1,866 research outputs found
Trapèze dans l’azur
No full textQuesemand Anne, Berman Laurent. Trapèze dans l’azur. In: Chimères. Revue des schizoanalyses, N°15, printemps 1992. Le sexe des étoiles. pp. 81-143
La délinquance juvénile, Etude psychanalytique par Kate Friedlander (trad. Anne Berman), P.U.F., édit
No full textZébus Jean. La délinquance juvénile, Etude psychanalytique par Kate Friedlander (trad. Anne Berman), P.U.F., édit. In: Bulletin de psychologie, tome 5 n°7, 1952. p. 462
Margaret Strauss Berman Family Collection 1898-2005
No full textThe papers contained in this collection document part of the lives of several family members of Margaret Strauss Berman. In addition to biographical summaries written by herself, held in Series I, there are photographs, correspondence, newspaper articles, book pages, a diary and further personal documents related to different parts of Margaret Strauss Berman's family.Series II is mainly composed of copies of Ludwig Strauss's papers including personal documents along with newspaper articles on him. Further documents related to the family of Margaret Strauss Berman's mother are held in Series III. Included are papers and photographs of Siegmund Weinberger, Isidor Behr and Alma and Jacob Simon together with a diary of Aron Weiler.Margaret Berman, June 2005Margaret Strauss Berman was born as a daughter of Flora Behr and Karl Strauss in Speyer, Germany in 1922. In later years the family moved to Neustadt an der Weinstraβe, where Karl Strauss taught mathematics and physics at the local school. After 1935 he had to leave school because of a new Nazi legal measure. In 1938, when Margaret was no longer allowed to attend school, her parents sent her to Newark, New Jersey. In the very same year her father Karl Strauss was arrested during the Kristallnacht and sent to Dachau. After his release the family moved to Mannheim. In 1941, they were deported to Gurs and in 1942 to Auschwitz, where they perished.Margaret Strauss Berman's paternal grandparents Klara and Ludwig Strauss lived in Bad Dürkheim. Her grandfather, a teacher at a Jewish school, was president of the Jewish community in the Palatinate, president of the synagogue in his hometown and the conductor of a local chorus. He also was the head of the local Democratic Party and a member of the city council but in 1933 he was forced to renounce his public offices at the instigation of the regional Gauleiter. After Kristallnacht he and his wife Klara moved to Mannheim from where they were deported to Gurs, where they died in 1942.Erna Behr, a sister of Margaret Strauss Berman's mother, was married to Sigmund Weinberger. He had a medical practice in Heidelberg for 30 years, before he immigrated to the United States. One of Margaret Strauss Berman's other relatives, Alma Behr, married Jacob Simon who was wounded in World War I. The couple lived in Homburg until they immigrated to New York. Alma's brother, Isidor Behr, also served in World War I. He perished with his wife and three children in Auschwitz.In the United States Margaret Strauss Berman became a microbiologist. She married and had three children: Charles, Eve and Anne Berman.ProcesseddigitizedBerman, Margaret (nee Strauss), 1922- ; Strauss, Karl, b 1883 ; Simon, Jakob ; Behr famil
Anne Berman (1889–1979), une «simple secrétaire» du mouvement psychanalytique français ?
No full textThis article is focused on the figure of personal secretary in the history of science with the example of Anne Berman (1889–1979) who was, between 1933 and 1962, the secretary for the psychoanalyst Marie Bonaparte (1882– 1962). Berman was not a psychoanalyst and psychoanalytic historiography considers her as a minor figure. However, her career as a personal secretary and her role in the French psychoanalytic movement should be considered in conjunction with her involvement with the feminist movement. This phar- macist by training has indeed played a prominent role within the Soroptimist, which was a movement that championed the professional interest of women and prides female excellence. In the case of Berman, the status of personal secretary did not enable her to gain lasting recognition by psychoanalysts, but only a weak and fragile legitimacy
sj-pdf-1-asm-10.1177_10731911211046045 – Supplemental material for The Gambling Disorders Identification Test (GDIT): Psychometric Evaluation of a New Comprehensive Measure for Gambling Disorder and Problem Gambling
No full textSupplemental material, sj-pdf-1-asm-10.1177_10731911211046045 for The Gambling Disorders Identification Test (GDIT): Psychometric Evaluation of a New Comprehensive Measure for Gambling Disorder and Problem Gambling by Olof Molander, Peter Wennberg and Anne H Berman in Assessment</p
sj-pdf-2-asm-10.1177_10731911211046045 – Supplemental material for The Gambling Disorders Identification Test (GDIT): Psychometric Evaluation of a New Comprehensive Measure for Gambling Disorder and Problem Gambling
No full textSupplemental material, sj-pdf-2-asm-10.1177_10731911211046045 for The Gambling Disorders Identification Test (GDIT): Psychometric Evaluation of a New Comprehensive Measure for Gambling Disorder and Problem Gambling by Olof Molander, Peter Wennberg and Anne H Berman in Assessment</p
sj-pdf-3-asm-10.1177_10731911211046045 – Supplemental material for The Gambling Disorders Identification Test (GDIT): Psychometric Evaluation of a New Comprehensive Measure for Gambling Disorder and Problem Gambling
No full textSupplemental material, sj-pdf-3-asm-10.1177_10731911211046045 for The Gambling Disorders Identification Test (GDIT): Psychometric Evaluation of a New Comprehensive Measure for Gambling Disorder and Problem Gambling by Olof Molander, Peter Wennberg and Anne H Berman in Assessment</p
Bannibal ou L'histoire d'Albert : le conteur sachant compter / Anne Quesemand ; [illustrations] Laurent Berman
No full textAppartient à l’ensemble documentaire : UnivJeun0Contient une table des matièresAvec mode text
Retradução comentada de Corinne ou l'Italie de Mme de Staël
No full textTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2014.Esta tese, vinculada à linha da "Teoria, crítica e história da tradução" objetiva a retradução comentada de Corinne ou l'Italie (1807) de Madame de Staël. No primeiro capítulo, descrevem-se a vida e as obras da autora, com ênfase para Corinne ou l'Italie, que foi traduzida e retraduzida em outras línguas, principalmente o inglês, italiano e alemão. Em seguida, no capítulo 2, apresenta-se a primeira tradução para o português do Brasil Corina ou a Itália (1945, Edições Cultura). Como terceira etapa, comenta-se a retradução com base nas reflexões teóricas de Berman, Pym, Venuti, Gambier. Apresentam-se exemplos dos aspectos semânticos, culturais, estilísticos presentes ao longo dos XX livros, a partir do original e da retradução. Os comentários do processo de tradução permitem uma frutífera troca literária e cultural e a tradução, o estudo e conhecimento da obra de Madame de Staël, por consequência, enriquecem o cânone da literatura francesa traduzida no Brasil.Abstract : This thesis, linked to the research field "Theory, criticism and history of translation" attempts to do a commented retranslation of Mme de Staël's Corinne ou l'Italie (1807). The first chapter describes the life and the works of the author, with emphasis on Corinne ou l'Italie, which was translated and retranslated into other languages, mainly English, Italian and German. In Chapter 2, the first translation of Corinne ou l'Italie into Brazilina Portuguese (1945, Cultura Printings) is presented. In chapter 3 the retranslation is analyzed through comments based on theoretical reflections of Berman, Pym, Venuti and Gambier. Examples of semantic, cultural and stylistics aspects of the XX books (original and retranslated version) are presented. The comments of the translation process allow a rich literary and cultural exchange. As well as a deeper investigation about Madame de Staël's work enriches the standard of French literature in Brazil
'The cracked mirror': Anne Sexton's poetics of self-representation
No full textThis thesis re-evaluates the work of the poet Anne Sexton (1928-1974), concentrating, in particular, on the indeterminacies, contradictions and aporia which it finds to be characteristic of her ostensibly frank and self-revelatory writing. The study is based on a close textual
analysis of Sexton's writing, is informed by oststructuralist theories, and is sustained by an
examination and discussion of archive collections of her previously unpublished papers. In seeking an understanding of Sexton's poetics, the thesis identifies and interrogates the strategies of denial and obfuscation apparent in her own explication of her work - principally, by scrutiny of the unpublished, and previously unresearched, drafts of a series of lectures
which she delivered in 1972. Chapters One and Two consider the origins of `confessional' or - Sexton's preferred term - 'personal' poetry and reassess her place within contemporary poetry. They suggest that
Sexton's writing is engaged in a process of negotiation and contestation, both with the boundaries and expectations of confessionalism, and with the strictures of T. S. Eliot's theory of `impersonality'. In support of these arguments, Chapter Two offer a reading of Sexton's
little-known poem, `Hurry Up Please It's Time', alongside its intertext, Eliot's The Waste Land. Chapter Three reassesses received views of the supposedly beneficial interrelationship between confessional speaker and reader. It examines Sexton's appropriation of dramatic
masks and personae and her use of metaphors of striptease and prostitution, and suggests that these are employed simultaneously to appease and to repel an intrusive audience. Similarly, Chapters Four and Five trace Sexton's problematisation of two previously-accepted tenets of confessional poetry: its status as autobiography and its truthfulness, drawing attention to the techniques employed in order to give the impression of both. Chapter Six considers Sexton's
problematic engagement with a language which is not malleable, transparent, and referential but, rather, is experienced as uncooperative and occlusive. Finally, the thesis recuperates Sexton from the common charge of narcissism, arguing that it is the writing, rather than the poet, which is self-reflexive and self-conscious. In this respect, it concludes that her work - perhaps unexpectedly - anticipates many of the tendencies of postmodernist writing
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