1,721,251 research outputs found

    Anne Robert, Jacques Turgot : «Laissez faire ! ». Textes choisis et présentés par Alain Laurent, (Coll. «Iconoclastes ».) 1997

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    Michaud Claude. Anne Robert, Jacques Turgot : «Laissez faire ! ». Textes choisis et présentés par Alain Laurent, (Coll. «Iconoclastes ».) 1997. In: Dix-huitième Siècle, n°30, 1998. La recherche aujourd'hui, sous la direction de Michel Delon. p. 572

    Marie-Anne Robert. Voyage aux planètes des femmes

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    The work of Marie-Anne Robert (1705-1771), little-known, aroused the interest of her contemporaries, causing very contradictory comments. The critics of her time undoubtedly relied not only on the author's invention and style, but also on the fact that this "new philosopher", a disciple of Fontenelle, signed her works without using any pseudonyms. Her late literary activity and her reserved life prevented her from becoming an educator for the younger generations. Hence, her novels offer a significant reflection, certainly pedagogical, on the question of the female gender. My paper aims at studying her works, especially the novel Voyages de Mylord Céton dans les sept planètes, or Le Nouveau Mentor (1765-1766) dealing, in an original way, the relationship between men and women and their access to education. Marie-Anne Robert disapproves the attitude of these contemporaries, who are victims of love and vanity. For this reason, they are still unable to "join together" in order to create a new world. Her work projects a very modern gaze

    Marie-Anne Robert (1705-1771), une héritière de Christine de Pizan ? A la recherche d 'une autorité au féminin

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    International audienceLa préface du roman de Marie-Anne Robert, Le Voyage de Milord Céton dans les sept planètes ou Le Nouveau Mentor (1756-1766), suit un scénario proche de celui des premiers chapitres du Livre de la Cité des Dames de Christine de Pizan. Qu’elle connaisse ou non ce texte médiéval, Marie-Anne Robert emploie des éléments similaires à ceux employés par Christine pour trouver une autorité en tant qu’auteure : une apparition surnaturelle vient consacrer la narratrice comme écrivaine et rend légitime l’écriture du texte

    Marie-Anne Robert (1705-1771), une héritière de Christine de Pizan ? A la recherche d 'une autorité au féminin

    No full text
    International audienceLa préface du roman de Marie-Anne Robert, Le Voyage de Milord Céton dans les sept planètes ou Le Nouveau Mentor (1756-1766), suit un scénario proche de celui des premiers chapitres du Livre de la Cité des Dames de Christine de Pizan. Qu’elle connaisse ou non ce texte médiéval, Marie-Anne Robert emploie des éléments similaires à ceux employés par Christine pour trouver une autorité en tant qu’auteure : une apparition surnaturelle vient consacrer la narratrice comme écrivaine et rend légitime l’écriture du texte

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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