1,734,066 research outputs found
Kirjastojen yhteiset palvelut
Get PDFAnnu Jauhiaisen esitys Erikoiskirjastojen neuvoston kokouksessa 9.11.201
The Human and the Nonhuman: 'socio-environmental' ecotones and deep contradictions in the Indian Heartland
No full textBorders and Ecotones in the Indian Ocean: Cultural and Literary Perspectives127-150FranceHorizons anglophones -Série PoCoPage
NATIONAL COUNCIL OF APPLIED ECONOMIC RESEARCH
No full textPresentation given by Annu Nain on NATIONAL COUNCIL OF APPLIED ECONOMIC RESEARC
Nomadic Science Fiction: Experiencing Diversity and Alterity Through Urbanising Mongolia
Get PDFNomadic Science Fiction: Experiencing Diversity and Alterity through Urbanising Mongolia is my dissertation submitted as partial fulfilment of a doctoral degree for Aalto University, the doctoral work also including a production part. The dissertation has been conducted at Aalto University, Department of Art (Visual Culture) with the starting point in mind to experiment art and curating as research practices and travelling and narrative writing as ways of collecting and conveying ‘experience’.
Nomadic Science Fiction is a project I have based on exhibition exchanges, travels, residencies and publications realised by visual artists, architects and curators between Western countries and Mongolia from 2005 to 2014. The main exhibitions were Mongolia: Perception and Utopia, 2008 (curated by Saara Hacklin, Pirkko Siitari and Annu Wilenius), Bare house. Pori-Rotterdam-Ulaanbaatar, 2010 (curated by Annu Wilenius) and Bare house. Ulaanbaatar, 2011 (curated by Annu Wilenius). In context with the exhibitions there were publications: Mongolia: Perception and Utopia, (edited by Saara Hacklin and Annu Wilenius), 2008, Bare house. Pori-Rotterdam Ulaanbaatar, (edited by Annu Wilenius), 2011, Bare house. Ulaanbaatar – At the Building Site (edited by Annu Wilenius), 2014. The exhibitions and publications are the production part of this doctoral work.There have been a number of articles – both within and about – this project. Some of the texts in this dissertation have been published before. The essays in the exhibition publications are separately indicated. Also the essay Nomadic Urbanism and Other Oxymorons to Learn from was published in a Viennese Libertine Magazine, 2010, and the article Neighbours and Gardens: Social and Environmental Change in the Ulaanbaatar Ger District of Bayanzurkh, written in collaboration with Melitta Kuglitsch was published in the conference publication The Great Wall – Architecture and Identity in China and Mongolia (Vienna Technical University, 2010).
I call this research project nomadic science fiction because it has been travelling in space, time and intensity. I see it as science fiction because I believe science fiction to be trying to reach out to what seems impossible and then acting as if it were possible. The impossible may be the utmost adventure.
This dissertation and the productions are my proposal for Aalto University for the Degree of Doctor of Art
Amidst the wreckage of Amphan, a heartwarming reminder from Sundarbans of what it means to be human
No full textSroll.i
The cosmopolitan and the local: rethinking being a “universal” subject in the age of the Anthropocene
No full textPostcolonial StudiesAlterglobal Politics: Postcolonial Theory in the Era of the Anthropocene and the NonhumanUnited Kingdo
Printed matters: merkitysten kerroksia
No full textMitä on nykyinen taidegrafiikka ja millaista teoriaa se tarvitsee? Printed matters: merkitysten kerroksia -kirjan seitsemän kirjoittajaa pohtivat artikkeleissaan taidegrafiikan olomuotoja. Aiempina vuosisatoina graafisin menetelmin tuotettiin jäljennöksiä ja levitettiin kuvia. Vähitellen syntynyt moderni taidegrafiikka on puolestaan merkinnyt graafisten tekniikoiden kehitystä ja itsenäisen taidemuodon syntyä. Jäljentämisen rinnalla ja sijaan se perustuu nyt yhä moninaisempiin prosesseihin: heijastuksiin, toistoon vailla alkuperäistä mallia, kuvautumiseen ja vaikutelmien välittämiseen. On tullut aika kääntää katse ja tekemisen keskipiste kuvapinnan ulkopuolelle ja taiteen materiaalisuuteen: taidegrafiikan merkityksiin välinekeskeisyydestä luopumisen jälkeen, jolloin välineellä on yhä merkitystä.Kirjoittajat: Martta Heikkilä, Annu Vertanen, Tuomo Rainio, Juha-Heikki Tihinen, Ruth Pelzer-Montada, Saara Hacklin, Kukka Paavilainen.fi=ei tietoa saavutettavuudesta|sv=okänd tillgänglighet|en=unknown accessibility
Vater an seinem Lebensabend
Get PDFAus dem Japanischen von Kathrin Wosnik. Vorlage der Übersetzung: Kobori Annu: Bannen no Chich
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