki and Shozo Haitani. Tatsuro accidentally grazed Haitani, so Haitani threatened to report Tatsuro. Furthermore, internal conflict is in the form of Tatsuro\u27s guilt towards the Asaba family, who were victims of police misapprehension in the case of Haitani\u27s death. Furthermore, one of the factors causing conflict in Tatsuro\u27s character is Tatsuro\u27s pity for Shiraishi, who is still a teenager, so he covers up the murder of Haitani committed by Shiraishi. The overall conflict that occurs in the main character has a significant influence on the formation of the plot and other elements in the story
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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