2,034 research outputs found
A Vimmerby e ritorno. Un viaggio nel mondo di Astrid Lindgren
Il Catalogo, dopo una breve presentazione di Anna Malgarise, del Comune di Verona, e un'introduzione della prof.ssa Silvia Blezza Picherle, docente presso l'Università di Verona, raccoglie i testi dei pannelli presenti nel percorso espositivo, che hanno lo scopo di delineare il quadro di riferimento entro cui si racchiude l'opera di Astrid Lindgren. L'analisi prende in esame tutta la produzione dell'autrice svedese evidenziandone i punti nodali e mettendone in evidenza le sfaccettature. Per lungo tempo, e a torto, l'opera di Astrid Lindgren è stata associata esclusivamente a Pippi Calzelunghe mentre questo Catalogo cerca di rivelare quegli aspetti del suo lavoro che spesso sono stati trascurati e sottovalutati, quanto meno dal pubblico italiano
Charlotte Lindgren intervjuar Ulf Oom Gardtman om rapporten "Formativ feedback i högre utbildning – Inventering, förslag och organisatorisk implementering"
Charlotte Lindgren intervjuar Ulf Oom Gardtman om rapporten "Formativ feedback i högre utbildning – Inventering, förslag och organisatorisk implementering" gjord vid Akademin Industri och samhälle vid Högskolan Dalarna, författad av Mats Andersson, Ulrika Artursson Wissa, Anders Avdic, Ulf Oom Gardtman och Anna Skogsbergs.Pedagogisk utvecklin
S. Blezza Picherle, "Rileggendo Astrid Lindgren. Percorsi critici e itinerari interpretativi"
Recensione della pubblicazione degli atti del convegno "A Vimmerby e ritorno. Un viaggio nel mondo di Astrid Lindgren".
Il volume mette in luce come tutte le opere della Lindgren - di cui è stato celebrato il centenario della nascita nel 2007 - sono una metafora dell'educazione stessa. Esse, infatti, presentano tutte la caratteristica della narratività, che pongono il lettore in un rapporto dialogico con il testo.
E, ancora, tutte rappresentano la possibilità di andare oltre l'esistente, postulando ciò che ancora non c'è, indicando, in tal modo, la possibilità di creare, attraverso l'educazione, un mondo altro, migliore rispetto all'esistente
Fantastične pripovedi Astrid Lindgren
Astrid Lindgren\u27s fantastic tales. The fantastic tale is the genre of youth literature that was separated from folk and fairy tales around 1930. Research done on this topic by literary analysts include Anne Krüger, Lucia Binder, Gote Klingberg and Helmut Müller. The theory of the fantastic tale is introduced in the books of Astrid Lindgren, who has been the subject of the first research done on this newly formed genre. The fantastic tales that are translated are: The Brothers Lionheart, Karlsson on the Roof, Pippi Longstocking and Ronja, the Robber\u27s Daughter. The article also contains analyses of literary figures, comparisons and common characteristics that can be traced throughout all of Astrid Lindgren\u27s youth literature.Fantastična pripoved je žanr mladinske književnosti, ki so ga ločili od ljudske in umetne pravljice po letu 1930. V članku so zajete raziskave književnih analitikov, kot so Anna Krüger, Lucia Binder, Gote Klingberg in Helmut Müller. Teorija fantastične pripovedi je predstavljena na delih Astrid Lindgren, ki je bila snov prvotnih raziskav o novonastalem žanru. V slovenski jezik prevedene fantastične pripovedi so: Brata Levjesrčna, Bratec in Kljukec s strehe, Pika Nogavička ter Ronja, razbojniška hči. Članek vsebuje analize književnih likov, njihove primerjave in skupne poteze, ki jih lahko zasledimo v vseh mladinskih delih Astrid Lindgren
Astrid Lindgren and the Archives
The author Astrid Lindgren (1907-2002) is for many Swedes a genuine national icon. On several occasions, when the most popular and influential Swede is to be announced, Astrid Lindgren’s name is always one of the top names. Astrid Lindgren is for the Swedes known not only as a famous author, but also as a person who spoke out on things she found wrong in the Swedish society. In the history of Swedish literature 1945 is usually regarded as a milestone and Astrid Lindgren’s book Pippi Longstocking was published and revolutionised both children’s literature and the attitude to children and their upbringing. Astrid Lindgren also worked as editor-in-chief for the publishing house Rabén & Sjögren from 1946 to 1970 and for almost a quarter of a century she was responsible for the children’s literature while at the same time she was in practise her own editor. Today, ten years after she passed away 94 years old, her remaining papers, letters and manuscripts are kept in different archives where interesting research can be carried out. There is a substantial amount of material from her rich and prolific life and in this article I wish to illustrate how this material can be used to provide a deeper knowledge of Astrid Lindgren as a person and as an editor.</p
Astrid Lindgren\u27s fantastic tales
Fantastična pripoved je žanr mladinske književnosti, ki so ga ločili od ljudske in umetne pravljice po letu 1930. V članku so zajete raziskave književnih analitikov, kot so Anna Krüger, Lucia Binder, Gote Klingberg in Helmut Müller. Teorija fantastične pripovedi je predstavljena na delih Astrid Lindgren, ki je bila snov prvotnih raziskav o novonastalem žanru. V slovenski jezik prevedene fantastične pripovedi so: Brata Levjesrčna, Bratec in Kljukec s strehe, Pika Nogavička ter Ronja, razbojniška hči. Članek vsebuje analize književnih likov, njihove primerjave in skupne poteze, ki jih lahko zasledimo v vseh mladinskih delih Astrid Lindgren.The fantastic tale is the genre of youth literature that was separated from folk and fairy tales around 1930. Research done on this topic by literary analysts include Anne Krüger, Lucia Binder, Gote Klingberg and Helmut Müller. The theory of the fantastic tale is introduced in the books of Astrid Lindgren, who has been the subject of the first research done on this newly formed genre. The fantastic tales that are translated are: The Brothers Lionheart, Karlsson on the Roof, Pippi Longstocking and Ronja, the Robber\u27s Daughter. The article also contains analyses of literary figures, comparisons and common characteristics that can be traced throughout all of Astrid Lindgren\u27s youth literature
Astrid Lindgren oggi. Spunti per una riflessione
The Author does a study in deep about the charming work of Astrid Lindgren. Her books rapresent a widening of social childhood, and we can find some marks of fantastic mind and unconventional behaviour in them. The Author underlines the actuality of Lindgren’s literature
Possibillity of christian interpretation of selected works of Astrid Lindgren
The goal of the theses is to interpret a selected work of A. Lindgren in a theological way. Methodology of the practical part is built on the broad context of early Christian inculturation (interpretation of ancient culture in the Patristic Tradition, introduced in the work of Hugo Rahner), and of the modern philosophical-theological interpretation of secular culture (interpretation of Don Juan in the work of Karel Vrána). The personality of the author A. Lindgren is then described, with emphasis on certain biographical facts which are particularly important for the goal of the theses. The work of German theologian Thomas Vogel is introduced in the Czech environment for the first time. Thomas Vogel is well-known for his Christian interpretations of A. Lindgren?s books. In the final part the author interprets the book Mio, My Son from christological, ecclesiological and eschatological point of view
Asymmetric Information and the Demand for Voluntary Health Insurance in Europe
Several past studies have found health risk to be negatively correlated with the probability of voluntary health insurance. This is contrary to what one would expect from standard textbook models of adverse selection and moral hazard. The two most common explanations to the counter-intuitive result are either (1) that risk-aversion is correlated with health — i.e. that healthier individuals are also more risk-averse — or (2) that insurers are able to discriminate among customers based on observable health-risk characteristics. We revisited these arguments, using data from the Survey of Health, Ageing and Retirement in Europe (SHARE). Self-assessed health served as an indicator of risk: better health, lower risk. We did, indeed, observe a negative correlation between risk and insurance but found no evidence of heterogeneous risk-preferences as an explanation to our finding.
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