1,720,955 research outputs found
Haunted spaces, failing myths: Spatial ecology and the collapse of environmental imagination in Indonesian horror cinema
No full textBackground: The dystopian narrative that has long been used as a source of fear in Indonesian horror films has not been able to reduce the rate of environmental destruction. This phenomenon shows a gap between imagination and ecological awareness. This study attempts to address the failure of ecological myths through Indonesian horror film narratives in changing people's social behavior. Using Lefebvre's theory of the production of space, this study analyzes how haunted spaces are constructed as ideological arenas that reinforce fear without producing ecological reflection. This study aims to reveal how Indonesian horror cinema produces ecological spaces that are trapped in mysticism, and offers a new reading of the failure of Indonesian visual culture in building a critical ecological subjectivity. Methods: This study employs a qualitative design. Data were drawn from secondary sources in the form of Indonesian horror films released over the past two decades. Analysis involved repeated viewing and systematic note taking, with interpretations cross validated against ancillary sources. Findings: Analysis of three Indonesian ecological horror films, namely Angkerbatu (2007), Eva: Pendakian Terakhir (2025), and Kereta Berdarah (2024) shows that ecological space is represented in symbolic and mystical rather than reflective terms. Environmental issues are reduced to religious morality and local myth, and the relationship between humans and nature remains hierarchical and anthropocentric, reinforcing ritual ecology instead of encouraging a post-fear ecology. Indonesian cinematic space functions less as lived space and more as perceived space governed by the logics of industry, myth, and religion. Conclusion: These findings indicate that the failure to construct an ecological imagination is not merely a cinematic shortcoming but a reflection of social structures that struggle to envision nature beyond sacred or supernatural frames. Novelty/Originality of this article: The article advances a new reading of Indonesian horror cinema by integrating spatial production theory with cultural ecology and by introducing ritual ecology as a form of stagnant ecological consciousness. In doing so, it charts a new direction for ecocriticism and Southeast Asian cinema studies, showing how myth and fear configure an environmental imagination that resists reflection
Haunted spaces, failing myths: Spatial ecology and the collapse of environmental imagination in Indonesian horror cinema
No full textBackground: The dystopian narrative that has long been used as a source of fear in Indonesian horror films has not been able to reduce the rate of environmental destruction. This phenomenon shows a gap between imagination and ecological awareness. This study attempts to address the failure of ecological myths through Indonesian horror film narratives in changing people's social behavior. Using Lefebvre's theory of the production of space, this study analyzes how haunted spaces are constructed as ideological arenas that reinforce fear without producing ecological reflection. This study aims to reveal how Indonesian horror cinema produces ecological spaces that are trapped in mysticism, and offers a new reading of the failure of Indonesian visual culture in building a critical ecological subjectivity. Methods: This study employs a qualitative design. Data were drawn from secondary sources in the form of Indonesian horror films released over the past two decades. Analysis involved repeated viewing and systematic note taking, with interpretations cross validated against ancillary sources. Findings: Analysis of three Indonesian ecological horror films, namely Angkerbatu (2007), Eva: Pendakian Terakhir (2025), and Kereta Berdarah (2024) shows that ecological space is represented in symbolic and mystical rather than reflective terms. Environmental issues are reduced to religious morality and local myth, and the relationship between humans and nature remains hierarchical and anthropocentric, reinforcing ritual ecology instead of encouraging a post-fear ecology. Indonesian cinematic space functions less as lived space and more as perceived space governed by the logics of industry, myth, and religion. Conclusion: These findings indicate that the failure to construct an ecological imagination is not merely a cinematic shortcoming but a reflection of social structures that struggle to envision nature beyond sacred or supernatural frames. Novelty/Originality of this article: The article advances a new reading of Indonesian horror cinema by integrating spatial production theory with cultural ecology and by introducing ritual ecology as a form of stagnant ecological consciousness. In doing so, it charts a new direction for ecocriticism and Southeast Asian cinema studies, showing how myth and fear configure an environmental imagination that resists reflection
Perspektif Utilitas Teknologi Digital dalam Ruang-Ruang Kebudayaan Kasepuhan Ciptagelar Dibandingkan dengan Perspektif Ruang Dunia Konvensional
Full text linkMasyarakat adat seringkali dikaitkan dengan ketakutan terhadap teknologi dengan pandangan bahwa mereka merupakan sebuah komunitas yang berperan sebagai tonggak utama pelestari tradisi dan adat istiadat. Ketakutan tersebut datang karena mereka khawatir dengan datangnya teknologi akan membuat mereka melupakan kewajibannya untuk melestarikan tradisi. Di sisi lain, masyarakat adat Kasepuhan Ciptagelar telah berinovasi mengenai teknologi di lingkungan mereka. Penelitian ini bertujuan untuk menganalisis definisi teknologi sebagai budaya massa yang bergeser menjadi sebuah budaya yang justru dianggap adilihung bagi masyarakat adat. Metode yang digunakan dalam penelitian ini adalah kualitatif-deskriptif dengan pendekatan teori ruang Sarah Upstone dan relativisme budaya Franz Boas. Penelitian dilakukan melalui sistem wawancara terbuka, studi pustaka terhadap kajian literatur mengenai Ciptagelar, dan menyaksikan video dokumenter. Hasil dari penelitian ini terbukti bahwa perspektif manusia dalam ruang yang berbeda dapat mengubah suatu definisi atau indikator tertentu yang diyakini sebagai inovasi budaya dan reduplikasi budaya. Hal ini disebabkan oleh adanya perbedaan pengalaman empirik dan linimasa yang tidak sama dalam mengenal perkembangan teknologi yang dianggap sebagai budaya massa. Ketidakterukuran indikator mengenai inovasi itu sendiri menjadi sebuah bukti bahwa budaya tidak dapat dikarakterisasi dengan hanya menggunakan sudut pandang satu dunia, misal dunia konvensional saja. Karena suatu kebudayaan harus dilihat menggunakan konteks kebudayaan yang tepat berdasarkan di mana ruang tersebut berada dan seperti apa karakteristiknya.
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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